|
gptkbp:instance_of
|
gptkb:play
gptkb:film
|
|
gptkbp:adapted_into
|
gptkb:film_production_company
gptkb:film
real-life events
stage productions
|
|
gptkbp:awards
|
gptkb:award
Academy Award nomination for Best Supporting Actor
|
|
gptkbp:based_on
|
the blacklist
the experiences of writers during the 1950s
|
|
gptkbp:box_office
|
$2.5 million
|
|
gptkbp:character
|
gptkb:Mickey
gptkb:Howard_Prince
gptkb:Ellen
Mr. Mc Carthy
Alfred Miller
|
|
gptkbp:cinematography
|
gptkb:Gordon_Willis
|
|
gptkbp:color
|
black and white
|
|
gptkbp:country
|
gptkb:United_States
|
|
gptkbp:critical_reception
|
positive reviews
|
|
gptkbp:cultural_impact
|
reference in popular culture
discussed in film studies
|
|
gptkbp:cultural_significance
|
examines the impact of political persecution
|
|
gptkbp:depicts
|
the struggles of blacklisted individuals
|
|
gptkbp:directed_by
|
gptkb:Martin_Ritt
|
|
gptkbp:director
|
gptkb:Martin_Ritt
|
|
gptkbp:distributor
|
gptkb:Columbia_Pictures
|
|
gptkbp:edited_by
|
gptkb:Elliot_Graham
|
|
gptkbp:explores
|
the impact of political pressure on art
|
|
gptkbp:features
|
a fictional character named Howard Prince
|
|
gptkbp:film_festival
|
screened at Cannes Film Festival
screened at Toronto International Film Festival
|
|
gptkbp:film_score
|
gptkb:Mikis_Theodorakis
|
|
gptkbp:filming_location
|
gptkb:Borough
|
|
gptkbp:follows
|
a group of writers
|
|
gptkbp:genre
|
gptkb:High_School
|
|
gptkbp:has_theme
|
gptkb:TV_series
gptkb:betrayal
gptkb:Community_Center
integrity
|
|
gptkbp:home_media_release
|
DVD release in 2004
Blu-ray release in 2011
|
|
https://www.w3.org/2000/01/rdf-schema#label
|
The Front
|
|
gptkbp:influenced_by
|
gptkb:the_1950s_Hollywood_blacklist
the Hollywood blacklist
|
|
gptkbp:influences
|
gptkb:the_House_Un-American_Activities_Committee
gptkb:The_Hollywood_Ten
|
|
gptkbp:inspiration
|
based on real events
|
|
gptkbp:is_available_in
|
published script
|
|
gptkbp:is_available_on
|
gptkb:streaming_platforms
|
|
gptkbp:is_cited_in
|
academic literature
|
|
gptkbp:is_considered
|
a significant work in American theater
a classic play
|
|
gptkbp:is_explored_in
|
documentaries about the blacklist
|
|
gptkbp:is_influential_in
|
discussions about freedom of expression
|
|
gptkbp:is_noted_for
|
its ensemble cast
|
|
gptkbp:is_part_of
|
American theater canon
|
|
gptkbp:is_recognized_for
|
its social commentary
|
|
gptkbp:is_referenced_in
|
gptkb:organization
|
|
gptkbp:is_reviewed_by
|
gptkb:the_New_York_Times
|
|
gptkbp:is_studied_in
|
theater courses
|
|
gptkbp:language
|
English
|
|
gptkbp:legacy
|
considered a classic film about censorship.
|
|
gptkbp:music_by
|
gptkb:Mikis_Theodorakis
|
|
gptkbp:narrative_style
|
dramatic
satirical
|
|
gptkbp:notable_for
|
its historical context
its critique of censorship
|
|
gptkbp:performed_by
|
gptkb:theater_festivals
various theater companies
regional theaters
|
|
gptkbp:plot
|
A cashier pretends to be a front for a blacklisted writer.
|
|
gptkbp:premiered_on
|
gptkb:1970
|
|
gptkbp:produced_by
|
gptkb:Columbia_Pictures
|
|
gptkbp:production_company
|
gptkb:Columbia_Pictures
|
|
gptkbp:release_date
|
December 17, 1976
|
|
gptkbp:release_format
|
theatrical release
|
|
gptkbp:release_year
|
gptkb:1976
|
|
gptkbp:runtime
|
95 minutes
|
|
gptkbp:screenplay_by
|
gptkb:Walter_Bernstein
Walter Wykes
|
|
gptkbp:set_in
|
gptkb:Borough
gptkb:the_Red_Scare
the 1950s
|
|
gptkbp:starring
|
gptkb:Jules_Feiffer
gptkb:Michael_Murphy
gptkb:Woody_Allen
gptkb:Andrea_Marcovicci
gptkb:Zero_Mostel
|
|
gptkbp:themes
|
gptkb:Mc_Carthyism
gptkb:betrayal
gptkb:freedom_of_expression
gptkb:Community_Center
|
|
gptkbp:visitors
|
emotional
thought-provoking
|
|
gptkbp:written_by
|
Walter Wykes
|
|
gptkbp:bfsParent
|
gptkb:Woody_Allen
|
|
gptkbp:bfsLayer
|
3
|