|
gptkbp:instance_of
|
gptkb:fictional_character
gptkb:novel
gptkb:film
|
|
gptkbp:adaptation
|
gptkb:television
gptkb:film
The Grinning Man (film)
|
|
gptkbp:adaptation_year
|
gptkb:1967
|
|
gptkbp:antagonist
|
criminal mastermind
|
|
gptkbp:appears_in
|
The Grinning Man (novel)
|
|
gptkbp:artistic_director
|
gptkb:Klaus_W._Wiegand
|
|
gptkbp:associated_with
|
gptkb:mystery
|
|
gptkbp:author
|
gptkb:Baroness_Orczy
|
|
gptkbp:available_formats
|
gptkb:audiobook
ebook
hardcover
paperback
|
|
gptkbp:based_on
|
gptkb:The_Man_Who_Laughs
|
|
gptkbp:box_office
|
$1 million
|
|
gptkbp:character
|
gptkb:Daughter
gptkb:Father
gptkb:Stranger
gptkb:Villain
Townfolk
Grinning Man
|
|
gptkbp:character_arc
|
redemption
|
|
gptkbp:character_development
|
The Grinning Man's backstory
|
|
gptkbp:character_relationships
|
gptkb:rivalry
gptkb:betrayal
gptkb:loyalty
gptkb:friendship
|
|
gptkbp:cinematography
|
Martin Langer
|
|
gptkbp:climax
|
confrontation with the antagonist
|
|
gptkbp:conflict
|
man vs. society
|
|
gptkbp:costume_design
|
gptkb:Miriam_Stein
|
|
gptkbp:country
|
gptkb:Germany
|
|
gptkbp:created_by
|
gptkb:Franklin_W._Dixon
|
|
gptkbp:critical_reception
|
mixed reviews
|
|
gptkbp:cultural_impact
|
influenced pop culture
|
|
gptkbp:depicted_in
|
sinister figure
|
|
gptkbp:director
|
gptkb:Andreas_Prochaska
|
|
gptkbp:distributor
|
gptkb:Koch_Films
|
|
gptkbp:editor
|
Ursula Höf
|
|
gptkbp:film_festival
|
gptkb:Berlin_International_Film_Festival
|
|
gptkbp:filming_location
|
gptkb:Germany
|
|
gptkbp:first_appearance
|
gptkb:1969
|
|
gptkbp:genre
|
gptkb:mystery
gptkb:horror
|
|
https://www.w3.org/2000/01/rdf-schema#label
|
The Grinning Man
|
|
gptkbp:influence
|
inspired later mystery novels
|
|
gptkbp:influenced_by
|
gptkb:folklore
gptkb:Agatha_Christie
gptkb:Arthur_Conan_Doyle
gptkb:Edgar_Allan_Poe
gptkb:Wilkie_Collins
|
|
gptkbp:influences
|
gptkb:German_Expressionism
gptkb:theater
gptkb:sound_design
gptkb:literature
gptkb:Silent_Film
gptkb:philosophy
gptkb:psychology
Cinematography
Visual Arts
Horror Genre
|
|
gptkbp:inspiration
|
gptkb:The_Joker
real-life events
|
|
gptkbp:isbn
|
978-1-84749-123-4
|
|
gptkbp:language
|
gptkb:German
English
|
|
gptkbp:literary_devices
|
gptkb:dialogue
imagery
irony
foreshadowing
|
|
gptkbp:main_actor
|
gptkb:Waldemar_Kobus
gptkb:Miriam_Stein
|
|
gptkbp:main_character
|
gptkb:The_Grinning_Man
|
|
gptkbp:makeup_artist
|
gptkb:Miriam_Stein
|
|
gptkbp:motif
|
gptkb:mask
secrets
|
|
gptkbp:music_composer
|
gptkb:Jörg_Widmann
|
|
gptkbp:narrative_style
|
third-person
|
|
gptkbp:notable_quote
|
" The truth is often stranger than fiction."
|
|
gptkbp:page_count
|
256
|
|
gptkbp:plot_twist
|
unexpected betrayal
|
|
gptkbp:premiere
|
gptkb:Berlin_International_Film_Festival
|
|
gptkbp:production_company
|
Mediacube
|
|
gptkbp:protagonist
|
gptkb:Detective
|
|
gptkbp:published_year
|
1926
|
|
gptkbp:publisher
|
gptkb:Hodder_&_Stoughton
|
|
gptkbp:rating
|
6.5/10
|
|
gptkbp:reader_demographic
|
adult
|
|
gptkbp:related_to
|
gptkb:urban_legend
|
|
gptkbp:release_date
|
October 31, 2019
|
|
gptkbp:release_year
|
gptkb:2019
|
|
gptkbp:resolution
|
justice served
|
|
gptkbp:runtime
|
100 minutes
|
|
gptkbp:screenplay_by
|
gptkb:Andreas_Prochaska
|
|
gptkbp:series
|
The Old Man's Book of Mysteries
|
|
gptkbp:setting
|
gptkb:London
|
|
gptkbp:setting_time
|
early 20th century
|
|
gptkbp:sound_design
|
gptkb:Jörg_Widmann
|
|
gptkbp:symbolism
|
the grinning mask
|
|
gptkbp:theme
|
gptkb:revenge
gptkb:identity
gptkb:society
love
alienation
|
|
gptkbp:themes
|
gptkb:justice
gptkb:deception
gptkb:identity
|
|
gptkbp:visual_effects
|
Mediacube
|
|
gptkbp:writing_style
|
descriptive
engaging
concise
suspenseful
|
|
gptkbp:bfsParent
|
gptkb:Silent_Hill:_The_Short_Stories
|
|
gptkbp:bfsLayer
|
6
|