|
gptkbp:instance_of
|
gptkb:novel
gptkb:film
|
|
gptkbp:bfsLayer
|
3
|
|
gptkbp:bfsParent
|
gptkb:Vanessa_Redgrave
|
|
gptkbp:adaptation
|
gptkb:theatre
gptkb:2014
gptkb:film
|
|
gptkbp:art_style
|
Cinematic aesthetics
|
|
gptkbp:audience
|
Emotional connection
Positive feedback
|
|
gptkbp:author
|
gptkb:Ford_Madox_Ford
|
|
gptkbp:awards
|
BAFTA nomination
|
|
gptkbp:based_on
|
The Good Soldier by Ford Madox Ford
|
|
gptkbp:budget
|
Moderate budget
|
|
gptkbp:cast
|
gptkb:Michelle_Dockery
gptkb:Tom_Hollander
gptkb:Alex_Jennings
gptkb:Emily_Beecham
gptkb:Luke_Treadaway
gptkb:Matthew_Goode
gptkb:Jessica_Raine
gptkb:Tamsin_Egerton
gptkb:Rupert_Everett
|
|
gptkbp:character_appearance
|
Historical costumes
|
|
gptkbp:character_arc
|
Tragic outcomes
|
|
gptkbp:character_development
|
Complex characters
|
|
gptkbp:character_relationships
|
Moral choices
Internal struggles
Interpersonal dynamics
|
|
gptkbp:cinematography
|
gptkb:David_Katznelson
|
|
gptkbp:country
|
gptkb:United_Kingdom
|
|
gptkbp:critical_reception
|
Positive reviews
acclaimed
|
|
gptkbp:cultural_impact
|
influenced literature
influenced film
influenced modern storytelling
influenced theatre
Discussion of class and morality
|
|
gptkbp:cultural_references
|
gptkb:historical_figure
|
|
gptkbp:cultural_significance
|
Exploration of societal norms
|
|
gptkbp:demographics
|
Adult viewers
|
|
gptkbp:design
|
Period-accurate sets
|
|
gptkbp:director
|
gptkb:Peter_Kosminsky
gptkb:Francois_Ozon
|
|
gptkbp:distributor
|
gptkb:Channel_4
|
|
gptkbp:editor
|
gptkb:David_Blackmore
Pacing and rhythm
|
|
gptkbp:film_festival
|
gptkb:festival
|
|
gptkbp:filming_location
|
gptkb:England
|
|
gptkbp:filmography
|
Cinematography
English
The Good Soldier (2014)
|
|
gptkbp:focus
|
Infidelity
Relationships
|
|
gptkbp:genre
|
gptkb:High_School
literary fiction
|
|
gptkbp:historical_context
|
Pre-World War I
|
|
https://www.w3.org/2000/01/rdf-schema#label
|
The Good Soldier
|
|
gptkbp:influence
|
gptkb:Virginia_Woolf
gptkb:Ernest_Hemingway
gptkb:Graham_Greene
|
|
gptkbp:influences
|
gptkb:Modernist_literature
modernist literature
|
|
gptkbp:inspiration
|
Literary sources
Ford Madox Ford's experiences
|
|
gptkbp:is_critical_for
|
Literary adaptation
examines societal norms
examines morality
examines identity
examines fidelity
|
|
gptkbp:is_motivated_by
|
Desire and regret
|
|
gptkbp:isbn
|
978-0141441340
|
|
gptkbp:language
|
English
Witty and poignant
|
|
gptkbp:main_character
|
gptkb:John_Dowell
|
|
gptkbp:marketing_strategy
|
Television promotions
|
|
gptkbp:music_by
|
gptkb:John_Lunn
|
|
gptkbp:narrative_style
|
first-person
non-linear
unreliable narrator
Non-linear storytelling
Flashbacks and foreshadowing
|
|
gptkbp:narrative_theme
|
Conflict and resolution
|
|
gptkbp:notable_character
|
gptkb:Edward_Ashburnham
gptkb:Leonora_Ashburnham
Florence Dowell
|
|
gptkbp:page_count
|
320
|
|
gptkbp:performance
|
Based on true events
|
|
gptkbp:portrayed_by
|
Nuanced performances
|
|
gptkbp:premiere
|
2014 Edinburgh International Television Festival
|
|
gptkbp:production_company
|
gptkb:Hartswood_Films
|
|
gptkbp:production_years
|
gptkb:2013
gptkb:2014
|
|
gptkbp:published_by
|
1915
|
|
gptkbp:publisher
|
gptkb:Duckworth
|
|
gptkbp:reader_demographic
|
considered a classic
widely read
studied in literature courses
|
|
gptkbp:release_year
|
gptkb:2014
|
|
gptkbp:runtime
|
120 minutes
|
|
gptkbp:screenings
|
gptkb:London_Film_Festival
Television networks
|
|
gptkbp:screenplay_by
|
gptkb:Peter_Kosminsky
|
|
gptkbp:setting
|
gptkb:Europe
gptkb:World_War_I
|
|
gptkbp:significance
|
exploration of human relationships
complex characterizations
depiction of Edwardian society
|
|
gptkbp:soundtrack
|
Orchestral score
|
|
gptkbp:symbolism
|
gptkb:betrayal
love
War and peace
the soldier
the good soldier
|
|
gptkbp:thematic_element
|
Love, loss, and loyalty
|
|
gptkbp:theme
|
Love and Betrayal
|
|
gptkbp:themes
|
gptkb:betrayal
gptkb:war
love
|
|
gptkbp:viewership
|
Critical acclaim
|
|
gptkbp:viewing_platform
|
gptkb:television_series
|
|
gptkbp:visitors
|
Thought-provoking
|
|
gptkbp:writer
|
gptkb:Peter_Kosminsky
|