|
gptkbp:instance_of
|
gptkb:novel
gptkb:film
|
|
gptkbp:bfsLayer
|
5
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|
gptkbp:bfsParent
|
gptkb:The_Getaway_(1994)
|
|
gptkbp:adaptation
|
gptkb:The_Getaway_(1972_film)
gptkb:1972
|
|
gptkbp:antagonist
|
gptkb:Jack_Benyon
|
|
gptkbp:aspect_ratio
|
2.35:1
|
|
gptkbp:author
|
gptkb:Jim_Thompson
|
|
gptkbp:awards
|
Nominated for 1 Academy Award
Nominated for 2 Golden Globe Awards
|
|
gptkbp:based_on
|
gptkb:The_Getaway_(novel)
|
|
gptkbp:box_office
|
gptkb:$5_million
5 million USD
3 million USD
|
|
gptkbp:budget
|
$3 million
|
|
gptkbp:character
|
gptkb:Alfonso
gptkb:Carol_Mc_Coy
gptkb:Doc_Mc_Coy
gptkb:Police_Department
gptkb:Jack_Benyon
|
|
gptkbp:character_arc
|
gptkb:downfall
redemption
|
|
gptkbp:character_development
|
complex characters
|
|
gptkbp:character_relationships
|
internal conflict
external conflict
marriage of convenience
|
|
gptkbp:cinematography
|
gptkb:Lucien_Ballard
|
|
gptkbp:color
|
gptkb:Technicolor
|
|
gptkbp:conflict
|
heist gone wrong
|
|
gptkbp:country
|
gptkb:United_States
|
|
gptkbp:critical_reception
|
Mixed reviews
positive
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|
gptkbp:cultural_impact
|
Cult Classic
influenced film adaptations
influenced later crime fiction
|
|
gptkbp:director
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gptkb:Sam_Peckinpah
|
|
gptkbp:distributor
|
gptkb:20th_Century_Fox
|
|
gptkbp:editor
|
gptkb:Robert_L._Simpson
|
|
gptkbp:film_series
|
gptkb:The_Getaway_(franchise)
|
|
gptkbp:filming_location
|
gptkb:legislation
gptkb:California
|
|
gptkbp:filmography
|
gptkb:Robert_L._Simpson
gptkb:Steve_Mc_Queen
gptkb:Ali_Mac_Graw
|
|
gptkbp:followed_by
|
gptkb:The_Getaway_(1994)
|
|
gptkbp:genre
|
gptkb:musical
gptkb:Jerry_Fielding
gptkb:Detective
gptkb:Police_Department
gptkb:Thriller
|
|
gptkbp:home_media_release
|
gptkb:DJ
gptkb:film
|
|
https://www.w3.org/2000/01/rdf-schema#label
|
The Getaway (1958)
|
|
gptkbp:influenced
|
film noir
crime novels
Modern Heist Films
|
|
gptkbp:influenced_by
|
gptkb:film
American culture
hardboiled fiction
|
|
gptkbp:inspiration
|
Real-life bank robberies
|
|
gptkbp:is_critical_for
|
examines human nature
explores morality
|
|
gptkbp:is_motivated_by
|
gptkb:greed
gptkb:survival
love
|
|
gptkbp:isbn
|
978-0451201234
|
|
gptkbp:language
|
English
|
|
gptkbp:main_character
|
gptkb:Carol_Mc_Coy
gptkb:Doc_Mc_Coy
|
|
gptkbp:motif
|
escape
|
|
gptkbp:music_by
|
gptkb:Quincy_Jones
|
|
gptkbp:narrative_style
|
third-person
omniscient narrator
|
|
gptkbp:notable_quote
|
" You can't trust anyone."
" I want to be with you, Doc."
|
|
gptkbp:page_count
|
256
|
|
gptkbp:plot_twist
|
unexpected betrayals
|
|
gptkbp:production_company
|
gptkb:20th_Century_Fox
|
|
gptkbp:published_year
|
gptkb:1958
|
|
gptkbp:publisher
|
gptkb:Random_House
|
|
gptkbp:release_date
|
gptkb:1958
|
|
gptkbp:release_format
|
Theatrical
|
|
gptkbp:release_region
|
gptkb:United_States
|
|
gptkbp:remake
|
gptkb:The_Getaway_(1994)
|
|
gptkbp:runtime
|
122 minutes
|
|
gptkbp:screenplay_by
|
gptkb:Gordon_T._Dawson
gptkb:Sam_Peckinpah
gptkb:Gina_Kaus
|
|
gptkbp:setting
|
gptkb:United_States
mid-20th century
|
|
gptkbp:significance
|
classic of the genre
|
|
gptkbp:starring
|
gptkb:Steve_Mc_Queen
gptkb:Ali_Mac_Graw
|
|
gptkbp:style
|
noir
|
|
gptkbp:symbolism
|
the American Dream
|
|
gptkbp:theme
|
crime and betrayal
|