|
gptkbp:instance_of
|
gptkb:novel
|
|
gptkbp:adaptation
|
gptkb:The_Good_Life_(film)
|
|
gptkbp:author
|
gptkb:Jay_Mc_Inerney
|
|
gptkbp:awards
|
gptkb:none
|
|
gptkbp:book_format
|
gptkb:audiobook
gptkb:e_Book
hardcover
paperback
|
|
gptkbp:book_series
|
standalone
|
|
gptkbp:character_development
|
complex characters
|
|
gptkbp:conflict
|
ambiguous
personal and professional struggles
|
|
gptkbp:country
|
gptkb:United_States
|
|
gptkbp:cover_artist
|
gptkb:unknown
|
|
gptkbp:critical_reception
|
mixed reviews
|
|
gptkbp:cultural_references
|
pop culture
|
|
gptkbp:followed_by
|
gptkb:Bright_Lights,_Big_City
|
|
gptkbp:genre
|
gptkb:Fiction
|
|
https://www.w3.org/2000/01/rdf-schema#label
|
The Good Life (novel)
|
|
gptkbp:influences
|
gptkb:F._Scott_Fitzgerald
gptkb:Ernest_Hemingway
gptkb:Tom_Wolfe
|
|
gptkbp:inspiration
|
real-life events
|
|
gptkbp:isbn
|
978-0307263134
|
|
gptkbp:language
|
English
|
|
gptkbp:language_spoken
|
realistic
|
|
gptkbp:main_character
|
Russell Calloway
|
|
gptkbp:motif
|
relationships
identity crisis
wealth and excess
|
|
gptkbp:narrative_style
|
third-person
|
|
gptkbp:page_count
|
320
|
|
gptkbp:plot_twist
|
unexpected endings
|
|
gptkbp:precedes
|
gptkb:The_Good_Life_(film)
|
|
gptkbp:protagonist
|
gptkb:advertising
|
|
gptkbp:published_year
|
gptkb:2006
|
|
gptkbp:publisher
|
Knopf
|
|
gptkbp:reader_demographic
|
thought-provoking
|
|
gptkbp:setting
|
gptkb:New_York_City
|
|
gptkbp:setting_time
|
early 2000s
|
|
gptkbp:style
|
lyrical prose
|
|
gptkbp:symbolism
|
New York City as a character
|
|
gptkbp:target_audience
|
adult readers
|
|
gptkbp:theme
|
gptkb:American_Dream
|
|
gptkbp:writing_style
|
contemporary
|
|
gptkbp:bfsParent
|
gptkb:The_Good_Life
|
|
gptkbp:bfsLayer
|
4
|