gptkbp:instance_of
|
gptkb:film
|
gptkbp:awards
|
nominated for several film awards
|
gptkbp:based_on
|
novel by Sue Miller
|
gptkbp:box_office
|
gptkb:$5_million
|
gptkbp:character
|
gptkb:David
gptkb:character
gptkb:Marianne
|
gptkbp:cinematography
|
gptkb:Michael_Ballhaus
|
gptkbp:country
|
gptkb:United_States
|
gptkbp:critical_reception
|
mixed reviews
|
gptkbp:cultural_impact
|
discussed in parenting debates
|
gptkbp:directed_by
|
gptkb:Molly_Haskell
|
gptkbp:edited_by
|
gptkb:Richard_Marks
|
gptkbp:film_festival
|
gptkb:Toronto_International_Film_Festival
|
gptkbp:filming_location
|
gptkb:Massachusetts
|
gptkbp:genre
|
gptkb:High_School
|
gptkbp:has_character
|
gptkb:Samantha
|
https://www.w3.org/2000/01/rdf-schema#label
|
The Good Mother
|
gptkbp:influenced_by
|
real-life events
family drama genre
cultural attitudes towards motherhood
psychological themes in film
American cinema of the 1980s
Hollywood's portrayal of women
American family values
1980s feminism
1980s societal norms
Corey Haim's career
Diane Keaton's career
James Caan's career
Molly Haskell's writing
Sue Miller's experiences
cultural shifts in family structure
divorce rates in the 1980s
narrative style of the 1980s
parenting styles of the time
|
gptkbp:language
|
English
|
gptkbp:music_by
|
gptkb:James_Newton_Howard
|
gptkbp:plot
|
A divorced mother struggles to maintain her relationship with her children.
|
gptkbp:produced_by
|
gptkb:Paramount_Pictures
|
gptkbp:release_date
|
September 23, 1988
|
gptkbp:released_in
|
gptkb:1988
|
gptkbp:runtime
|
101 minutes
|
gptkbp:screenplay_by
|
gptkb:Molly_Haskell
|
gptkbp:starring
|
gptkb:Corey_Haim
gptkb:Diane_Keaton
gptkb:James_Caan
|
gptkbp:theme
|
gptkb:award
gptkb:betrayal
love
motherhood
family dynamics
|
gptkbp:bfsParent
|
gptkb:Diane_Keaton
gptkb:Liam_Neeson
|
gptkbp:bfsLayer
|
3
|