gptkbp:instance_of
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gptkb:play
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gptkbp:bfsLayer
|
3
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gptkbp:bfsParent
|
gptkb:Henrik_Ibsen
|
gptkbp:adapted_into
|
gptkb:television_series
gptkb:radio_station
gptkb:opera
gptkb:film
|
gptkbp:associated_act
|
gptkb:3
|
gptkbp:character
|
gptkb:Oswald_Alving
gptkb:Jakob_Engstrand
Pastor Manders
|
gptkbp:critical_reception
|
controversial at the time of release
|
gptkbp:cultural_impact
|
influenced modern drama
|
gptkbp:famous_quote
|
“ The most difficult thing in the world is to be yourself.”
|
gptkbp:genre
|
gptkb:High_School
|
https://www.w3.org/2000/01/rdf-schema#label
|
The Ghosts of Ibsen
|
gptkbp:influenced
|
theatre movements
|
gptkbp:influenced_by
|
realism
19th-century literature
Norwegian culture
|
gptkbp:inspired
|
feminist literature
psychological drama
|
gptkbp:is_cited_in
|
academic studies
literary critiques
theatre reviews
psychological analyses
feminist critiques
|
gptkbp:language
|
gptkb:Politician
|
gptkbp:main_character
|
gptkb:Helene_Alving
|
gptkbp:notable_production
|
gptkb:Royal_Dramatic_Theatre
gptkb:Strindberg_Festival
gptkb:National_Theatre,_London
Burgtheater, Vienna
|
gptkbp:official_language
|
gptkb:Politician
|
gptkbp:performed_by
|
theatre festivals
|
gptkbp:premiered_on
|
1881
|
gptkbp:published_by
|
gptkb:Gyldendal
|
gptkbp:setting
|
gptkb:Norway
|
gptkbp:theme
|
social issues
hypocrisy
family secrets
|
gptkbp:themes
|
moral dilemmas
the role of women
individual vs society
the consequences of the past
|
gptkbp:translated_into
|
gptkb:French
gptkb:Italian
gptkb:Spanish
gptkb:Native_American_tribe
English
|
gptkbp:written_by
|
gptkb:Henrik_Ibsen
|