|
gptkbp:instance_of
|
gptkb:novel
gptkb:film
|
|
gptkbp:adaptation
|
gptkb:film_adaptation
gptkb:novel_adaptations
gptkb:graphic_novel
gptkb:film
|
|
gptkbp:author
|
gptkb:M._R._Carey
|
|
gptkbp:awards
|
gptkb:British_Fantasy_Award
gptkb:Kitschies_Red_Tentacle_Award
nominated for several awards
Nominated for Best Editing at the British Independent Film Awards
Nominated for Best Director at the British Independent Film Awards
Nominated for Best Production at the British Independent Film Awards
Nominated for Best Music at the British Independent Film Awards
Nominated for Best Feature at the British Independent Film Awards
|
|
gptkbp:based_on
|
novel by M. R. Carey
|
|
gptkbp:box_office
|
$3.5 million
$3.8 million
|
|
gptkbp:budget
|
£4 million
£1.5 million
|
|
gptkbp:character
|
gptkb:Miss_Justineau
Melanie
Dr. Caldwell
Sergeant Parks
the hungries
|
|
gptkbp:character_arc
|
Melanie's journey
Dr. Caldwell's motivations
Miss Justineau's transformation
|
|
gptkbp:character_development
|
relationship dynamics
Melanie's journey
Dr. Caldwell's motivations
Miss Justineau's perspective
Sergeant Parks' conflict
Melanie's growth
|
|
gptkbp:character_relationships
|
Melanie and Dr. Caldwell
Melanie and Miss Justineau
Melanie and Sergeant Parks
|
|
gptkbp:character_type
|
gptkb:Zombie
hybrid
|
|
gptkbp:cinematography
|
gptkb:Anthony_Dod_Mantle
|
|
gptkbp:cinematography_by
|
gptkb:Anthony_Dod_Mantle
|
|
gptkbp:climax
|
escape from the facility
|
|
gptkbp:conflict
|
human vs. nature
human vs. human
human vs. self
|
|
gptkbp:country
|
gptkb:United_Kingdom
|
|
gptkbp:critical_reception
|
positive
generally positive
mixed reviews
|
|
gptkbp:cultural_impact
|
cult following
exploration of identity
influenced zombie genre
discussion on morality
post-apocalyptic narratives
discussion on ethics
discussions on humanity
discourse on humanity
discussion on survival
influenced discussions on humanity and morality
|
|
gptkbp:directed_by
|
gptkb:Colm_Mc_Carthy
|
|
gptkbp:director
|
gptkb:Colm_Mc_Carthy
|
|
gptkbp:distributor
|
gptkb:Lionsgate
|
|
gptkbp:edited_by
|
gptkb:Jon_Harris
|
|
gptkbp:editing
|
gptkb:Jon_Harris
|
|
gptkbp:ended
|
ambiguous
open-ended
|
|
gptkbp:features
|
zombies
|
|
gptkbp:film
|
gptkb:Sennia_Nanua
gptkb:Gemma_Arterton
gptkb:Glenn_Close
|
|
gptkbp:film_editing
|
The Girl with All the Gifts (film)
|
|
gptkbp:film_series
|
standalone
|
|
gptkbp:filming_location
|
gptkb:Birmingham
gptkb:London
gptkb:United_Kingdom
|
|
gptkbp:followed_by
|
gptkb:The_Boy_on_the_Bridge
|
|
gptkbp:follows
|
Melanie
|
|
gptkbp:genre
|
gptkb:science_fiction
gptkb:horror
|
|
gptkbp:graphic_novel_author
|
gptkb:M._R._Carey
|
|
gptkbp:graphics
|
gptkb:The_Girl_with_All_the_Gifts:_The_Graphic_Novel
gptkb:Dave_Mc_Kean
|
|
gptkbp:has_awards
|
gptkb:Sitges_Film_Festival
gptkb:London_Film_Festival
gptkb:British_Independent_Film_Awards
gptkb:Fright_Fest
gptkb:Screamfest_Horror_Film_Festival
|
|
gptkbp:has_character
|
gptkb:Miss_Justineau
gptkb:Private_Kieran_Gallagher
Dr. Caldwell
Sergeant Parks
Melanie's mother
|
|
gptkbp:has_theme
|
gptkb:humanity
