|
gptkbp:instance_of
|
gptkb:novel
|
|
gptkbp:adaptation
|
gptkb:television_series
gptkb:theatre
gptkb:film
Critically acclaimed
|
|
gptkbp:author
|
gptkb:R._K._Narayan
|
|
gptkbp:awards
|
gptkb:None
|
|
gptkbp:character_arc
|
Raju's journey
Raju's redemption arc
|
|
gptkbp:character_development
|
Raju's transformation
|
|
gptkbp:character_relationships
|
Selfishness
Raju and Rosie
Raju vs. society
|
|
gptkbp:climax
|
Raju's decision to become a holy man
|
|
gptkbp:conflict
|
Internal conflict
Man vs. self
|
|
gptkbp:country
|
gptkb:India
|
|
gptkbp:critical_reception
|
Positive
|
|
gptkbp:cultural_impact
|
Influenced Indian literature
|
|
gptkbp:cultural_significance
|
Represents Indian society
|
|
gptkbp:genre
|
gptkb:Author
|
|
gptkbp:historical_context
|
Post-colonial India
|
|
gptkbp:influenced_artists
|
Inspired future writers
|
|
gptkbp:influences
|
Indian culture
|
|
gptkbp:inspiration
|
R. K. Narayan's experiences
|
|
gptkbp:is_motivated_by
|
Desire for acceptance
Search for identity
|
|
gptkbp:is_symbolic_of
|
Guide as a metaphor
|
|
gptkbp:isbn
|
978-0-14-303965-3
|
|
gptkbp:language
|
English
|
|
gptkbp:main_character
|
gptkb:municipality
gptkb:Raju
|
|
gptkbp:mood
|
Reflective
|
|
gptkbp:motif
|
gptkb:Travel
|
|
gptkbp:narrative_style
|
Third-person
Foreshadowing
Omniscient
Simple prose
|
|
gptkbp:notable_quote
|
nan
|
|
gptkbp:page_count
|
gptkb:television_series
|
|
gptkbp:plot
|
Linear
|
|
gptkbp:published_year
|
gptkb:1958
|
|
gptkbp:publisher
|
gptkb:Vikas_Publishing_House
|
|
gptkbp:reader_demographic
|
Adults
|
|
gptkbp:release_year
|
gptkb:1965
|
|
gptkbp:resolution
|
Raju's sacrifice
|
|
gptkbp:setting
|
gptkb:India
Mid-20th century
|
|
gptkbp:symbolism
|
The river
|
|
gptkbp:theme
|
gptkb:Redemption
|
|
gptkbp:themes
|
Existentialism
Love and sacrifice
|
|
gptkbp:bfsParent
|
gptkb:R._K._Narayan
|
|
gptkbp:bfsLayer
|
3
|