|
gptkbp:instance_of
|
gptkb:film
|
|
gptkbp:artist
|
gptkb:unknown
|
|
gptkbp:awards
|
gptkb:none
|
|
gptkbp:based_on
|
play by Ferenc Molnár
|
|
gptkbp:box_office
|
gptkb:unknown
|
|
gptkbp:character
|
gptkb:The_Guardsman
The Actress
|
|
gptkbp:character_appearance
|
gptkb:unknown
|
|
gptkbp:cinematography
|
gptkb:William_H._Daniels
|
|
gptkbp:color
|
black-and-white
|
|
gptkbp:country
|
gptkb:United_States
|
|
gptkbp:critical_reception
|
mixed
|
|
gptkbp:cultural_impact
|
influential in comedy genre
|
|
gptkbp:design
|
gptkb:unknown
|
|
gptkbp:director
|
gptkb:Sidney_Franklin
|
|
gptkbp:distributor
|
gptkb:Metro-Goldwyn-Mayer
|
|
gptkbp:editor
|
George Hively
|
|
gptkbp:filming_location
|
gptkb:Borough
gptkb:film
|
|
gptkbp:filmography
|
George Hively
|
|
gptkbp:followed_by
|
The Guardsman (1940 film)
|
|
gptkbp:genre
|
gptkb:musical
|
|
https://www.w3.org/2000/01/rdf-schema#label
|
The Guardsman (1931 film)
|
|
gptkbp:influenced
|
gptkb:American_theater
later adaptations
|
|
gptkbp:influenced_by
|
European theater
theatrical traditions
|
|
gptkbp:language
|
English
|
|
gptkbp:legacy
|
considered a classic comedy
|
|
gptkbp:music_by
|
gptkb:William_Axt
|
|
gptkbp:notable_appearance
|
the reveal of the Guardsman's identity
|
|
gptkbp:notable_quote
|
" The show must go on!"
|
|
gptkbp:premiere_date
|
gptkb:unknown
|
|
gptkbp:production_company
|
gptkb:Metro-Goldwyn-Mayer
|
|
gptkbp:release_date
|
1931
|
|
gptkbp:release_format
|
theatrical
|
|
gptkbp:remake
|
The Guardsman (1924 film)
|
|
gptkbp:runtime
|
80 minutes
|
|
gptkbp:screenplay_by
|
gptkb:Robert_E._Sherwood
|
|
gptkbp:setting
|
gptkb:theatre
|
|
gptkbp:sound
|
silent with synchronized music
|
|
gptkbp:soundtrack
|
gptkb:musical
|
|
gptkbp:starring
|
gptkb:Lynn_Fontanne
gptkb:Alfred_Lunt
|
|
gptkbp:theme
|
gptkb:military_operation
|
|
gptkbp:visual_effects
|
gptkb:none
|
|
gptkbp:bfsParent
|
gptkb:The_Guardsman
|
|
gptkbp:bfsLayer
|
5
|