Statements (443)
Predicate | Object |
---|---|
gptkbp:instance_of |
gptkb:musical
gptkb:TV_series gptkb:television_special gptkb:book gptkb:film |
gptkbp:bfsLayer |
4
|
gptkbp:bfsParent |
gptkb:Frank_Abagnale_Jr.
|
gptkbp:adaptation |
gptkb:1979
gptkb:film |
gptkbp:adapted_into |
gptkb:television_special
gptkb:film |
gptkbp:album |
released
1961 cast recording |
gptkbp:associated_act |
2
|
gptkbp:audience |
theatergoers
Cult following. Gained a following over the years. 70% on Rotten Tomatoes Mixed critical reception. 73% on Rotten Tomatoes Provokes thought on identity. |
gptkbp:author |
gptkb:Robert_Crichton
gptkb:John_Mc_Phee gptkb:Robert_A._Mc_Donald The Great Impostor by Robert Crichton |
gptkbp:available_formats |
E-book
Hardcover Paperback ebook hardcover paperback |
gptkbp:awards |
gptkb:award
gptkb:None gptkb:none Tony Award nominations Grammy Award nominations None. Golden Globe nomination for Best Actor Nominated for Golden Globe. Drama Desk Award nominations Olivier Award nominations |
gptkbp:based_on |
The Great Impostor by Robert Crichton
the life of Ferdinand Demara the life of Ferdinand Waldo Demara real-life con artist Ferdinand Waldo Demara The life of Ferdinand Demara |
gptkbp:book_format |
gptkb:printer
Digital |
gptkbp:box_office |
$3.5 million
$1.5 million |
gptkbp:budget |
$2 million
|
gptkbp:cast |
gptkb:Rudy_Vallee
gptkb:Robert_Morse gptkb:Barbara_Cook gptkb:Eileen_Heckart gptkb:John_Mc_Giver various actors |
gptkbp:character |
gptkb:hospital
gptkb:military_officer gptkb:Sister_Mary gptkb:Dr._Joseph_C._Mc_Cauley gptkb:Ferdinand_Demara gptkb:Ferdinand_Waldo_Demara gptkb:Captain_John_W._Mc_Cauley Captain of the ship Father Paul From fraud to acceptance. |
gptkbp:character_arc |
Tony Curtis's character evolves throughout the film.
Demara's journey of self-discovery. Transformation from fraud to self-acceptance. Demara's transformation. Growth through deception. |
gptkbp:character_development |
Tony Curtis's performance
Demara's relationships with others. Ferdinand Waldo Demara's life. Tony Curtis's character is complex. |
gptkbp:character_relationships |
Internal and external struggles.
Growth through experiences. Complex interactions. Interactions with law enforcement. Complex interactions with authority. Complex interactions with supporting characters. Internal struggle with identity. Demara's moral ambiguity. |
gptkbp:character_traits |
gptkb:Charismatic
Intelligent Cunning Resourceful Deceptive Charismatic and clever. |
gptkbp:characteristics |
Demara's life choices.
|
gptkbp:choreography |
gptkb:Martha_Graham
gptkb:Eugene_Loring |
gptkbp:cinematography |
gptkb:Robert_Burks
gptkb:Charles_Lang Notable for its visual style. Notable visual style. Classic Hollywood style. |
gptkbp:color |
gptkb:Technicolor
Black and white. |
gptkbp:composer |
gptkb:Elmer_Bernstein
gptkb:George_Duning |
gptkbp:country |
gptkb:United_States
|
gptkbp:cover_art |
gptkb:Unknown
gptkb:unknown |
gptkbp:covered_by |
various editions
|
gptkbp:creator |
gptkb:James_Lee
|
gptkbp:critical_reception |
Mixed reviews
Positive positive generally positive mixed reviews |
gptkbp:cultural_impact |
inspired films
inspired academic studies inspired documentaries inspired podcasts inspired books inspired discussions on identity inspired theatrical productions inspired articles in theater history Influenced discussions on identity. inspired discussions on identity and deception. Inspiration for various media. Inspired later films about con artists. |
gptkbp:cultural_references |
Referenced in various media.
|
gptkbp:cultural_significance |
Examines the nature of truth.
Reflects societal views on identity. Reflects societal views on deception. |
gptkbp:demographics |
Appeals to fans of classic cinema.
|
gptkbp:design |
Authentic period details.
Period-accurate settings. |
gptkbp:died_in |
2000s
various productions |
gptkbp:directed_by |
gptkb:Robert_B._Weide
gptkb:Robert_Ellis_Miller |
gptkbp:director |
gptkb:Robert_Wright
gptkb:Robert_Mulligan gptkb:Robert_Day Robert Lewis |
gptkbp:distributor |
gptkb:Columbia_Pictures
|
gptkbp:edited_by |
Marjorie Fowler
|
gptkbp:editor |
gptkb:Alfredo_A._Zacarías
gptkb:Thomas_J._G._Mc_Carthy |
gptkbp:example |
musical comedy.
