gptkbp:instance_of
|
gptkb:novel
gptkb:film
|
gptkbp:adaptation
|
gptkb:film
|
gptkbp:audience
|
Cult classic.
|
gptkbp:awards
|
gptkb:CEO
|
gptkbp:box_office
|
$1 million
|
gptkbp:budget
|
$200,000
|
gptkbp:character
|
Detective.
Suspect.
Victim.
|
gptkbp:character_arc
|
Redemption.
|
gptkbp:character_development
|
complex characters
Complex characters.
|
gptkbp:cinematography
|
gptkb:William_H._Daniels
|
gptkbp:color
|
Black and white.
|
gptkbp:conflict
|
moral dilemmas
|
gptkbp:country
|
gptkb:United_States
|
gptkbp:critical_reception
|
mixed
Mixed reviews.
|
gptkbp:cultural_impact
|
inspired adaptations
discussed in literary circles
Cult following.
popular in book clubs
influenced authors
analyzed in academic studies
|
gptkbp:directed_by
|
gptkb:Howard_W._Koch
|
gptkbp:director
|
gptkb:Herschel_Daugherty
|
gptkbp:distributor
|
gptkb:Columbia_Pictures
|
gptkbp:edited_by
|
gptkb:Richard_C._Meyer
|
gptkbp:film_festival
|
gptkb:CEO
|
gptkbp:film_series
|
gptkb:CEO
|
gptkbp:filming_location
|
California.
|
gptkbp:filmography
|
gptkb:Martha_Hyer
gptkb:film
Laura.
Gilda.
Double Indemnity.
Sunset Boulevard.
The Maltese Falcon.
|
gptkbp:genre
|
gptkb:mythological_figure
gptkb:film
|
gptkbp:home_media_release
|
DVD.
|
https://www.w3.org/2000/01/rdf-schema#label
|
The Girl in Black Stockings
|
gptkbp:influence
|
noir fiction
crime fiction genre
|
gptkbp:influenced
|
Later mystery films.
|
gptkbp:influenced_by
|
Classic detective stories.
|
gptkbp:influences
|
Film noir.
|
gptkbp:inspired_by
|
The novel ' The Girl in Black Stockings' by John D. Mac Donald.
|
gptkbp:isbn
|
978-0-312-19580-0
|
gptkbp:language
|
English
|
gptkbp:legacy
|
Part of film noir history.
|
gptkbp:literary_devices
|
irony
foreshadowing
flashback
|
gptkbp:main_character
|
gptkb:Detective
|
gptkbp:motif
|
gptkb:betrayal
gptkb:justice
gptkb:military_operation
|
gptkbp:music_by
|
gptkb:Paul_Dunlap
|
gptkbp:narrative_style
|
third-person
Non-linear.
|
gptkbp:notable_quote
|
" Who killed her?"
|
gptkbp:page_count
|
192
|
gptkbp:plot
|
A murder mystery set in a hotel.
|
gptkbp:plot_twist
|
unexpected ending
|
gptkbp:premiere
|
Los Angeles.
|
gptkbp:produced_by
|
gptkb:Howard_W._Koch
|
gptkbp:published_by
|
1953
|
gptkbp:publisher
|
gptkb:Farrar,_Straus_and_Giroux
|
gptkbp:reader_demographic
|
engaging
thought-provoking
suspenseful
|
gptkbp:release_date
|
April 1957
|
gptkbp:release_year
|
gptkb:1960
|
gptkbp:released
|
gptkb:1957
|
gptkbp:remake
|
gptkb:CEO
|
gptkbp:role
|
gptkb:Detective
gptkb:legal_case
|
gptkbp:runtime
|
80 minutes
|
gptkbp:screenings
|
Television.
|
gptkbp:screenplay_by
|
George W. George
|
gptkbp:set_in
|
A hotel.
|
gptkbp:setting
|
gptkb:Florida
1950s
|
gptkbp:sound
|
Mono.
|
gptkbp:starring
|
gptkb:Anne_Bancroft
gptkb:Martha_Hyer
gptkb:John_Lund
|
gptkbp:style
|
suspenseful
|
gptkbp:symbolism
|
truth
murder weapon
Black stockings.
black stockings
|
gptkbp:theme
|
gptkb:legal_case
Suspense.
Murder.
Deception.
|
gptkbp:visitors
|
Engaging.
|
gptkbp:written_by
|
gptkb:John_D._Mac_Donald
|
gptkbp:bfsParent
|
gptkb:The_Violent_Years
|
gptkbp:bfsLayer
|
5
|