|
gptkbp:instance_of
|
gptkb:painting
gptkb:ballet
gptkb:comic_book
gptkb:album
gptkb:opera
gptkb:film
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|
gptkbp:adapted_into
|
various cultural influences
|
|
gptkbp:associated_with
|
gptkb:Fawcett_Comics
gptkb:German_Romanticism
|
|
gptkbp:available_on
|
gptkb:vinyl_records
gptkb:streaming_platforms
CDs
|
|
gptkbp:awards
|
gptkb:Academy_Award_nomination
Golden Globe nomination
BAFTA nomination
|
|
gptkbp:based_on
|
gptkb:Elizabeth_I
play by Vsevolod Meyerhold
|
|
gptkbp:box_office
|
$16.5 million
19.4 million USD
|
|
gptkbp:budget
|
$30 million
30 million USD
|
|
gptkbp:character
|
gptkb:Sir_Francis_Drake
gptkb:Queen_Elizabeth_I
gptkb:Sir_Edward_Coke
gptkb:Sir_William_Cecil
gptkb:Lady_Mary_Sidney
gptkb:Bess_Throckmorton
gptkb:Duke_of_Anjou
gptkb:King_Philip_II_of_Spain
gptkb:Mary_Stuart
gptkb:Sir_Richard_Grenville
gptkb:Francis_Walsingham
gptkb:Lord_Burghley
gptkb:Sir_Thomas_Smith
gptkb:Robert_Devereux
gptkb:Sir_Henry_Lee
gptkb:Robert_Dudley
gptkb:Sir_Walter_Raleigh
gptkb:Sir_Christopher_Hatton
gptkb:Sir_Robert_Sidney
gptkb:Sir_John_Hawkins
gptkb:Queen_Mary_of_Scots
Sir Edward Coke's Wife
Sir Francis Walsingham's Daughter
Sir Henry Lee's Daughter
Sir Richard Grenville's Wife
Sir Robert Dudley's Mother
Sir Robert Sidney's Wife
Sir Thomas Smith's Daughter
Sir Walter Raleigh's Mother
Sir William Cecil's Wife
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|
gptkbp:choreography
|
gptkb:Vaslav_Nijinsky
large ensembles
a neoclassical style
|
|
gptkbp:cinematography_by
|
gptkb:Remi_Adefarasin
|
|
gptkbp:color_palette
|
vibrant colors
|
|
gptkbp:composed_by
|
gptkb:Dmitri_Shostakovich
|
|
gptkbp:composer
|
gptkb:Dmitri_Shostakovich
|
|
gptkbp:costume_design
|
Nina Vasilyevna
|
|
gptkbp:country
|
gptkb:United_Kingdom
|
|
gptkbp:created_by
|
gptkb:Franz_von_Stuck
gptkb:The_Mountain_Goats
|
|
gptkbp:critical_reception
|
generally positive
mixed reviews
|
|
gptkbp:criticism
|
praised for its composition
|
|
gptkbp:depicts
|
gptkb:Mary_Stuart
gptkb:Spanish_Armada
Political intrigue
mythological themes
|
|
gptkbp:dimensions
|
200 cm × 100 cm
|
|
gptkbp:directed_by
|
gptkb:Shekhar_Kapur
gptkb:Sergei_Diaghilev
|
|
gptkbp:director
|
gptkb:Shekhar_Kapur
|
|
gptkbp:edited_by
|
gptkb:Martin_Walsh
gptkb:Tariq_Anwar
|
|
gptkbp:exhibitions
|
gptkb:Exposition_Universelle_1900
|
|
gptkbp:features
|
gptkb:Makeup_by_Nick_Dudman
gptkb:guitar
synthesizers
vocal harmonies
orchestral arrangements
satirical elements
Art direction by Michael Carlin
Casting by Jina Jay
Cinematography by Remi Adefarasin
Costume design by Alexandra Byrne
Distributed by Focus Features
Editing by Martin Walsh
Music by A. R. Rahman
Produced by Alison Owen and others
Production design by Guy Dyas
Released in the United Kingdom
Released in the United States
Sound design by Richard King
Visual effects by Cinesite
Written by William Nicholson and Michael Hirst
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gptkbp:features_song
|
gptkb:A._R._Rahman
|
|
gptkbp:film_festival
|
gptkb:Toronto_International_Film_Festival
gptkb:Venice_Film_Festival
|
|
gptkbp:followed_by
|
gptkb:Elizabeth:_The_Golden_Age
gptkb:The_Golden_Age_(2000)
gptkb:Heretic_Pride
|
|
gptkbp:follows
|
Elizabeth I's reign
|
|
gptkbp:genre
|
gptkb:rock
gptkb:historical_fiction
Historical drama
indie rock
ballet-opera
|
|
gptkbp:has_goal
|
gptkb:The_Golden_Age_(film_score)
|
|
gptkbp:has_themes
|
love and conflict
|
|
https://www.w3.org/2000/01/rdf-schema#label
|
The Golden Age
|
|
gptkbp:influenced
|
later artists
|
|
gptkbp:influenced_by
|
gptkb:The_Beach_Boys
gptkb:The_Velvet_Underground
gptkb:The_Beatles
|
|
gptkbp:influences
|
gptkb:Art_Nouveau
|
|
gptkbp:inspired_by
|
classical art
|
|
gptkbp:is_a
|
gptkb:ballet
|
|
gptkbp:is_associated_with
|
gptkb:the_Roaring_Twenties
gptkb:Russian_ballet
|
|
gptkbp:is_based_on
|
the concept of a golden age
|
|
gptkbp:is_celebrated_for
|
its artistic expression
