|
gptkbp:instance_of
|
gptkb:musical
gptkb:film
|
|
gptkbp:adapted_into
|
gptkb:stage_play
|
|
gptkbp:awards
|
gptkb:none
gptkb:Jamaican_Film_Festival_Award
Best Film at the 1973 Jamaican Film Festival
Best Actor at the Caribbean Film Festival
Best Director at the Caribbean Film Festival
Best Film at the Caribbean Film Festival
Best Music at the Caribbean Film Festival
Best Film at the 1973 Caribbean Film Festival
Jamaica Independence Award
|
|
gptkbp:based_on
|
1972 film
original story by Perry Henzell
|
|
gptkbp:box_office
|
$20 million
$20,000
|
|
gptkbp:cast_member
|
various actors
|
|
gptkbp:character
|
gptkb:Maria
gptkb:Mr._Brown
gptkb:Sister_Nancy
gptkb:Pedro
gptkb:clergy
gptkb:Ivanhoe_Martin
gptkb:The_Police
Elsie
The Gangsters
|
|
gptkbp:choreography
|
gptkb:Jamaica's_National_Dance_Theatre_Company
|
|
gptkbp:cinematography
|
gptkb:Lindsay_Anderson
|
|
gptkbp:cinematography_by
|
gptkb:Lindsay_Anderson
|
|
gptkbp:country
|
gptkb:Jamaica
|
|
gptkbp:critical_reception
|
positive
cult classic
positive reviews
|
|
gptkbp:cultural_impact
|
gptkb:cultists
cult classic
influenced fashion
influenced literature
influenced art
influenced filmmakers
influenced musicians
influenced reggae genre
popularized reggae music
|
|
gptkbp:cultural_significance
|
depicts social issues
Jamaican identity
depicts the struggle for survival
Jamaican cinema
depicts corruption in Jamaica
depicts crime in Jamaica
depicts music in Jamaica
depicts poverty in Jamaica
depicts the quest for fame
depicts the quest for justice
depicts the quest for power
depicts violence in Jamaica
first Jamaican feature film
|
|
gptkbp:directed_by
|
gptkb:Perry_Henzell
|
|
gptkbp:director
|
gptkb:Perry_Henzell
|
|
gptkbp:distributor
|
gptkb:Cinemation_Industries
gptkb:Cinemascope
|
|
gptkbp:edited_by
|
gptkb:Perry_Henzell
|
|
gptkbp:editor
|
gptkb:Perry_Henzell
|
|
gptkbp:famous_for
|
popularizing reggae music
|
|
gptkbp:features
|
reggae music
ska music
rocksteady music
reggae soundtrack
|
|
gptkbp:film_editing
|
gptkb:Perry_Henzell
|
|
gptkbp:film_festival
|
gptkb:1972
gptkb:Cannes_Film_Festival
|
|
gptkbp:film_score
|
gptkb:1972
gptkb:2003
gptkb:2019
reggae soundtrack
Reggae soundtrack
|
|
gptkbp:first_published
|
gptkb:Perry_Henzell
|
|
gptkbp:followed_by
|
gptkb:The_Harder_They_Come_(soundtrack_album)
|
|
gptkbp:follows
|
gptkb:The_Harder_They_Come_(soundtrack)
gptkb:Ivanhoe_Martin
|
|
gptkbp:genre
|
gptkb:musical_theatre
gptkb:drama
gptkb:crime
crime film
|
|
gptkbp:has_been_restored
|
gptkb:multiple_times
|
|
gptkbp:has_soundtrack
|
various artists
|
|
gptkbp:home_media_release
|
gptkb:DVD
gptkb:Blu-ray
DVD and Blu-ray
|
|
https://www.w3.org/2000/01/rdf-schema#label
|
The Harder They Come
|
|
gptkbp:influenced
|
gptkb:hip_hop_culture
gptkb:film_industry
gptkb:Bob_Marley
gptkb:cinema
gptkb:The_Clash
gptkb:filmmakers
film soundtracks
music videos
documentary films
reggae music
Hip hop artists
music documentaries
hip hop artists
Punk rock music
global music scene
reggae musicians
Reggae artists
reggae documentaries
Jamaican cinema
Jamaican music scene
musicals in the UK
musicals in the US
subsequent reggae films
subsequent Jamaican cinema
|
|
gptkbp:influenced_artists
|
gptkb:Bob_Marley
gptkb:Peter_Tosh
gptkb:Burning_Spear
gptkb:Steel_Pulse
gptkb:Toots_and_the_Maytals
|
|
gptkbp:influenced_by
|
Jamaican culture
reggae music
American films
|
|
gptkbp:inspiration
|
real-life experiences
for many artists
real-life experiences of Jamaican musicians
|
|
gptkbp:inspired
|
gptkb:film_adaptations
cultural movements
reggae festivals
The Harder They Come (musical)
|
|
gptkbp:inspired_by
|
real-life events
|
|
gptkbp:is_a_representation_of
|
the importance of community
Jamaican culture
the journey of self-discovery
the search for identity
the role of music in society
the resilience of the human spirit
the clash of cultures
the power of storytelling
the role of the artist in society
the fight for justice
the impact of colonialism
the consequences of crime
reggae music history
the struggles of the poor
the quest for fame
social issues in Jamaica
the fight against systemic oppression
the influence of Rastafarianism
|
|
gptkbp:is_known_for
|
its storytelling
its music
its cultural impact
|
|
gptkbp:language
|
English
|
|
gptkbp:legacy
|
influential in film and music
influential in music and film
|
|
gptkbp:main_actor
|
gptkb:Jimmy_Cliff
gptkb:Carl_Bradshaw
Janet Bartley
|
|
gptkbp:music
|
gptkb:Jimmy_Cliff
Reggae
reggae
|
|
gptkbp:music_by
|
gptkb:Jimmy_Cliff
|
|
gptkbp:music_composer
|
gptkb:Jimmy_Cliff
|
|
gptkbp:music_genre
|
reggae
|
|
gptkbp:notable_actor
|
gptkb:Ras_Daniel_Hartman
gptkb:Jimmy_Cliff
gptkb:Carl_Bradshaw
Janet Bartley
|
|
gptkbp:notable_for
|
popularizing reggae music
|
|
gptkbp:notable_quote
|
“ I’m not a criminal.”