|
gptkbp:explores |
the themes of identity and deception
|
gptkbp:famous_for |
its comedic elements
|
gptkbp:features |
gptkb:musician
academic impersonation medical impersonation military impersonation interviews with people who knew Demara |
gptkbp:film_festival |
gptkb:film_festival
gptkb:1962 |
gptkbp:film_score |
gptkb:Elmer_Bernstein
Critically acclaimed. Elmer Bernstein's score. Elmer Bernstein's score received praise. |
gptkbp:filming_location |
gptkb:California
gptkb:New_York |
gptkbp:filmography |
gptkb:Tony_Curtis
gptkb:The_Great_Impostor_(1961_film) gptkb:Thomas_J._G._Mc_Carthy 120 minutes Continues to resonate with audiences. Pacing contributes to tension. Examined in film studies. Blend of comedy and drama. Pacing enhances tension. Richly developed characters. 120 minutes. Inspired filmmakers. Light-hearted yet serious. Influenced genre conventions. Dramatic with comedic elements. Explores themes of authenticity. Influenced later biographical films. Set in various historical periods. Use of humor in serious themes. Ambiguous conclusion. Study of con artistry. Use of humor in drama. |
gptkbp:first_aired |
gptkb:1961
|
gptkbp:first_performance |
gptkb:1961
|
gptkbp:first_published |
gptkb:George_Forrest
gptkb:Robert_Wright The Great Impostor by John Mc Phee |
gptkbp:first_released |
gptkb:New_York_City_Center
|
gptkbp:focus |
identity deception
|
gptkbp:focuses_on |
impostor syndrome
|
gptkbp:followed_by |
gptkb:The_Great_Impostor:_The_Story_of_Ferdinand_Demara
|
gptkbp:follows |
Ferdinand Demara's exploits
|
gptkbp:format |
gptkb:printer
|
gptkbp:genre |
gptkb:musical
gptkb:Author gptkb:Historical_Society gptkb:High_School |
gptkbp:has |
revived multiple times
|
gptkbp:has_backstory |
Demara's troubled past.
Ferdinand Waldo Demara's life is fascinating. |
gptkbp:historical_context |
gptkb:Post-World_War_II_America
Based on true events. Set in the 1950s. Reflects 1960s attitudes towards authority. |
gptkbp:home_media_release |
gptkb:2001
gptkb:DJ gptkb:film DVD release in 2001 Blu-ray release in 2015 |
https://www.w3.org/2000/01/rdf-schema#label |
The Great Impostor
|
gptkbp:influenced |
gptkb:musical
gptkb:physicist gptkb:church gptkb:newspaper gptkb:psychologist gptkb:Catch_Me_If_You_Can gptkb:archaeological_site gptkb:literary_work psychological analysis self-help literature cultural studies social commentary media studies documentary filmmaking ethnography identity politics narrative identity narrative theory cultural critique creative non-fiction narrative non-fiction identity studies character studies memoir writing cultural theory later musicals philosophy of identity film about deception Literature on deception Media portrayals of con artists impostor phenomenon impostor studies self-perception studies Documentaries about con artists. Subsequent films about con artists. Subsequent films about impostors. |
gptkbp:influenced_artists |
gptkb:musician
choreographers musical theatre composers theatre directors |
gptkbp:influenced_by |
gptkb:church
gptkb:historical_event gptkb:The_Great_Escape gptkb:Historical_Society gptkb:Catch_Me_If_You_Can American culture True crime genre psychological studies sociological studies true story literary journalism true crime genre autobiographies memoirs biographical literature narrative non-fiction biographical stories journalistic writing Ferdinand Waldo Demara's life Biographical films. Ferdinand Demara's life |
gptkbp:influences |
gptkb:Historical_Society
gptkb:Catch_Me_If_You_Can gptkb:literary_work Con artist films The Great Impostor (book) |
gptkbp:inspiration |
gptkb:Robert_Crichton
real-life events true story real-life con artist Ferdinand Demara's life Documentaries about con artists. Ferdinand Demara's life story. Ferdinand Waldo Demara's life. |
gptkbp:inspired |
gptkb:film
|
gptkbp:inspired_by |
real-life events
true story |
gptkbp:is_associated_with |
Broadway history
|
gptkbp:is_available_in |
ebook
hardcover paperback |
gptkbp:is_available_on |
gptkb:DJ
streaming services |
gptkbp:is_celebrated_in |
its engaging plot
|
gptkbp:is_characterized_by |
lighthearted storytelling
|
gptkbp:is_critical_for |
examined in literary studies
Explores themes of morality. discussed in psychology analyzed in sociology Explores themes of authenticity. |
gptkbp:is_criticized_for |
Analyzed for its humor.
