|
gptkbp:instance_of
|
gptkb:novel
gptkb:play
gptkb:film
|
|
gptkbp:adaptation_stars
|
gptkb:Olivia_de_Havilland
|
|
gptkbp:adaptation_year
|
gptkb:1949
|
|
gptkbp:adaptations
|
gptkb:theater
gptkb:film
|
|
gptkbp:adapted_into
|
gptkb:Moises_Kaufman
gptkb:musical
gptkb:radio_station
gptkb:novel
gptkb:film
|
|
gptkbp:author
|
gptkb:Henry_James
|
|
gptkbp:awards
|
gptkb:Tony_Award_for_Best_Play
gptkb:4
|
|
gptkbp:based_on
|
The Heiress (play)
Washington Square by Henry James
novel by Henry James
|
|
gptkbp:box_office
|
$2.5 million
successful
|
|
gptkbp:cast
|
gptkb:William_Wyler
|
|
gptkbp:character
|
gptkb:Lavinia_Penniman
gptkb:Morris_Townsend
gptkb:Catherine_Sloper
gptkb:Dr._Austin_Sloper
Mrs. Montgomery
|
|
gptkbp:character_arc
|
Catherine's transformation
|
|
gptkbp:character_development
|
gptkb:complex
|
|
gptkbp:character_motivation
|
desire for independence
desire for love
desire for approval
|
|
gptkbp:character_relationships
|
Catherine and Dr. Sloper
Catherine and Morris Townsend
Catherine and her aunt
|
|
gptkbp:cinematography_by
|
gptkb:Gregg_Toland
|
|
gptkbp:conflict
|
internal conflict
external conflict
|
|
gptkbp:critical_analysis
|
feminist perspective
psychological perspective
|
|
gptkbp:critical_reception
|
positive
well-received
highly acclaimed
|
|
gptkbp:cultural_impact
|
gptkb:film_adaptations
gptkb:American_theater
inspired adaptations
inspired discussions on gender roles
explores themes of love and loss
performed in theaters worldwide
studied in literature courses
performed in schools
explores themes of isolation
explores themes of power dynamics
influenced adaptations
explores themes of wealth and poverty
explores themes of social class
explores themes of ambition
explores themes of betrayal
explores themes of family dynamics
explores themes of personal growth
explores themes of self-discovery
explores themes of societal expectations
influential in film history
explores themes of societal norms
influenced modern drama
explores themes of emotional conflict
|
|
gptkbp:directed_by
|
gptkb:William_Wyler
|
|
gptkbp:director
|
gptkb:William_Wyler
gptkb:John_Frankenheimer
|
|
gptkbp:edited_by
|
gptkb:Daniel_Mandell
|
|
gptkbp:ended
|
ambiguous
|
|
gptkbp:famous_quote
|
I am not a child.
You are not the man I thought you were.
|
|
gptkbp:film
|
gptkb:Michael_Gambon
gptkb:Diana_Rigg
gptkb:Ian_Holm
|
|
gptkbp:film_editing
|
gptkb:Montgomery_Clift
gptkb:Ralph_Richardson
gptkb:Olivia_de_Havilland
|
|
gptkbp:film_festival
|
gptkb:Venice_Film_Festival
|
|
gptkbp:first_performance
|
gptkb:Brooks_Atkinson_Theatre
|
|
gptkbp:genre
|
gptkb:drama
psychological drama
|
|
gptkbp:historical_context
|
gptkb:Gilded_Age_America
|
|
https://www.w3.org/2000/01/rdf-schema#label
|
The Heiress
|
|
gptkbp:influence
|
subsequent authors
|
|
gptkbp:influenced
|
American literature
|
|
gptkbp:influenced_by
|
gptkb:The_Portrait_of_a_Lady
gptkb:Gothic_literature
American realism
naturalism
realism
|
|
gptkbp:inspiration
|
Henry James's own experiences
|
|
gptkbp:language
|
English
|
|
gptkbp:legacy
|
influential novel
|
|
gptkbp:literary_devices
|
irony
foreshadowing
symbolism of the house
|
|
gptkbp:literary_significance
|
exploration of gender roles
exploration of societal expectations
|
|
gptkbp:main_character
|
gptkb:Catherine_Sloper
|
|
gptkbp:motif
|
gptkb:deception
isolation
family dynamics
|
|
gptkbp:music_by
|
gptkb:Aaron_Copland
|
|
gptkbp:narrative_style
|
third-person
psychological realism
|
|
gptkbp:notable_actor
|
gptkb:Jessica_Chastain
gptkb:Dan_Stevens
gptkb:Judith_Ivey
|
|
gptkbp:notable_awards
|
gptkb:Tony_Award_for_Best_Play
|
|
gptkbp:notable_character
|
gptkb:Lavinia_Penniman
gptkb:Morris_Townsend
gptkb:Catherine_Sloper
gptkb:Dr._Austin_Sloper
|
|
gptkbp:notable_production
|
gptkb:West_End
gptkb:Broadway
National Tour
Broadway revival 1995
West End revival 2014
Broadway revival 2012
|
|
gptkbp:notable_work
|
gptkb:The_Portrait_of_a_Lady
|
|
gptkbp:original_language
|
English
|
|
gptkbp:plot
|
Catherine's struggle for independence
|
|
gptkbp:plot_twist
|
Catherine's rejection of Morris
Catherine's inheritance decision
|
|
gptkbp:premiered_on
|
1947
|
|
gptkbp:produced_by
|
gptkb:William_Wyler
|
|
gptkbp:published
|
1884
|
|
gptkbp:published_in
|
gptkb:The_New_Yorker
1947
|
|
gptkbp:radio_play_network
|
gptkb:CBS
|
|
gptkbp:radio_play_year
|
1950
|
|
gptkbp:reader_demographic
|
enduring popularity
|
|
gptkbp:release_date
|
September 29, 1949
|
|
gptkbp:release_year
|
gptkb:1949
gptkb:1972
|
|
gptkbp:released_in
|
gptkb:1949
|
|
gptkbp:remake
|
gptkb:The_Heiress_(1997_TV_film)
|
|
gptkbp:revived_in
|
gptkb:2011
gptkb:2017
|
|
gptkbp:runtime
|
115 minutes
|
|
gptkbp:screenplay_by
|
gptkb:A._J._Cronin
|
|
gptkbp:set_in
|
gptkb:New_York_City
|
|
gptkbp:setting
|
gptkb:New_York_City
|
|
gptkbp:starring
|
gptkb:Montgomery_Clift
gptkb:Ralph_Richardson
gptkb:Olivia_de_Havilland
|
|
gptkbp:style
|
realism
|
|
gptkbp:symbolism
|
gptkb:wealth
femininity
|
|
gptkbp:themes
|
gptkb:betrayal
gptkb:social_class
love
inheritance
class struggle
social status
|
|
gptkbp:won_award
|
gptkb:Academy_Awards
8
|
|
gptkbp:written_by
|
gptkb:Augustus_Goetz
gptkb:Ruth_Goetz
Ruth and Augustus Goetz
|
|
gptkbp:bfsParent
|
gptkb:Agatha_Christie
gptkb:Aaron_Copland
gptkb:Catherine
gptkb:The_86th_Tony_Awards
gptkb:Edith_Head
|
|
gptkbp:bfsLayer
|
4
|