|
gptkbp:instance_of
|
gptkb:musical
gptkb:novel
gptkb:song
gptkb:play
gptkb:film
|
|
gptkbp:adaptation
|
gptkb:musical
gptkb:opera
gptkb:theater
gptkb:film
gptkb:stage_play
|
|
gptkbp:adaptation_year
|
gptkb:1968
|
|
gptkbp:adapted_into
|
gptkb:musical
gptkb:Television_producer
gptkb:film
|
|
gptkbp:album
|
gptkb:Heartland
|
|
gptkbp:author
|
gptkb:Carson_Mc_Cullers
|
|
gptkbp:awards
|
gptkb:Academy_Award_nomination
|
|
gptkbp:based_on
|
gptkb:novel
novel by Carson Mc Cullers
|
|
gptkbp:box_office
|
$1.5 million
|
|
gptkbp:cast
|
gptkb:Robert_Ellis_Miller
|
|
gptkbp:character
|
gptkb:Biff_Brannon
gptkb:Dr._Benedict_Copeland
gptkb:Mick_Kelly
gptkb:John_Singer
gptkb:Jake_Blount
gptkb:Nina
gptkb:Willie
Dr. Copeland
Bickham
Bick Johnson
|
|
gptkbp:character_development
|
complex characters
|
|
gptkbp:characters
|
gptkb:Mick_Kelly
gptkb:John_Singer
gptkb:Jake_Blount
Dr. Copeland
Bickham
|
|
gptkbp:chart_position
|
#1 on Billboard Hot Country Songs
|
|
gptkbp:cinematography
|
gptkb:Charles_Lang
|
|
gptkbp:color
|
black and white
|
|
gptkbp:composed_by
|
gptkb:Mildred_Kayden
|
|
gptkbp:conflict
|
external
internal
|
|
gptkbp:country
|
gptkb:United_States
|
|
gptkbp:critical_reception
|
acclaimed
mixed reviews
widely acclaimed
well-received
|
|
gptkbp:cultural_impact
|
influenced literature
influence on later works
exploration of race relations
influenced visual arts
exploration of social issues
influence on future playwrights
influenced writers
influenced film
influenced music
influenced theater
adapted into various media
studied in schools
discussion of mental health
exploration of gender roles
influence on American drama
influence on Southern literature
representation of marginalized voices
influence on American theater
influence on Southern theater
influence on contemporary musicals
influence on musical storytelling
|
|
gptkbp:director
|
gptkb:Robert_Ellis_Miller
|
|
gptkbp:distributor
|
gptkb:Columbia_Pictures
|
|
gptkbp:editor
|
gptkb:Robert_C._Jones
|
|
gptkbp:film_editing
|
gptkb:James_Patterson
gptkb:Alan_Arkin
gptkb:Percy_Rodriguez
gptkb:Tracy_Reed
gptkb:Sandy_Dennis
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|
gptkbp:filming_location
|
gptkb:Georgia
|
|
gptkbp:first_performance
|
gptkb:New_York_City
gptkb:The_New_York_Theatre_Workshop
|
|
gptkbp:followed_by
|
gptkb:Grandpa_(Tell_Me_'_Bout_the_Good_Old_Days)
|
|
gptkbp:genre
|
gptkb:Southern_Gothic
gptkb:drama
gptkb:Country
|
|
gptkbp:has_song
|
gptkb:Mildred_Kayden
|
|
https://www.w3.org/2000/01/rdf-schema#label
|
The Heart Is a Lonely Hunter
|
|
gptkbp:influence
|
gptkb:Civil_Rights_Movement
|
|
gptkbp:influenced
|
gptkb:film_adaptations
gptkb:American_theater
gptkb:literature
future filmmakers
musicals in the 1960s
musicals about social issues
|
|
gptkbp:influenced_by
|
gptkb:Gothic_literature
|
|
gptkbp:influences
|
gptkb:Modernist_literature
gptkb:Gothic_literature
American literature
Southern literature
|
|
gptkbp:inspiration
|
Carson Mc Cullers' experiences
Carson Mc Cullers' life
|
|
gptkbp:inspired
|
many authors
theater adaptations
|
|
gptkbp:isbn
|
978-0-06-093441-5
|
|
gptkbp:label
|
gptkb:RCA_Nashville
|
|
gptkbp:language
|
English
|
|
gptkbp:length
|
3:45
|
|
gptkbp:main_character
|
gptkb:John_Singer
|
|
gptkbp:motif
|
gptkb:art
gptkb:dreams
gptkb:friendship
gptkb:identity
gptkb:music
gptkb:community
suffering
search for understanding
|
|
gptkbp:music_composer
|
gptkb:Dave_Grusin
|
|
gptkbp:narrative
|
third-person
|
|
gptkbp:narrative_style
|
third-person
non-linear storytelling
|
|
gptkbp:notable_production
|
2015 revival
2000 revival
2010 revival
1989 revival
1971 revival
|
|
gptkbp:notable_quote
|
" The heart is a lonely hunter."