gptkb:science
gptkb:survival
gptkb:identity
ethics
morality
|
|
gptkbp:home_media_release
|
gptkb:DVD
gptkb:Blu-ray
gptkb:2017
Digital
|
|
https://www.w3.org/2000/01/rdf-schema#label
|
The Girl with All the Gifts
|
|
gptkbp:influences
|
gptkb:The_Last_of_Us
gptkb:The_Road
gptkb:World_War_Z
gptkb:Zombie
gptkb:28_Days_Later
gptkb:I_Am_Legend
gptkb:dystopian_fiction
gptkb:horror_films
literary fiction
science fiction literature
zombie genre
|
|
gptkbp:inspiration
|
gptkb:The_Last_of_Us
gptkb:The_Walking_Dead
gptkb:28_Days_Later
gptkb:I_Am_Legend
classic horror themes
modern societal issues
M. R. Carey’s experiences
|
|
gptkbp:isbn
|
978-0316334754
978-0-356-50180-4
|
|
gptkbp:language
|
English
|
|
gptkbp:literary_significance
|
exploration of identity
exploration of ethics
exploration of humanity
|
|
gptkbp:main_character
|
Melanie
|
|
gptkbp:motif
|
gptkb:education
gptkb:transformation
growth
hope
isolation
fear
|
|
gptkbp:music_by
|
gptkb:Cristobal_Tapia_de_Veer
|
|
gptkbp:narrative
|
multiple viewpoints
third-person
non-linear
|
|
gptkbp:narrative_style
|
third-person
|
|
gptkbp:page_count
|
464
|
|
gptkbp:plot
|
gptkb:yeast
ethical dilemmas
the nature of humanity
survival of humanity
A scientist and a teacher living in a dystopian future must protect a young girl who is a special kind of zombie.
|
|
gptkbp:premiere
|
gptkb:Toronto_International_Film_Festival
|
|
gptkbp:premiered_on
|
gptkb:Toronto_International_Film_Festival
|
|
gptkbp:production_company
|
gptkb:Warp_Films
gptkb:Screen_Yorkshire
|
|
gptkbp:published
|
gptkb:2014
|
|
gptkbp:publisher
|
gptkb:Orbit_Books
|
|
gptkbp:rating
|
gptkb:R
|
|
gptkbp:reader_demographic
|
critical acclaim
emotional
young adult
adult
book clubs
cult following
thought-provoking
popular among young adults
|
|
gptkbp:received
|
mixed reviews
|
|
gptkbp:release_country
|
gptkb:United_Kingdom
|
|
gptkbp:release_date
|
gptkb:2016
September 26, 2016
|
|
gptkbp:release_format
|
theatrical
|
|
gptkbp:release_year
|
gptkb:2016
|
|
gptkbp:released
|
gptkb:2016
|
|
gptkbp:resolution
|
new beginnings
|
|
gptkbp:runtime
|
111 minutes
|
|
gptkbp:screenplay
|
gptkb:M._R._Carey
|
|
gptkbp:screenplay_by
|
gptkb:M._R._Carey
gptkb:Mike_Carey
|
|
gptkbp:sequel
|
gptkb:The_Boy_on_the_Bridge
|
|
gptkbp:set_in
|
post-apocalyptic world
|
|
gptkbp:setting
|
post-apocalyptic world
post-apocalyptic England
|
|
gptkbp:starring
|
gptkb:Sennia_Nanua
gptkb:Gemma_Arterton
gptkb:Glenn_Close
gptkb:Paddy_Considine
|
|
gptkbp:symbolism
|
the military
the school
the infection
the classroom
the greenhouse
the fence
the military base
the school setting
the gifts
|
|
gptkbp:tempo
|
fast-paced
|
|
gptkbp:theme
|
gptkb:humanity
gptkb:survival
gptkb:identity
morality
|
|
gptkbp:themes
|
gptkb:humanity
gptkb:survival
gptkb:identity
|
|
gptkbp:viewpoint
|
limited
|
|
gptkbp:won_award
|
gptkb:Best_Horror_Film
Best Adapted Screenplay
|
|
gptkbp:writer
|
gptkb:M._R._Carey
|
|
gptkbp:bfsParent
|
gptkb:Vertigo_Films
gptkb:Mark_Strong
gptkb:Laird_Barron
gptkb:The_Invisible_Man:_The_Last_Man_on_Earth
|
|
gptkbp:bfsLayer
|
4
|