gptkbp:instance_of
|
gptkb:film
|
gptkbp:audience
|
widely viewed
|
gptkbp:box_office
|
gptkb:unknown
|
gptkbp:cinematography
|
gptkb:Edwin_S._Porter
|
gptkbp:country
|
gptkb:United_States
|
gptkbp:critical_reception
|
positive
|
gptkbp:cultural_impact
|
influenced future Western films
|
gptkbp:cultural_significance
|
early example of storytelling in film
|
gptkbp:directed_by
|
gptkb:Edwin_S._Porter
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gptkbp:duration
|
12 minutes
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gptkbp:editing
|
linear narrative
continuity editing
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gptkbp:features
|
a train robbery
|
gptkbp:film_festival
|
gptkb:none
|
gptkbp:film_score
|
gptkb:none
|
gptkbp:film_technique
|
cross-cutting
|
gptkbp:format
|
35mm film
|
gptkbp:genre
|
Western
|
gptkbp:historical_context
|
early 20th century America
|
gptkbp:historical_event
|
inspired by real train robberies
|
https://www.w3.org/2000/01/rdf-schema#label
|
The Great Train Robbery (1903)
|
gptkbp:influenced
|
documentary filmmaking
film marketing strategies
film production techniques
modern cinema
cinematic storytelling
film distribution methods
film direction
action film genre
film editing techniques
film criticism.
film narrative structure
film exhibition practices
|
gptkbp:influenced_by
|
gptkb:theatrical_performances
actual train robberies
|
gptkbp:inspiration
|
later heist films
|
gptkbp:language
|
gptkb:film
|
gptkbp:legacy
|
considered a classic
|
gptkbp:music
|
gptkb:none
|
gptkbp:notable_cast
|
gptkb:none
|
gptkbp:notable_for
|
being one of the first narrative films
its innovative use of camera angles
|
gptkbp:notable_scene
|
the train robbery climax
|
gptkbp:premiere_location
|
gptkb:New_York_City
|
gptkbp:production_company
|
gptkb:Edison_Manufacturing_Company
|
gptkbp:release_year
|
1903
|
gptkbp:remake
|
gptkb:The_Great_Train_Robbery_(1963)
|
gptkbp:restoration
|
preserved in the National Film Registry
|
gptkbp:significance
|
pioneering film techniques
|
gptkbp:viewing_format
|
gptkb:film
|
gptkbp:writer
|
gptkb:Edwin_S._Porter
|
gptkbp:bfsParent
|
gptkb:Kinetophone
|
gptkbp:bfsLayer
|
4
|