|
gptkbp:instance_of
|
gptkb:film
|
|
gptkbp:aspect_ratio
|
16:9
|
|
gptkbp:awards
|
Nominated for several awards
|
|
gptkbp:box_office
|
gptkb:football_club
$1.2 million
|
|
gptkbp:budget
|
gptkb:$5_million
|
|
gptkbp:character
|
gptkb:The_Wife
gptkb:The_Child
gptkb:The_Lover
gptkb:The_Husband
The Best Friend
|
|
gptkbp:cinematography
|
gptkb:Michael_Grady
|
|
gptkbp:color
|
gptkb:color
|
|
gptkbp:country
|
gptkb:United_States
|
|
gptkbp:critical_reception
|
Mixed reviews
|
|
gptkbp:director
|
gptkb:Jesse_Peretz
|
|
gptkbp:distributor
|
gptkb:football_club
|
|
gptkbp:editor
|
gptkb:Michael_Taylor
|
|
gptkbp:film_festival
|
gptkb:Sundance_Film_Festival_2015
|
|
gptkbp:film_score
|
gptkb:John_Swihart
|
|
gptkbp:filming_location
|
gptkb:Los_Angeles
|
|
gptkbp:filmography
|
gptkb:Michael_Taylor
gptkb:football_club
|
|
gptkbp:genre
|
gptkb:High_School
|
|
https://www.w3.org/2000/01/rdf-schema#label
|
The Guest Room
|
|
gptkbp:language
|
English
|
|
gptkbp:music
|
gptkb:John_Swihart
|
|
gptkbp:narrative_style
|
Non-linear storytelling
|
|
gptkbp:plot
|
A man’s life is turned upside down when he discovers a secret about his wife.
|
|
gptkbp:premiere
|
gptkb:film_festival
|
|
gptkbp:production_company
|
gptkb:football_club
|
|
gptkbp:release_date
|
January 25, 2015
|
|
gptkbp:release_format
|
gptkb:DJ
Digital release
Theatrical release
|
|
gptkbp:release_year
|
gptkb:2015
|
|
gptkbp:runtime
|
90 minutes
|
|
gptkbp:screenings
|
gptkb:Sundance_Film_Festival_2015
|
|
gptkbp:screenplay_by
|
gptkb:Jesse_Peretz
|
|
gptkbp:starring
|
gptkb:Danielle_Panabaker
gptkb:Kelsey_Grammer
gptkb:Josh_Duhamel
gptkb:Kristen_Bell
|
|
gptkbp:theme
|
Infidelity
Family dynamics
Consequences of actions
Trust issues
|
|
gptkbp:themes
|
gptkb:Redemption
gptkb:Community_Center
Love and loss
Personal growth
Family relationships
Conflict resolution
Self-discovery
Moral dilemmas
Emotional turmoil
Life choices
Exploration of relationships
Consequences of betrayal
Trust and honesty
|
|
gptkbp:bfsParent
|
gptkb:Dorothea_Tanning
|
|
gptkbp:bfsLayer
|
5
|