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gptkbp:instance_of
|
gptkb:film
|
|
gptkbp:aspect_ratio
|
2.35:1
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|
gptkbp:awards
|
Nominated for Academy Award
|
|
gptkbp:box_office
|
$25 million
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|
gptkbp:character
|
gptkb:Angel_Eyes
gptkb:Blondie
gptkb:Tuco
|
|
gptkbp:cinematography
|
gptkb:Tonino_Delli_Colli
|
|
gptkbp:composer
|
gptkb:Ennio_Morricone
|
|
gptkbp:country
|
gptkb:Italy
gptkb:Spain
|
|
gptkbp:critical_reception
|
Cult classic
|
|
gptkbp:cultural_impact
|
Significant influence on cinema
|
|
gptkbp:cultural_references
|
Referenced in various media
|
|
gptkbp:director
|
gptkb:Sergio_Leone
|
|
gptkbp:distributor
|
gptkb:United_Artists
|
|
gptkbp:editor
|
gptkb:Nino_Baragli
|
|
gptkbp:famous_quote
|
When you have to shoot, shoot. Don't talk.
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|
gptkbp:film_series
|
gptkb:Dollars_Trilogy
|
|
gptkbp:filmography
|
Non-linear storytelling
Close-ups
Use of long shots
|
|
gptkbp:genre
|
Western
|
|
gptkbp:home_media_release
|
gptkb:DJ
gptkb:film
|
|
https://www.w3.org/2000/01/rdf-schema#label
|
The Good, The Bad and The Ugly (Extended Live Version)
|
|
gptkbp:influenced
|
Spaghetti Western genre
|
|
gptkbp:inspiration
|
gptkb:American_Western_films
Sergio Leone's childhood
|
|
gptkbp:language
|
gptkb:Italian
English
|
|
gptkbp:legacy
|
Considered one of the greatest films of all time
|
|
gptkbp:notable_appearance
|
The train robbery
The final duel
The standoff at the cemetery
|
|
gptkbp:parody
|
gptkb:television_series
gptkb:Family_Guy
gptkb:South_Park
|
|
gptkbp:premiere
|
gptkb:1966_Cannes_Film_Festival
|
|
gptkbp:release_year
|
gptkb:1966
|
|
gptkbp:remake
|
The Good, The Bad and The Ugly (2016)
|
|
gptkbp:runtime
|
161 minutes
|
|
gptkbp:screenplay_by
|
gptkb:Luciano_Vincenzoni
gptkb:Sergio_Leone
|
|
gptkbp:setting
|
gptkb:American_Civil_War
|
|
gptkbp:soundtrack
|
gptkb:The_Good,_The_Bad_and_The_Ugly_(soundtrack)
|
|
gptkbp:starring
|
gptkb:Clint_Eastwood
gptkb:Lee_Van_Cleef
gptkb:Eli_Wallach
|
|
gptkbp:theme
|
gptkb:Survival
gptkb:Betrayal
gptkb:Greed
|
|
gptkbp:bfsParent
|
gptkb:Django's_Fire_Soundtrack
|
|
gptkbp:bfsLayer
|
6
|