" The harder they come, the harder they fall."
“ I’m just a poor boy.”
" I want to be a star"
“ I’m gonna be a big star.”
“ The harder they come, the harder they fall.”
“ You can’t stop the music.”
" I can see clearly now, the rain is gone"
" I have to make a living"
" The harder they come, the harder they fall"
" You can't get away from the law"
|
|
gptkbp:notable_song
|
gptkb:The_Harder_They_Come
gptkb:Pressure_Drop
gptkb:Many_Rivers_to_Cross
gptkb:Sitting_in_Limbo
gptkb:You_Can_Get_It_If_You_Really_Want
|
|
gptkbp:performed_at
|
gptkb:The_Lyric_Theatre
|
|
gptkbp:performed_in
|
gptkb:London
gptkb:Los_Angeles
gptkb:New_York_City
gptkb:Toronto
|
|
gptkbp:premiere
|
gptkb:New_York_City
gptkb:1972_Cannes_Film_Festival
|
|
gptkbp:premiere_location
|
gptkb:New_York_City
|
|
gptkbp:premiered_on
|
gptkb:2006
|
|
gptkbp:produced_by
|
gptkb:Chris_Blackwell
|
|
gptkbp:producer
|
gptkb:Perry_Henzell
|
|
gptkbp:production_company
|
gptkb:Perry_Henzell_Productions
|
|
gptkbp:received
|
positive reviews
|
|
gptkbp:release_date
|
gptkb:1972
April 1972
|
|
gptkbp:release_format
|
theatrical
|
|
gptkbp:release_year
|
gptkb:1972
|
|
gptkbp:released
|
gptkb:1972
|
|
gptkbp:released_in
|
gptkb:1972
|
|
gptkbp:remake
|
gptkb:The_Harder_They_Come_(remake)
|
|
gptkbp:remastered
|
gptkb:2012
in 2003
|
|
gptkbp:restoration
|
gptkb:2012
gptkb:The_Criterion_Collection
|
|
gptkbp:runtime
|
120 minutes
approximately 2 hours
|
|
gptkbp:screenings
|
restored version
|
|
gptkbp:screenplay
|
gptkb:Perry_Henzell
|
|
gptkbp:screenplay_by
|
gptkb:Perry_Henzell
|
|
gptkbp:set_in
|
gptkb:Jamaica
|
|
gptkbp:setting
|
gptkb:Jamaica
|
|
gptkbp:soundtrack
|
gptkb:The_Harder_They_Come
gptkb:The_Harder_They_Come_(soundtrack)
gptkb:Many_Rivers_to_Cross
gptkb:The_Harder_They_Come_(soundtrack_album)
gptkb:The_Harder_They_Come_Soundtrack
gptkb:You_Can_Get_It_If_You_Really_Want
reggae
|
|
gptkbp:soundtrack_album_label
|
gptkb:Island_Records
|
|
gptkbp:soundtrack_album_release
|
gptkb:1972
|
|
gptkbp:starring
|
gptkb:Jimmy_Cliff
gptkb:Carl_Bradshaw
Janet Bartley
|
|
gptkbp:thematic_element
|
gptkb:identity
redemption
struggle against oppression
|
|
gptkbp:theme
|
social issues
pursuit of dreams
crime and punishment
struggle against oppression
struggle for success
violence and crime
social issues in Jamaica
|
|
gptkbp:bfsParent
|
gptkb:Paul_Oakenfold
gptkb:Bob_Marley
gptkb:Rock_Steady
gptkb:Dynamic_Sounds_Studios
gptkb:Divine_Madness
gptkb:No_Woman,_No_Cry
|
|
gptkbp:bfsLayer
|
4
|