The Good, the Bad, the Ugly

GPTKB entity

Statements (53)
Predicate Object
gptkbp:instance_of gptkb:film
gptkbp:bfsLayer 5
gptkbp:bfsParent gptkb:Geto_Boys
gptkbp:awards Nominated for Academy Award for Best Original Score
gptkbp:box_office $25 million
gptkbp:character gptkb:Angel_Eyes
gptkb:Blondie
gptkb:Tuco
gptkbp:cinematography gptkb:Tonino_Delli_Colli
gptkbp:composer gptkb:Ennio_Morricone
gptkbp:country gptkb:Italy
gptkb:Spain
gptkbp:cultural_impact considered a classic
gptkbp:director gptkb:Sergio_Leone
gptkbp:editor gptkb:Nino_Baragli
gptkbp:famous_quote When you have to shoot, shoot. Don't talk.
gptkbp:film_series gptkb:Dollars_Trilogy
gptkbp:filming_location gptkb:Italy
gptkb:Spain
gptkbp:genre spaghetti western
gptkbp:has_sequel gptkb:A_Fistful_of_Dollars
gptkb:For_a_Few_Dollars_More
gptkbp:home_media_release gptkb:DJ
gptkb:film
https://www.w3.org/2000/01/rdf-schema#label The Good, the Bad, the Ugly
gptkbp:influence influenced many western films
gptkbp:influenced_by gptkb:Italian_Neorealism
gptkb:American_Westerns
gptkb:film
Sergio Leone's previous works
gptkbp:inspiration The Good, the Bad and the Ugly (song)
gptkbp:language gptkb:Italian
English
gptkbp:main_character gptkb:Tuco_Salamanca
gptkb:Angel_Eyes
gptkb:Blondie
gptkbp:notable_appearance The final standoff
gptkbp:notable_feature gptkb:Character_development
Use of silence
Stylized violence
Cinematography style
Complex narrative
Iconic score
Morricone's score
gptkbp:production_company gptkb:United_Artists
gptkbp:rating 8.8/10
gptkbp:release_date gptkb:1966
gptkbp:release_format Theatrical
gptkbp:remake gptkb:None
gptkbp:screenplay_by gptkb:Luciano_Vincenzoni
gptkb:Sergio_Leone
gptkbp:sequel gptkb:None
gptkbp:setting gptkb:American_Civil_War