its contribution to ballet
|
|
gptkbp:is_celebrated_in
|
dance festivals
|
|
gptkbp:is_characterized_by
|
its use of humor
|
|
gptkbp:is_considered_as
|
a classic ballet piece
a cultural milestone
a landmark in ballet history
|
|
gptkbp:is_documented_in
|
dance archives
ballet history books
|
|
gptkbp:is_influenced_by
|
gptkb:jazz_music
European art movements
the social changes of the era
|
|
gptkbp:is_influential_in
|
modern ballet works
|
|
gptkbp:is_known_for
|
its innovative choreography
|
|
gptkbp:is_notable_for
|
its historical significance
its avant-garde style
its ensemble cast
its unique narrative style
its elaborate staging
its cultural commentary
|
|
gptkbp:is_part_of
|
the 20th-century ballet movement
the Ballets Russes repertoire
|
|
gptkbp:is_recognized_by
|
critics and audiences alike
|
|
gptkbp:is_recognized_for
|
its artistic innovation
|
|
gptkbp:is_respected_by
|
its artistic merit
ballet historians
|
|
gptkbp:is_reviewed_by
|
gptkb:Pitchfork_Media
gptkb:The_Village_Voice
gptkb:All_Music
|
|
gptkbp:is_set_in
|
a fictional city
|
|
gptkbp:is_studied_in
|
dance academies
|
|
gptkbp:label
|
gptkb:Thrill_Jockey
gptkb:4_AD
|
|
gptkbp:language
|
gptkb:Russian
English
|
|
gptkbp:length
|
45:00
39:36
|
|
gptkbp:location
|
gptkb:Museum_of_Fine_Arts,_Leipzig
|
|
gptkbp:medium
|
gptkb:oil_on_canvas
|
|
gptkbp:metacritic_score
|
8/10
|
|
gptkbp:music_by
|
gptkb:A._R._Rahman
|
|
gptkbp:music_genre
|
gptkb:film_score
|
|
gptkbp:notable_tracks
|
gptkb:The_Girl_Who_Cried_Wolf
gptkb:The_Man_Who_Knew_Too_Much
gptkb:The_Golden_Age
gptkb:The_Last_of_the_American_Girls
gptkb:The_Best_Ever_Death_Metal_Band_in_Denton
gptkb:Isle_of_the_Dead
Dance Music
In the Shadow of the Valley
Woke Up New
|
|
gptkbp:part_of
|
Franz von Stuck's oeuvre
|
|
gptkbp:performed_at
|
the Théâtre de Monte-Carlo
|
|
gptkbp:performed_by
|
gptkb:Ballets_Russes
professional ballet dancers
leading ballet companies
renowned ballet troupes
|
|
gptkbp:performed_in
|
various international venues
the winter season
the original choreography style
the original language of the score
the original production style
the original theatrical setting
|
|
gptkbp:preceded_by
|
Get Lonely
Bobby Conn (1996)
|
|
gptkbp:premiere
|
gptkb:1930
|
|
gptkbp:premiere_date
|
2007-09-07
|
|
gptkbp:premiered_on
|
gptkb:Venice_Film_Festival
1930-12-12
|
|
gptkbp:produced_by
|
gptkb:Bobby_Conn
gptkb:Alison_Owen
|
|
gptkbp:production_company
|
gptkb:Focus_Features
|
|
gptkbp:record_label
|
gptkb:Decca_Records
|
|
gptkbp:recorded_at
|
gptkb:Electrical_Audio
|
|
gptkbp:release_country
|
gptkb:United_Kingdom
gptkb:United_States
|
|
gptkbp:release_date
|
gptkb:2006
November 2007
|
|
gptkbp:release_format
|
theatrical
|
|
gptkbp:release_year
|
gptkb:1998
|
|
gptkbp:released_by
|
gptkb:Bobby_Conn
|
|
gptkbp:released_in
|
gptkb:2007
gptkb:CD_format
Digital format
Vinyl format
|
|
gptkbp:revived_in
|
various ballet companies
|
|
gptkbp:runtime
|
121 minutes
|
|
gptkbp:screenplay_by
|
gptkb:Michael_Hirst
gptkb:William_Nicholson
|
|
gptkbp:set_in
|
gptkb:England
gptkb:Spain
16th century
the 1920s
|
|
gptkbp:starring
|
gptkb:Clive_Owen
gptkb:Cate_Blanchett
gptkb:Geoffrey_Rush
gptkb:Abbie_Cornish
|
|
gptkbp:style
|
gptkb:Symbolism
|
|
gptkbp:symbolizes
|
ideal beauty
|
|
gptkbp:technique
|
impasto
|
|
gptkbp:themes
|
gptkb:identity
American culture
nostalgia
consumerism
disillusionment
|
|
gptkbp:track_count
|
gptkb:10
gptkb:12
|
|
gptkbp:won_award
|
gptkb:1
2
|
|
gptkbp:year_created
|
1899
|
|
gptkbp:bfsParent
|
gptkb:Sergei_Rachmaninoff
gptkb:George_Balanchine
gptkb:Dmitri_Shostakovich
gptkb:Luis_Buñuel
gptkb:Shostakovich
gptkb:Dmitry_Shostakovich
gptkb:A._R._Gurney
gptkb:Aram_Khachaturian
gptkb:Salvador_Dalí
gptkb:The_New_York_City_Ballet
gptkb:New_York_City_Ballet
gptkb:Rijksmuseum
gptkb:Damien_Hirst
gptkb:Rasputin
gptkb:Destiny
gptkb:Maya_Plisetskaya
gptkb:The_Last_Days_of_the_American_Republic
|
|
gptkbp:bfsLayer
|
4
|