“ The heart is a lonely hunter that hunts on a lonely hill.”
“ It is the loneliness of the heart that is the most painful.”
“ You can’t be a writer if you don’t have a heart.”
“ People are not always what they seem.”
|
|
gptkbp:notable_song
|
gptkb:The_Lonely_Hunter
|
|
gptkbp:original_language
|
English
|
|
gptkbp:page_count
|
gptkb:368
|
|
gptkbp:performed_at
|
gptkb:The_Goodman_Theatre
gptkb:The_Royal_Court_Theatre
gptkb:The_Public_Theater
|
|
gptkbp:performed_by
|
gptkb:The_Judds
various theater companies
|
|
gptkbp:preceded_by
|
gptkb:I_Know_Where_I'm_Going
|
|
gptkbp:premiere
|
gptkb:New_York_City
|
|
gptkbp:premiered_on
|
gptkb:1959
1950
|
|
gptkbp:produced_by
|
gptkb:The_New_York_City_Opera
|
|
gptkbp:production_company
|
gptkb:Columbia_Pictures
|
|
gptkbp:published
|
gptkb:1940
|
|
gptkbp:published_in
|
gptkb:1940
1951
|
|
gptkbp:publisher
|
gptkb:Houghton_Mifflin
gptkb:Houghton_Mifflin_Harcourt
|
|
gptkbp:release_format
|
theatrical
|
|
gptkbp:release_year
|
gptkb:1968
gptkb:1989
|
|
gptkbp:remake
|
2000 television film
|
|
gptkbp:runtime
|
120 minutes
|
|
gptkbp:screenings
|
film festivals
|
|
gptkbp:screenplay_by
|
gptkb:Mervyn_Le_Roy
|
|
gptkbp:set_in
|
gptkb:Southern_United_States
|
|
gptkbp:setting
|
gptkb:Georgia
gptkb:Southern_United_States
|
|
gptkbp:sound
|
gptkb:Mono
|
|
gptkbp:starring
|
gptkb:Cicely_Tyson
gptkb:Alan_Arkin
gptkb:Percy_Rodriguez
gptkb:C._M._(Chuck)_Mc_Cann
gptkb:Sandy_Dennis
|
|
gptkbp:style
|
lyrical
lyrical prose
poetic
|
|
gptkbp:symbolism
|
gptkb:music
silence
deafness
the deaf-mute
the town of Mississippi
|
|
gptkbp:thematic_element
|
social injustice
search for identity
human connection
|
|
gptkbp:theme
|
gptkb:communication
loneliness
isolation
|
|
gptkbp:themes
|
gptkb:communication
gptkb:friendship
mental health
loneliness
isolation
communication barriers
family dynamics
economic hardship
social injustice
search for identity
race relations
loss and grief
hope and despair
youth and coming of age
|
|
gptkbp:writer
|
gptkb:Harlan_Howard
|
|
gptkbp:written_by
|
gptkb:Carson_Mc_Cullers
gptkb:Mildred_Kayden
|
|
gptkbp:bfsParent
|
gptkb:Cicely_Tyson
|
|
gptkbp:bfsLayer
|
3
|