|
gptkbp:instance_of
|
gptkb:music_video
gptkb:novel
gptkb:song
gptkb:film
|
|
gptkbp:adaptation
|
gptkb:film
|
|
gptkbp:album
|
gptkb:The_End_of_the_Innocence
gptkb:The_Heart_of_the_Matter_(feat._John_Legend)_-Single
|
|
gptkbp:artist
|
gptkb:John_Legend
gptkb:Don_Henley
|
|
gptkbp:artistic_influence
|
modernist literature
|
|
gptkbp:author
|
gptkb:Graham_Greene
|
|
gptkbp:awards
|
gptkb:none
|
|
gptkbp:based_on
|
The Heart of the Matter (novel)
|
|
gptkbp:character
|
faith
redemption
|
|
gptkbp:character_development
|
gptkb:complex
|
|
gptkbp:character_motivation
|
gptkb:survival
|
|
gptkbp:character_relationships
|
strained
complicated
|
|
gptkbp:character's_dilemma
|
loyalty vs. morality
|
|
gptkbp:character's_evolution
|
matured perspective
|
|
gptkbp:character's_fate
|
tragic
|
|
gptkbp:character's_flaws
|
self-doubt
|
|
gptkbp:character's_internal_conflict
|
duty vs. desire
|
|
gptkbp:chart_position
|
#2 on Billboard Hot 100
|
|
gptkbp:cinematography_by
|
gptkb:Jane_Smith
|
|
gptkbp:conflict
|
existential
personal vs. duty
|
|
gptkbp:country
|
gptkb:United_States
|
|
gptkbp:critical_analysis
|
examines guilt
|
|
gptkbp:critical_reception
|
well-received
|
|
gptkbp:cultural_impact
|
discussed in academia
|
|
gptkbp:cultural_references
|
frequently cited
|
|
gptkbp:director
|
gptkb:Khaled_Hosseini
gptkb:David_Hogan
gptkb:T._E._B._Clarke
|
|
gptkbp:featured_artist
|
gptkb:John_Legend
|
|
gptkbp:genre
|
gptkb:rock
gptkb:drama
literary fiction
R& B
|
|
gptkbp:historical_context
|
colonial era
|
|
https://www.w3.org/2000/01/rdf-schema#label
|
The Heart of the Matter
|
|
gptkbp:influenced_artists
|
post-colonial studies
|
|
gptkbp:influences
|
gptkb:Catholicism
|
|
gptkbp:inspiration
|
Greene's experiences
|
|
gptkbp:label
|
gptkb:Geffen_Records
gptkb:Independent
|
|
gptkbp:language
|
English
|
|
gptkbp:legacy
|
enduring influence
|
|
gptkbp:length
|
4:24
3:30
|
|
gptkbp:literary_devices
|
irony
|
|
gptkbp:literary_significance
|
explores colonialism
|
|
gptkbp:main_character
|
Scobie
|
|
gptkbp:mood
|
somber
|
|
gptkbp:motif
|
gptkb:betrayal
|
|
gptkbp:music_by
|
gptkb:John_Doe
|
|
gptkbp:narrative
|
multi-layered
|
|
gptkbp:narrative_focus
|
inner conflict
|
|
gptkbp:narrative_style
|
stream of consciousness
third-person
|
|
gptkbp:philosophy
|
moral choices
|
|
gptkbp:producer
|
gptkb:John_Legend
|
|
gptkbp:protagonist
|
colonial officer
|
|
gptkbp:published
|
1948
|
|
gptkbp:publisher
|
Heinemann
|
|
gptkbp:reader_demographic
|
subjective
|
|
gptkbp:reader's_engagement
|
thought-provoking
|
|
gptkbp:release_date
|
gptkb:1989
|
|
gptkbp:release_year
|
gptkb:1989
gptkb:2006
gptkb:2020
1953
|
|
gptkbp:screenplay_by
|
gptkb:Khaled_Hosseini
|
|
gptkbp:setting
|
gptkb:Sierra_Leone
|
|
gptkbp:style
|
descriptive
|
|
gptkbp:symbol
|
the heart
|
|
gptkbp:symbolism
|
the heart
|
|
gptkbp:theme
|
gptkb:moral_ambiguity
|
|
gptkbp:themes
|
gptkb:existentialism
|
|
gptkbp:writer
|
gptkb:John_Legend
Other Collaborators
|
|
gptkbp:year
|
gptkb:World_War_II
|
|
gptkbp:bfsParent
|
gptkb:Bill_Viola
gptkb:Ai_Weiwei
gptkb:Richard_Tuttle
gptkb:Wolfgang_Tillmans
gptkb:Tracey_Emin
gptkb:Damien_Hirst
gptkb:Graham_Greene
gptkb:Sara_Bareilles
gptkb:Gareth_Emery
gptkb:Katherine_Tupper_Marshall
|
|
gptkbp:bfsLayer
|
4
|