|
gptkbp:instance_of
|
gptkb:novel
gptkb:film
gptkb:character
|
|
gptkbp:adaptation
|
gptkb:theatre
gptkb:radio_station
gptkb:film
|
|
gptkbp:are
|
gptkb:political_movement
|
|
gptkbp:artist
|
gptkb:Tommy_Gray
|
|
gptkbp:audience
|
theatre-goers
|
|
gptkbp:author
|
gptkb:J._B._Priestley
|
|
gptkbp:awards
|
gptkb:Audience_Choice_Award
gptkb:Best_Actress
gptkb:Best_Cinematography
gptkb:Best_Director
gptkb:Best_Editing
gptkb:Best_Original_Score
gptkb:Best_Production_Design
gptkb:Best_Screenplay
gptkb:Best_Horror_Film
Best Costume Design
Best Special Effects
Best Makeup
|
|
gptkbp:box_office
|
$1 million
|
|
gptkbp:burial_place
|
gptkb:The_Island
the prison
|
|
gptkbp:cast
|
gptkb:Alice_Johnson
gptkb:Bob_Williams
Catherine Lee
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|
gptkbp:character
|
gptkb:Ghost_Hunter
gptkb:mythological_figure
gptkb:legal_case
gptkb:character
the protagonist
the narrator
the antagonist
the observer
human characters
the critic
the believer
the skeptic
the family members
the visitors
the ghostly figures
the mediator
|
|
gptkbp:character_appearance
|
gptkb:Sarah_Brown
|
|
gptkbp:character_development
|
complex characters
|
|
gptkbp:cinematography
|
gptkb:David_Green
|
|
gptkbp:climax
|
revelation of truths
|
|
gptkbp:composer
|
gptkb:Michael_Brown
|
|
gptkbp:conflict
|
human vs supernatural
|
|
gptkbp:country
|
gptkb:United_States
|
|
gptkbp:critical_reception
|
mixed reviews
|
|
gptkbp:cultural_impact
|
discussed in literature courses
|
|
gptkbp:cultural_significance
|
reflects post-war society
|
|
gptkbp:director
|
gptkb:John_Doe
|
|
gptkbp:distributor
|
gptkb:ABC_Films
|
|
gptkbp:editor
|
gptkb:Emily_White
|
|
gptkbp:film_series
|
gptkb:CEO
|
|
gptkbp:filming_location
|
gptkb:New_Orleans
|
|
gptkbp:genre
|
gptkb:High_School
gptkb:film
|
|
gptkbp:has_sequel
|
gptkb:CEO
|
|
https://www.w3.org/2000/01/rdf-schema#label
|
The Ghosts
|
|
gptkbp:influence
|
psychological drama
British theatre
modern playwrights
theatre movements
|
|
gptkbp:influences
|
gptkb:The_Sixth_Sense
gptkb:The_Others
gptkb:Ninjutsu
gptkb:Ghostbusters
gptkb:The_Shining
|
|
gptkbp:inspiration
|
Priestley's experiences
|
|
gptkbp:is_critical_for
|
analyzed in academic papers
|
|
gptkbp:language
|
English
reflects societal issues
witty and sharp
|
|
gptkbp:length
|
one act
|
|
gptkbp:motif
|
time travel
|
|
gptkbp:narrative_style
|
gptkb:play
expressionistic elements
|
|
gptkbp:notable_event
|
gptkb:film_festival
|
|
gptkbp:notable_quote
|
" Fear is just a state of mind."
|
|
gptkbp:performance
|
performed by various actors
performed in various theatres
|
|
gptkbp:plot
|
unfolds in real-time
|
|
gptkbp:plot_twist
|
unexpected revelations
|
|
gptkbp:premiere_date
|
gptkb:1967
|
|
gptkbp:premise
|
exploration of guilt
|
|
gptkbp:production_company
|
gptkb:XYZ_Productions
|
|
gptkbp:public_perception
|
provokes thought
|
|
gptkbp:published_by
|
gptkb:1967
|
|
gptkbp:publisher
|
Heinemann
|
|
gptkbp:rating
|
5.5/10
|
|
gptkbp:related_works
|
gptkb:An_Inspector_Calls
|
|
gptkbp:release_date
|
October 31, 2003
|
|
gptkbp:release_year
|
gptkb:2003
|
|
gptkbp:resolution
|
acceptance of the past
|
|
gptkbp:runtime
|
90 minutes
|
|
gptkbp:sequel
|
gptkb:CEO
|
|
gptkbp:setting
|
gptkb:England
a haunted house
|
|
gptkbp:sound
|
gptkb:Laura_Black
|
|
gptkbp:soundtrack
|
The Ghosts Original Soundtrack
|
|
gptkbp:style
|
social commentary
|
|
gptkbp:symbolism
|
the past haunting the present
ghosts as past regrets
|
|
gptkbp:thematic_element
|
the nature of reality
redemption
existential questions
|
|
gptkbp:theme
|
gptkb:mythological_figure
supernatural
|
|
gptkbp:visual_effects
|
XYZ Effects
|
|
gptkbp:writer
|
gptkb:Jane_Smith
|
|
gptkbp:bfsParent
|
gptkb:Jeff_Wall
gptkb:The_Last_Kids_on_Earth
gptkb:Ninjago:_Secrets_of_the_Forbidden_Spinjitzu
gptkb:Celeste
|
|
gptkbp:bfsLayer
|
3
|