gptkbp:instance_of
|
gptkb:album
|
gptkbp:album
|
gptkb:The_Rising
gptkb:We_Shall_Overcome:_The_Seeger_Sessions
gptkb:Wrecking_Ball
gptkb:Devils_&_Dust
gptkb:High_Hopes
|
gptkbp:artist
|
gptkb:Bruce_Springsteen
|
gptkbp:associated_act
|
gptkb:E_Street_Band
gptkb:The_E_Street_Band
|
gptkbp:awards
|
gptkb:Grammy_Award
Nominated for Grammy Award for Best Contemporary Folk Album.
|
gptkbp:certification
|
gptkb:gold
|
gptkbp:chart_performance
|
gptkb:Billboard_200
gptkb:UK_Albums_Chart
|
gptkbp:chart_position
|
#1 on Top Heatseekers
#11 on Billboard 200
|
gptkbp:collaboration
|
gptkb:Tom_Morello
|
gptkbp:cover_art
|
Album cover features a black and white photo.
|
gptkbp:critical_reception
|
Positive
Positive reviews
positive
generally positive
|
gptkbp:featured_artist
|
gptkb:Tom_Morello
|
gptkbp:followed_by
|
gptkb:The_Rising
|
gptkbp:genre
|
gptkb:rock
|
https://www.w3.org/2000/01/rdf-schema#label
|
The Ghost of Tom Joad
|
gptkbp:influenced
|
American rock music
protest music
Folk rock artists
Alternative rock artists
Americana artists
|
gptkbp:influenced_artists
|
gptkb:Ryan_Adams
gptkb:Kacey_Lee_Musgraves
gptkb:Jason_Isbell
gptkb:The_Gaslight_Anthem
gptkb:The_Hold_Steady
|
gptkbp:influenced_by
|
gptkb:Woody_Guthrie
gptkb:John_Steinbeck
|
gptkbp:influences
|
gptkb:John_Steinbeck
|
gptkbp:inspiration
|
gptkb:The_Grapes_of_Wrath
|
gptkbp:inspired
|
gptkb:The_Ghost_of_Tom_Joad_Tour
|
gptkbp:label
|
gptkb:Columbia_Records
|
gptkbp:length
|
50:12
50:29
50:25
|
gptkbp:live_performance
|
gptkb:Bruce_Springsteen_and_the_E_Street_Band
Bruce Springsteen often performs songs from this album.
|
gptkbp:lyrical_themes
|
gptkb:American_Dream
Displacement
Hope and despair
Struggles of the working class
|
gptkbp:music_video
|
gptkb:The_Ghost_of_Tom_Joad_(music_video)
|
gptkbp:notable_song
|
gptkb:Sinaloa_Cowboys
gptkb:American_Skin_(41_Shots)
gptkb:The_Ghost_of_Tom_Joad
gptkb:The_Line
Straight Time
The Line Goes Dead
My Best Was Never Good Enough
The New Timer
|
gptkbp:notable_tracks
|
gptkb:Sinaloa_Cowboys
gptkb:The_Ghost_of_Tom_Joad
gptkb:The_Line
Straight Time
My Best Was Never Good Enough
The New Timer
|
gptkbp:preceded_by
|
gptkb:Greatest_Hits
|
gptkbp:producer
|
gptkb:Bruce_Springsteen
|
gptkbp:production_years
|
1996 Billboard 200
|
gptkbp:record_label
|
gptkb:Columbia_Records
|
gptkbp:recording_location
|
gptkb:The_Hit_Factory
The Hit Factory, New York City
A& M Studios
|
gptkbp:release_date
|
1995-11-21
|
gptkbp:release_format
|
gptkb:Vinyl
CD
Digital
|
gptkbp:release_year
|
gptkb:1995
|
gptkbp:released_as_single
|
gptkb:American_Skin_(41_Shots)
gptkb:The_Ghost_of_Tom_Joad
|
gptkbp:songwriters
|
gptkb:Bruce_Springsteen
|
gptkbp:theme
|
gptkb:Social_issues
gptkb:social_justice
American identity
working class struggles
|
gptkbp:themes
|
gptkb:Social_issues
American identity
Working class struggles
|
gptkbp:track_count
|
gptkb:12
|
gptkbp:bfsParent
|
gptkb:Johnny_Cash
gptkb:Bruce_Springsteen
|
gptkbp:bfsLayer
|
3
|