Statements (29)
| Predicate | Object |
|---|---|
| gptkbp:instance_of |
gptkb:novel
|
| gptkbp:bfsLayer |
5
|
| gptkbp:bfsParent |
gptkb:The_Sufferer_and_the_Witness
gptkb:Rise_Against gptkb:The_Rise_Against |
| gptkbp:adaptation |
gptkb:none
|
| gptkbp:author |
gptkb:Adriana_Trigiani
|
| gptkbp:character_development |
strong
|
| gptkbp:covered_by |
hardcover
|
| gptkbp:critical_reception |
positive
|
| gptkbp:genre |
gptkb:Author
|
| https://www.w3.org/2000/01/rdf-schema#label |
The Good Left Undone
|
| gptkbp:influences |
Italian culture
|
| gptkbp:isbn |
9780063056721
|
| gptkbp:language |
English
|
| gptkbp:main_character |
gptkb:Giulia
|
| gptkbp:motif |
gptkb:award
gptkb:Magic:_The_Gathering_set gptkb:product |
| gptkbp:narrative_style |
third-person
|
| gptkbp:page_count |
gptkb:368
|
| gptkbp:plot |
multigenerational
|
| gptkbp:published_year |
gptkb:2022
|
| gptkbp:publisher |
gptkb:Harper_Collins
|
| gptkbp:series |
standalone
|
| gptkbp:setting |
gptkb:Italy
|
| gptkbp:theme |
gptkb:archaeological_site
gptkb:family love |