Statements (196)
| Predicate | Object |
|---|---|
| gptkbp:instance_of |
gptkb:novel
gptkb:film |
| gptkbp:adaptation |
gptkb:none
not adapted |
| gptkbp:author |
gptkb:Joan_Aiken
|
| gptkbp:awards |
gptkb:none
|
| gptkbp:based_on |
novel by John P. Marquand
The Girl He Left Behind (novel) |
| gptkbp:box_office |
gptkb:unknown
$1.5 million |
| gptkbp:character |
gptkb:The_Nurse
gptkb:Joe_Mc_Ginnis gptkb:Bobby gptkb:The_Audience gptkb:The_Captain gptkb:The_Critic gptkb:The_Dancer gptkb:The_Journalist gptkb:The_Waitress gptkb:The_Pianist gptkb:The_Soldier gptkb:Doris gptkb:Mrs._Mc_Gowan gptkb:The_Director gptkb:The_General gptkb:The_Colonel gptkb:Sgt._Mc_Gowan The Lieutenant The Writer The Major The Reporter The Producer The Officer The Photographer The Singer The Editor The Sergeant The Corporal The Private The Band Leader Mr. Mc Gowan Miss Mc Gowan Mr. Mc Ginnis Mrs. Mc Ginnis Cpl. Mc Ginnis Diane Mc Ginnis Lt. Mc Ginnis Sgt. Mc Ginnis |
| gptkbp:character_arc |
Catherine's journey
|
| gptkbp:character_development |
Catherine's growth
|
| gptkbp:character_relationships |
Catherine and her family
Catherine and her friends Catherine and her love interest |
| gptkbp:cinematography |
gptkb:Charles_G._Clarke
gptkb:Arthur_C._Miller |
| gptkbp:climax |
Catherine's decision
|
| gptkbp:color |
gptkb:Technicolor
|
| gptkbp:composer |
gptkb:Leigh_Harline
|
| gptkbp:conflict |
internal conflict
self-discovery external conflict |
| gptkbp:country |
gptkb:United_States
|
| gptkbp:critical_reception |
positive
|
| gptkbp:cultural_impact |
social changes
post-war England |
| gptkbp:director |
gptkb:Henry_Koster
gptkb:David_Butler |
| gptkbp:distributor |
gptkb:20th_Century_Fox
gptkb:Columbia_Pictures |
| gptkbp:editor |
gptkb:James_B._Clark
Warren Low |
| gptkbp:features |
musical numbers
|
| gptkbp:follows |
a love story
|
| gptkbp:genre |
gptkb:musical
gptkb:church Romantic drama |
| gptkbp:has_theme |
gptkb:TV_series
gptkb:festival gptkb:award gptkb:amusement_park gptkb:loss gptkb:loyalty gptkb:Community_Center gptkb:Saint gptkb:Trust gptkb:High_School gptkb:family gptkb:war love patriotism hope faith courage resilience suffering nostalgia redemption romance forgiveness perseverance the exploration of identity the role of fate the power of love to heal the journey of self-discovery the impact of choices the significance of personal growth the consequences of war the search for meaning sacrifice for love the complexity of love the power of music the importance of family bonds the quest for belonging the exploration of dreams the exploration of the human experience the importance of self-acceptance the essence of humanity the exploration of dreams and aspirations the impact of societal expectations the struggle for happiness the importance of communication the journey of love the significance of home the impact of loss on identity the impact of war on relationships the search for closure the value of memories the journey of forgiveness the role of community in healing the impact of love on personal growth the importance of hope in adversity the importance of resilience in the face of adversity the journey towards healing the journey of healing through love the journey of self-discovery through love the role of women during war the significance of friendship in tough times the significance of hope in relationships |
| https://www.w3.org/2000/01/rdf-schema#label |
The Girl He Left Behind
|
| gptkbp:influenced_by |
American culture
|
| gptkbp:influences |
gptkb:historical_event
personal experiences |
| gptkbp:inspiration |
real-life events
|
| gptkbp:inspired |
later romantic films
|
| gptkbp:isbn |
978-0-340-19580-0
|
| gptkbp:language |
English
|
| gptkbp:literary_devices |
gptkb:literary_work
simile imagery foreshadowing |
| gptkbp:main_character |
gptkb:Catherine
|
| gptkbp:motif |
gptkb:Magic:_The_Gathering_set
regret |
| gptkbp:music |
gptkb:Carmen_Dragon
|
| gptkbp:narrative_style |
third-person
|
| gptkbp:notable_for |
Maureen O' Hara's performance
|
| gptkbp:page_count |
256
|
| gptkbp:part_of |
filmography of Henry Koster
|
| gptkbp:plot_twist |
unexpected reunion
|
| gptkbp:producer |
gptkb:William_Perlberg
|
| gptkbp:production_company |
gptkb:Columbia_Pictures
|
| gptkbp:published_year |
gptkb:1973
|
| gptkbp:publisher |
gptkb:Hodder_&_Stoughton
|
| gptkbp:reader_demographic |
emotional engagement
reflection on choices |
| gptkbp:release_date |
April 12, 1956
December 20, 1940 |
| gptkbp:release_year |
gptkb:1940
gptkb:1956 |
| gptkbp:resolution |
gptkb:acceptance
|
| gptkbp:runtime |
92 minutes
90 minutes |
| gptkbp:screenplay_by |
gptkb:Robert_Smith
gptkb:Lamar_Trotti |
| gptkbp:series |
standalone
|
| gptkbp:set_in |
gptkb:World_War_II
|
| gptkbp:setting |
gptkb:England
|
| gptkbp:starring |
gptkb:Tab_Hunter
gptkb:Natalie_Wood gptkb:John_Payne gptkb:Maureen_O'_Hara |
| gptkbp:style |
lyrical
descriptive |
| gptkbp:symbolism |
gptkb:poet
the sea |
| gptkbp:target_audience |
young adults
|
| gptkbp:theme |
gptkb:TV_series
gptkb:loss love |
| gptkbp:themes |
personal growth
relationships self-identity historical impact |
| gptkbp:bfsParent |
gptkb:Tab_Hunter
gptkb:Walter_Pidgeon |
| gptkbp:bfsLayer |
5
|