gptkbp:instance_of
|
gptkb:comic_book
gptkb:fictional_character
gptkb:song
gptkb:play
|
gptkbp:adaptation
|
gptkb:film
|
gptkbp:adapted_into
|
gptkb:film
|
gptkbp:album
|
gptkb:Mr._Bad_Guy
|
gptkbp:appears_in
|
gptkb:The_Pickwick_Papers
|
gptkbp:art_style
|
graphic novel style
|
gptkbp:associated_with
|
gptkb:The_Pickwick_Club
|
gptkbp:audience
|
emotional engagement
|
gptkbp:awards
|
Tony Award nominations
|
gptkbp:character_arc
|
Joe's internal struggle
Joe's transformation
|
gptkbp:character_development
|
Joe's journey
|
gptkbp:character_relationships
|
gptkb:hubris
Joe and his father
Joe and Lorna
Joe and his manager
Joe and his peers
ambition vs. morality
tragic choices
|
gptkbp:created_by
|
gptkb:Freddie_Mercury
gptkb:Charles_Dickens
|
gptkbp:creator
|
gptkb:unknown
|
gptkbp:critical_reception
|
mixed reviews
|
gptkbp:cultural_impact
|
gptkb:American_theater
|
gptkbp:cultural_significance
|
reflection of societal issues
|
gptkbp:director
|
gptkb:Elia_Kazan
|
gptkbp:era
|
gptkb:Harlem_Renaissance
|
gptkbp:film_festival
|
gptkb:New_York_Theatre_Workshop
|
gptkbp:first_appearance
|
1836
|
gptkbp:focus
|
success and failure
|
gptkbp:genre
|
gptkb:musical
gptkb:band
gptkb:High_School
gptkb:literary_work
|
gptkbp:historical_context
|
1930s America
|
https://www.w3.org/2000/01/rdf-schema#label
|
The Golden Boy
|
gptkbp:influenced
|
later playwrights
|
gptkbp:influenced_artists
|
gptkb:Eugene_O'_Neill
|
gptkbp:influenced_by
|
gptkb:Great_Depression
gptkb:Victorian_literature
|
gptkbp:inspiration
|
gptkb:boxing
|
gptkbp:is_influenced_by
|
American realism
|
gptkbp:is_motivated_by
|
desire for success
|
gptkbp:is_part_of
|
gptkb:The_Pickwick_Club
|
gptkbp:language
|
English
|
gptkbp:legacy
|
gptkb:Social_Realism
|
gptkbp:length
|
4:00
|
gptkbp:main_character
|
gptkb:Joe_Bonaparte
gptkb:Golden_Boy
|
gptkbp:music_style
|
three acts
|
gptkbp:nationality
|
gptkb:British
|
gptkbp:notable_appearance
|
Joe's boxing match
|
gptkbp:notable_character
|
gptkb:Frances_Farmer
gptkb:Lee_J._Cobb
|
gptkbp:notable_production
|
gptkb:musical
gptkb:Group_Theatre
|
gptkbp:notable_quote
|
" I want to be a champion!"
|
gptkbp:official_language
|
English
|
gptkbp:original_run
|
1937 to 1938
|
gptkbp:performance
|
realism
|
gptkbp:personality_trait
|
naive
optimistic
adventurous
|
gptkbp:portrayed_by
|
various actors
|
gptkbp:premiered_on
|
1937
|
gptkbp:producer
|
gptkb:Freddie_Mercury
|
gptkbp:published_by
|
gptkb:Random_House
|
gptkbp:published_year
|
gptkb:2021
|
gptkbp:publisher
|
independent publisher
|
gptkbp:record_label
|
EMI
|
gptkbp:related_to
|
gptkb:The_Pickwick_Papers
|
gptkbp:release_year
|
gptkb:1964
1984 revival
|
gptkbp:released_in
|
gptkb:1986
|
gptkbp:resolution
|
tragic ending
|
gptkbp:reunion
|
gptkb:2012
|
gptkbp:setting
|
gptkb:Borough
urban environment
|
gptkbp:symbolism
|
gptkb:weapon
Joe as the everyman
|
gptkbp:target_audience
|
young adults
|
gptkbp:thematic_element
|
gptkb:TV_series
moral dilemmas
dreams and aspirations
|
gptkbp:theme
|
the American Dream
|
gptkbp:writer
|
gptkb:Freddie_Mercury
|
gptkbp:written_by
|
gptkb:Clifford_Odets
|
gptkbp:bfsParent
|
gptkb:Badr_Hari
gptkb:Don_Hutson
gptkb:Freddie_Mercury
gptkb:Diego_Maradona
gptkb:The_Freddie_Mercury_Tribute_Concert
gptkb:Oscar_De_La_Hoya
gptkb:Tully_Blanchard
gptkb:Larry_Scott
gptkb:Paul_Hornung
gptkb:Robert_Prosinečki
gptkb:Hari
|
gptkbp:bfsLayer
|
4
|