gptkbp:instance_of
|
gptkb:novel
gptkb:film
|
gptkbp:adaptation
|
gptkb:none
|
gptkbp:aspect_ratio
|
1.85:1
|
gptkbp:author
|
gptkb:Doris_Lessing
|
gptkbp:based_on
|
gptkb:novel
|
gptkbp:box_office
|
gptkb:unknown
|
gptkbp:cast
|
gptkb:Michael_Gambon
gptkb:Dame_Miriam_Margolyes
gptkb:David_Suchet
gptkb:Susannah_York
gptkb:John_Thaw
|
gptkbp:character_development
|
complex characters
|
gptkbp:cinematography_by
|
gptkb:Peter_Hannan
|
gptkbp:color
|
gptkb:Color
|
gptkbp:country
|
gptkb:United_Kingdom
|
gptkbp:critical_analysis
|
exploration of themes
|
gptkbp:critical_reception
|
mixed reviews
well-received
|
gptkbp:cultural_impact
|
adaptation of literature
|
gptkbp:director
|
gptkb:Derek_Jarman
|
gptkbp:distributor
|
gptkb:cinema
|
gptkbp:edited_by
|
gptkb:John_Glen
|
gptkbp:film_festival
|
gptkb:Cannes_Film_Festival
|
gptkbp:film_length
|
100 minutes
|
gptkbp:film_technique
|
gptkb:Set
gptkb:narrative_structure
gptkb:sound_design
gptkb:dialogue
gptkb:designers
lighting
symbolism
pacing
performance style
camera work
visual metaphors
editing style
|
gptkbp:filming_location
|
gptkb:Zimbabwe
|
gptkbp:genre
|
gptkb:Fiction
gptkb:drama
|
https://www.w3.org/2000/01/rdf-schema#label
|
The Grass is Singing
|
gptkbp:influences
|
African literature
feminist literature
psychological drama
post-colonial literature
|
gptkbp:language
|
English
|
gptkbp:main_character
|
gptkb:Mary_Turner
|
gptkbp:music_composer
|
gptkb:Richard_Hartley
|
gptkbp:narrative_focus
|
female protagonist
|
gptkbp:narrative_style
|
third-person
non-linear
|
gptkbp:premiere
|
gptkb:London_Film_Festival
|
gptkbp:production_company
|
Derek Jarman Productions
|
gptkbp:published
|
1950
|
gptkbp:release_format
|
theatrical
|
gptkbp:release_year
|
gptkb:1981
|
gptkbp:runtime
|
100 minutes
|
gptkbp:screenplay_by
|
gptkb:Derek_Jarman
|
gptkbp:setting
|
gptkb:Southern_Rhodesia
|
gptkbp:theme
|
gptkb:colonialism
gptkb:identity
isolation
gender roles
race relations
|
gptkbp:bfsParent
|
gptkb:Doris_Lessing
|
gptkbp:bfsLayer
|
4
|