|
gptkbp:instance_of
|
gptkb:novel
gptkb:play
gptkb:film
|
|
gptkbp:bfsLayer
|
3
|
|
gptkbp:bfsParent
|
gptkb:Agatha_Christie
gptkb:William_Wyler
|
|
gptkbp:adaptation
|
gptkb:theatre
gptkb:1949
gptkb:Olivia_de_Havilland
gptkb:film
|
|
gptkbp:adapted_into
|
gptkb:Moises_Kaufman
gptkb:musical
gptkb:radio_station
gptkb:novel
gptkb:film
|
|
gptkbp:author
|
gptkb:Henry_James
|
|
gptkbp:awards
|
gptkb:Tony_Award_for_Best_Play
gptkb:award
gptkb:4
8
|
|
gptkbp:based_on
|
The Heiress (play)
Washington Square by Henry James
novel by Henry James
|
|
gptkbp:box_office
|
$2.5 million
successful
|
|
gptkbp:cast
|
gptkb:William_Wyler
|
|
gptkbp:character
|
gptkb:Lavinia_Penniman
gptkb:Morris_Townsend
gptkb:Catherine_Sloper
gptkb:Dr._Austin_Sloper
Mrs. Montgomery
|
|
gptkbp:character_arc
|
Catherine's transformation
|
|
gptkbp:character_development
|
gptkb:launch_complex
|
|
gptkbp:character_relationships
|
Catherine and Dr. Sloper
Catherine and Morris Townsend
Catherine and her aunt
|
|
gptkbp:cinematography
|
gptkb:Gregg_Toland
|
|
gptkbp:conflict
|
internal conflict
external conflict
|
|
gptkbp:critical_reception
|
positive
well-received
highly acclaimed
|
|
gptkbp:cultural_impact
|
gptkb:American_theater
gptkb:film
inspired adaptations
inspired discussions on gender roles
explores themes of love and loss
performed in theaters worldwide
studied in literature courses
performed in schools
explores themes of isolation
explores themes of power dynamics
influenced adaptations
explores themes of wealth and poverty
explores themes of social class
explores themes of ambition
explores themes of betrayal
explores themes of family dynamics
explores themes of personal growth
explores themes of self-discovery
explores themes of societal expectations
influential in film history
explores themes of societal norms
influenced modern drama
explores themes of emotional conflict
|
|
gptkbp:died_in
|
gptkb:2011
gptkb:2017
|
|
gptkbp:directed_by
|
gptkb:William_Wyler
|
|
gptkbp:director
|
gptkb:William_Wyler
gptkb:John_Frankenheimer
|
|
gptkbp:edited_by
|
gptkb:Daniel_Mandell
|
|
gptkbp:ends_at
|
ambiguous
|
|
gptkbp:famous_quote
|
I am not a child.
You are not the man I thought you were.
|
|
gptkbp:film_festival
|
gptkb:film_festival
|
|
gptkbp:filmography
|
gptkb:Michael_Gambon
gptkb:Montgomery_Clift
gptkb:Ralph_Richardson
gptkb:Diana_Rigg
gptkb:Olivia_de_Havilland
gptkb:Ian_Holm
|
|
gptkbp:first_performance
|
gptkb:Brooks_Atkinson_Theatre
|
|
gptkbp:genre
|
gptkb:High_School
psychological drama
|
|
gptkbp:historical_context
|
gptkb:Gilded_Age_America
|
|
https://www.w3.org/2000/01/rdf-schema#label
|
The Heiress
|
|
gptkbp:influence
|
subsequent authors
|
|
gptkbp:influenced
|
American literature
|
|
gptkbp:influenced_by
|
gptkb:architect
gptkb:The_Portrait_of_a_Lady
American realism
naturalism
realism
|
|
gptkbp:inspiration
|
Henry James's own experiences
|
|
gptkbp:is_critical_for
|
feminist perspective
psychological perspective
|
|
gptkbp:is_motivated_by
|
desire for independence
desire for love
desire for approval
|
|
gptkbp:language
|
English
|
|
gptkbp:legacy
|
influential novel
|
|
gptkbp:literary_devices
|
irony
foreshadowing
symbolism of the house
|
|
gptkbp:main_character
|
gptkb:Catherine_Sloper
|
|
gptkbp:motif
|
gptkb:military_operation
isolation
family dynamics
|
|
gptkbp:music_by
|
gptkb:Aaron_Copland
|
|
gptkbp:narrative_style
|
third-person
psychological realism
|
|
gptkbp:notable_character
|
gptkb:Lavinia_Penniman
gptkb:Morris_Townsend
gptkb:Jessica_Chastain
gptkb:Catherine_Sloper
gptkb:Dr._Austin_Sloper
gptkb:Dan_Stevens
gptkb:Judith_Ivey
|
|
gptkbp:notable_production
|
gptkb:musical
gptkb:West_End
National Tour
Broadway revival 1995
West End revival 2014
Broadway revival 2012
|
|
gptkbp:notable_work
|
gptkb:The_Portrait_of_a_Lady
|
|
gptkbp:official_language
|
English
|
|
gptkbp:plot
|
Catherine's struggle for independence
|
|
gptkbp:plot_twist
|
Catherine's rejection of Morris
Catherine's inheritance decision
|
|
gptkbp:premiered_on
|
1947
|
|
gptkbp:produced_by
|
gptkb:William_Wyler
|
|
gptkbp:published_by
|
gptkb:The_New_Yorker
1884
1947
|
|
gptkbp:reader_demographic
|
enduring popularity
|
|
gptkbp:release_date
|
September 29, 1949
|
|
gptkbp:release_year
|
gptkb:1949
gptkb:1972
|
|
gptkbp:released_in
|
gptkb:1949
|
|
gptkbp:remake
|
gptkb:The_Heiress_(1997_TV_film)
|
|
gptkbp:runtime
|
115 minutes
|
|
gptkbp:screenplay_by
|
gptkb:A._J._Cronin
|
|
gptkbp:set_in
|
gptkb:Borough
|
|
gptkbp:setting
|
gptkb:Borough
|
|
gptkbp:significance
|
exploration of gender roles
exploration of societal expectations
|
|
gptkbp:starring
|
gptkb:Montgomery_Clift
gptkb:Ralph_Richardson
gptkb:Olivia_de_Havilland
|
|
gptkbp:stations
|
gptkb:CBS
|
|
gptkbp:style
|
realism
|
|
gptkbp:symbolism
|
gptkb:wealth
femininity
|
|
gptkbp:themes
|
gptkb:class
gptkb:betrayal
love
inheritance
class struggle
social status
|
|
gptkbp:written_by
|
gptkb:Augustus_Goetz
gptkb:Ruth_Goetz
Ruth and Augustus Goetz
|
|
gptkbp:year_composed
|
1950
|