Statements (157)
| Predicate | Object |
|---|---|
| gptkbp:instance_of |
gptkb:film
|
| gptkbp:bfsLayer |
4
|
| gptkbp:bfsParent |
gptkb:Apache
gptkb:The_Shadows |
| gptkbp:architectural_style |
anti-hero.
|
| gptkbp:art_style |
noir.
|
| gptkbp:artist |
minimal.
|
| gptkbp:artistic_influence |
inspired future crime dramas.
visual arts influence. |
| gptkbp:aspect_ratio |
1.66:1
|
| gptkbp:audience |
thought-provoking.
varied. high. emotional. thought-provoking themes. varied interpretations. cult classic. emotional connection. engaged audience response. high audience expectations. thought-provoking narrative. thought-provoking themes analysis. |
| gptkbp:awards |
none.
|
| gptkbp:box_office |
gptkb:unknown
|
| gptkbp:budget |
unknown.
|
| gptkbp:character_appearance |
period accurate.
|
| gptkbp:character_arc |
redemption.
redemption arc. |
| gptkbp:character_development |
focused on criminal psychology.
redemption arc analysis. |
| gptkbp:character_relationships |
complex relationships.
complex. greed. moral dilemmas. complex character dynamics. complex relationships analysis. developed backstories. tension-filled dynamics. tension-filled. |
| gptkbp:character_traits |
anti-hero archetype.
greed as a flaw. greed-driven motivations. |
| gptkbp:cinematography |
Basil Emmott
|
| gptkbp:color |
black and white
|
| gptkbp:composer |
gptkb:Philip_Green
|
| gptkbp:country |
gptkb:United_Kingdom
|
| gptkbp:critical_reception |
mixed reviews.
|
| gptkbp:cultural_heritage |
remains significant in film history.
|
| gptkbp:cultural_impact |
analyzed in film studies.
cult following. discussed in film studies. |
| gptkbp:cultural_practices |
social commentary analysis.
|
| gptkbp:cultural_references |
still relevant today.
1960s London references. 1960s London. |
| gptkbp:cultural_significance |
reflects 1960s Britain.
still relevant. |
| gptkbp:demographics |
adult audience.
adult. |
| gptkbp:design |
realistic.
|
| gptkbp:director |
gptkb:John_Gilling
various British filmmakers. |
| gptkbp:distributor |
gptkb:20th_Century_Fox
|
| gptkbp:edited_by |
gptkb:John_Gilling
|
| gptkbp:editor |
traditional.
|
| gptkbp:fan_base |
dedicated.
dedicated fanbase. |
| gptkbp:film_festival |
none.
|
| gptkbp:film_score |
mixed reviews from critics.
Philip Green's score. Philip Green. |
| gptkbp:film_series |
gptkb:none
|
| gptkbp:filming_location |
gptkb:Borough
|
| gptkbp:filmography |
unknown.
analyzed for its cinematography. analyzed for cinematography. inspired future crime dramas. location shooting. noir style analysis. noir style. |
| gptkbp:followed_by |
gptkb:none
|
| gptkbp:genre |
gptkb:Police_Department
|
| gptkbp:has_backstory |
developed.
|
| gptkbp:has_cameo |
none.
|
| gptkbp:historical_analysis |
reflects societal issues.
moderate historical accuracy. |
| gptkbp:historical_context |
post-war Britain.
reflects 1960s Britain. |
| gptkbp:historical_significance |
reflects societal issues.
|
| gptkbp:home_media_release |
VHS.
DVD. VHS release. |
| https://www.w3.org/2000/01/rdf-schema#label |
The Frightened City
|
| gptkbp:influenced_artists |
visual arts.
crime drama. crime novels. crime drama genre. |
| gptkbp:influenced_by |
film noir.
|
| gptkbp:influences |
British crime films.
|
| gptkbp:inspired_by |
real-life events.
|
| gptkbp:is_critical_for |
analyzed for its themes.
|
| gptkbp:is_criticized_for |
mixed reviews.
social commentary. |
| gptkbp:is_influenced_by |
crime novels influence.
|
| gptkbp:is_motivated_by |
greed.
greed as motivation. greed-driven. |
| gptkbp:language |
English
naturalistic. |
| gptkbp:legacy |
remains significant.
influenced future crime films. |
| gptkbp:literary_devices |
flashbacks.
flashbacks used. |
| gptkbp:merchandising |
none.
|
| gptkbp:motif |
crime.
crime motifs. |
| gptkbp:narrative_style |
third-person.
third-person perspective. linear. linear narrative. linear narrative structure. |
| gptkbp:narrative_theme |
betrayal.
betrayal themes. |
| gptkbp:notable_appearance |
bank robbery scene.
bank robbery. |
| gptkbp:notable_quote |
none.
|
| gptkbp:performance |
moderate.
|
| gptkbp:plot |
A gang of criminals plan a bank robbery.
|
| gptkbp:plot_twist |
unexpected.
unexpected plot twists. |
| gptkbp:predecessor |
gptkb:none
|
| gptkbp:producer |
gptkb:John_Gilling
|
| gptkbp:production_company |
gptkb:Gilling_Productions
|
| gptkbp:public_perception |
engaged.
|
| gptkbp:rating |
not rated
|
| gptkbp:release_date |
1961-09-01
|
| gptkbp:release_year |
gptkb:1961
|
| gptkbp:remake |
none.
|
| gptkbp:runtime |
90 minutes
|
| gptkbp:screenings |
limited.
|
| gptkbp:screenplay_by |
gptkb:John_Gilling
based on original story by John Gilling. |
| gptkbp:sound |
diegetic.
|
| gptkbp:soundtrack |
Philip Green.
|
| gptkbp:starring |
gptkb:Peter_Cushing
gptkb:Donald_Sinden gptkb:Sean_Connery gptkb:Yvonne_Romain gptkb:John_Gregson gptkb:Miriam_Karlin gptkb:Michael_Ripper gptkb:Robert_Morley |
| gptkbp:streaming_platforms |
limited.
limited availability. |
| gptkbp:symbolism |
crime as a social issue.
|
| gptkbp:themes |
crime and morality.
|
| gptkbp:viewing_platform |
theatrical.
|