Analyzed for its humor and depth. Critics noted its humor and heart. |
gptkbp:is_known_for |
its humor
|
gptkbp:is_motivated_by |
Desire for acceptance.
|
gptkbp:is_part_of |
gptkb:album
|
gptkbp:is_recognized_for |
its catchy tunes
|
gptkbp:is_reflected_in |
societal norms
|
gptkbp:isbn |
978-0375701004
978-0385082034 978-0060915543 |
gptkbp:language |
English
Witty and sharp. |
gptkbp:last_aired |
gptkb:1962
|
gptkbp:legacy |
cult classic status
Considered a classic comedy-drama. Considered a classic con artist film. Influenced future biopics. Remains a reference point for con artist stories. Influenced future con artist narratives. |
gptkbp:level |
gptkb:film
|
gptkbp:lyricist |
gptkb:Earle_Hagen
|
gptkbp:main_character |
gptkb:Ferdinand_Demara
|
gptkbp:music |
gptkb:Robert_Wright
|
gptkbp:music_by |
gptkb:George_Forrest
gptkb:Elmer_Bernstein gptkb:Lalo_Schifrin |
gptkbp:music_style |
book musical
The Great Impostor song |
gptkbp:narrated_by |
gptkb:John_Lithgow
|
gptkbp:narrative_style |
gptkb:Author
biographical narrative Non-linear storytelling. journalistic |
gptkbp:next_edition |
gptkb:1970
1970 edition |
gptkbp:notable_feature |
Tony Curtis's performance
|
gptkbp:notable_figures |
gptkb:Ferdinand_Waldo_Demara
|
gptkbp:notable_film |
Tony Curtis performed many of his own stunts.
Tony Curtis's performance praised. |
gptkbp:notable_performance |
Broadway debut
|
gptkbp:notable_production |
1961 Broadway production
|
gptkbp:notable_quote |
" I can be anything I want to be."
" I am not what I seem." " I can be anyone I want to be." " I’m not a doctor, I’m a fraud!" |
gptkbp:notable_song |
gptkb:The_Great_Impostor
|
gptkbp:notable_work |
gptkb:John_Mc_Phee
|
gptkbp:number_of_books |
320 pages
|
gptkbp:number_of_episodes |
gptkb:30
|
gptkbp:number_of_seasons |
gptkb:musical
|
gptkbp:official_language |
English
|
gptkbp:original_network |
gptkb:NBC
|
gptkbp:page_count |
256
320 288 |
gptkbp:performance |
loosely based on true events
Loosely based on true events. |
gptkbp:performed_by |
gptkb:theatre
theater companies theaters worldwide |
gptkbp:plot |
A con artist assumes various identities.
Based on the life of Ferdinand Demara. Based on the true story of a con artist. |
gptkbp:portrayed_by |
Tony Curtis's performance praised.
Tony Curtis as Demara. |
gptkbp:premiere |
gptkb:Borough
|
gptkbp:premiere_date |
February 15, 1979
|
gptkbp:premiered_on |
gptkb:1961
|
gptkbp:produced_by |
gptkb:Universal_Television
gptkb:HBO_Documentary_Films gptkb:The_New_York_City_Center |
gptkbp:production_company |
gptkb:Columbia_Pictures
Columbia Pictures. |
gptkbp:published_by |
gptkb:Harper_&_Row
gptkb:1959 |
gptkbp:published_year |
gptkb:1970
|
gptkbp:publisher |
gptkb:Random_House
gptkb:Doubleday |
gptkbp:rating |
Not Rated
|
gptkbp:related_works |
gptkb:The_Great_Impostor:_The_Story_of_Ferdinand_Demara
The Great Impostor (film) |
gptkbp:release_date |
December 1961
|
gptkbp:release_format |
theatrical
Theatrical. |
gptkbp:release_year |
gptkb:1961
gptkb:1979 |
gptkbp:released_in |
gptkb:2003
|
gptkbp:remake |
gptkb:The_Great_Impostor_(TV_Movie,_1979)
gptkb:The_Great_Impostor_(TV_film) None. No official remake. |
gptkbp:runtime |
120 minutes
60 minutes 100 minutes 2 hours |
gptkbp:screenings |
premiered at Cannes
Film retrospectives. |
gptkbp:screenplay_by |
gptkb:Lamar_Trotti
gptkb:Robert_Crichton gptkb:James_Lee_Barrett |
gptkbp:series |
Standalone
standalone |
gptkbp:set_in |
1950s
the 20th century |
gptkbp:setting |
gptkb:United_States
various locations various locations in the United States. |
gptkbp:soundtrack |
gptkb:Elmer_Bernstein
gptkb:Elmer_Bernstein's_score Features original score. |
gptkbp:starring |
gptkb:Tony_Curtis
gptkb:Cecil_Kellaway gptkb:Mimi_Dillard gptkb:Karl_Malden |
gptkbp:subject |
gptkb:TV_series
impostor syndrome Imposture |
gptkbp:symbolism |
Masks representing identity.
|
gptkbp:target_audience |
General public
general public |
gptkbp:thematic_element |
gptkb:TV_series
gptkb:amusement_park gptkb:military_operation Identity and deception. |
gptkbp:theme |
gptkb:military_operation
self-discovery identity crisis Identity and deception. |
gptkbp:themes |
gptkb:TV_series
gptkb:military_operation self-discovery identity and deception Exploration of morality. Exploration of self and society. fraud and authenticity Exploration of truth vs. lies. Identity, truth, and deception. Repetition of deception. |
gptkbp:viewing_platform |
streaming services
Available on DVD. Available on streaming platforms. |
gptkbp:visitors |
Engaging and entertaining.
|