Statements (28)
Predicate | Object |
---|---|
gptkbp:audience |
General public
Art critics |
gptkbp:collection |
gptkb:Museum_of_Modern_Art,_New_York
|
gptkbp:cultural_aspect |
Late 20th century art.
|
gptkbp:description |
A commentary on the art world.
|
gptkbp:dimensions |
Variable
|
gptkbp:exhibition_history |
gptkb:Documenta_IX
|
gptkbp:has_reception |
Mixed reviews.
|
gptkbp:historical_significance |
Reflects societal issues.
Challenges viewer perceptions. Explores identity. |
https://www.w3.org/2000/01/rdf-schema#label |
The Happy End
|
gptkbp:impact |
Critique of art market
|
gptkbp:influenced_by |
gptkb:Surrealism
Psychoanalysis. Feminism. |
gptkbp:influences |
Pop culture
|
gptkbp:is_critiqued_by |
Artistic pretension.
Commercialism. |
gptkbp:location |
gptkb:Museum_of_Modern_Art,_New_York
|
gptkbp:medium |
gptkb:Mixed_media
|
gptkbp:symbolism |
Consumerism
|
gptkbp:technique |
gptkb:installation_art
|
gptkbp:theme |
Irony
|
gptkbp:type |
gptkb:artwork
|
gptkbp:year_created |
gptkb:1999
|
gptkbp:bfsParent |
gptkb:Martin_Kippenberger
|
gptkbp:bfsLayer |
5
|