|
gptkbp:instance_of
|
gptkb:song
|
|
gptkbp:academic_programs
|
gptkb:George_Marino
|
|
gptkbp:album
|
gptkb:..._And_Justice_for_All
gptkb:Yes
|
|
gptkbp:artist
|
gptkb:Metallica
|
|
gptkbp:bass_techniques
|
slap bass
|
|
gptkbp:cover_art
|
gptkb:Yes
|
|
gptkbp:critical_reception
|
Positive
|
|
gptkbp:cultural_impact
|
gptkb:Significant
|
|
gptkbp:debut
|
gptkb:1988
|
|
gptkbp:drum_techniques
|
gptkb:bass_guitar
|
|
gptkbp:fan_favorite
|
gptkb:Yes
|
|
gptkbp:featured_in
|
gptkb:Metallica:_Some_Kind_of_Monster
|
|
gptkbp:genre
|
heavy metal
|
|
gptkbp:guitar_techniques
|
palm muting
|
|
https://www.w3.org/2000/01/rdf-schema#label
|
The Frayed Ends of Sanity
|
|
gptkbp:influenced_artists
|
many metal bands
|
|
gptkbp:influenced_by
|
gptkb:punk_rock
classic rock
|
|
gptkbp:influences
|
thrash metal
|
|
gptkbp:inspired_by
|
personal experiences
|
|
gptkbp:instruments
|
gptkb:bass_guitar
gptkb:guitar
drums
|
|
gptkbp:key
|
E minor
|
|
gptkbp:length
|
462
7:42
|
|
gptkbp:live_performance
|
gptkb:2021
gptkb:Yes
|
|
gptkbp:lyrical_themes
|
introspection
|
|
gptkbp:music_genre
|
heavy metal
|
|
gptkbp:music_style
|
progressive metal
Verse-Chorus
|
|
gptkbp:music_video
|
No
|
|
gptkbp:next_album
|
gptkb:Harvester_of_Sorrow
gptkb:To_Live_Is_to_Die
|
|
gptkbp:notable_cover
|
No
|
|
gptkbp:notable_performances
|
gptkb:1991_MTV_Video_Music_Awards
|
|
gptkbp:producer
|
gptkb:Flemming_Rasmussen
|
|
gptkbp:record_label
|
gptkb:Elektra_Records
|
|
gptkbp:recording_location
|
gptkb:One_on_One_Recording_Studios
|
|
gptkbp:release_year
|
gptkb:1988
|
|
gptkbp:setlist
|
gptkb:common
|
|
gptkbp:songwriters
|
collaborative
|
|
gptkbp:studio
|
gptkb:Mike_Gillies
|
|
gptkbp:tempo
|
123 BPM
|
|
gptkbp:theme
|
mental health
|
|
gptkbp:themes
|
mental struggle
|
|
gptkbp:time_signature
|
4/4
|
|
gptkbp:track_count
|
gptkb:7
|
|
gptkbp:vocalization
|
harsh vocals
|
|
gptkbp:writer
|
gptkb:James_Hetfield
gptkb:Lars_Ulrich
|
|
gptkbp:bfsParent
|
gptkb:..._And_Justice_for_All
gptkb:Guitar_Hero:_Metallica
gptkb:Garage_Inc.
|
|
gptkbp:bfsLayer
|
5
|