Statements (23)
| Predicate | Object |
|---|---|
| gptkbp:instance_of |
gptkb:painting
|
| gptkbp:art_movement |
gptkb:Realism
|
| gptkbp:artistic_focus |
labor and community
|
| gptkbp:collection |
gptkb:Tate_collection
|
| gptkbp:color_palette |
earth tones
|
| gptkbp:created_by |
gptkb:John_Frederick_Lewis
|
| gptkbp:cultural_significance |
represents 19th-century rural England
|
| gptkbp:dimensions |
76.2 cm × 101.6 cm
|
| gptkbp:exhibition_history |
Exhibited at the Royal Academy
|
| gptkbp:historical_context |
gptkb:Victorian_era
|
| https://www.w3.org/2000/01/rdf-schema#label |
The Haymaking, 1882
|
| gptkbp:influences |
gptkb:Romanticism
|
| gptkbp:inspired_by |
English countryside
|
| gptkbp:location |
gptkb:Tate_Britain
|
| gptkbp:medium |
gptkb:oil_on_canvas
|
| gptkbp:notable_features |
depiction of haymaking process
|
| gptkbp:style |
Victorian art
|
| gptkbp:subject_matter |
rural life
|
| gptkbp:technique |
impasto
|
| gptkbp:visitors |
immersive
|
| gptkbp:year_created |
1882
|
| gptkbp:bfsParent |
gptkb:Pissarro
|
| gptkbp:bfsLayer |
5
|