Statements (63)
Predicate | Object |
---|---|
gptkbp:instance_of |
gptkb:museum
gptkb:artwork |
gptkbp:bfsLayer |
3
|
gptkbp:bfsParent |
gptkb:mythological_figure
|
gptkbp:consists_of |
four plates
|
gptkbp:created_by |
gptkb:Francis_Bacon
gptkb:William_Hogarth |
gptkbp:depicts |
animal cruelty
the progression of cruelty |
gptkbp:exhibited_at |
gptkb:British_Museum
|
gptkbp:features |
moral lessons
|
https://www.w3.org/2000/01/rdf-schema#label |
The Four Stages of Cruelty
|
gptkbp:includes |
gptkb:The_Second_Stage
The First Stage The Fourth Stage The Third Stage |
gptkbp:influenced |
social commentary
|
gptkbp:influenced_by |
Enlightenment ideas
|
gptkbp:is_analyzed_in |
art history studies
|
gptkbp:is_available_in |
digital format
|
gptkbp:is_considered |
a critique of society
|
gptkbp:is_influenced_by |
Enlightenment ideas
|
gptkbp:is_noted_for |
its historical significance
its impact on public perception its thematic depth its narrative style its historical context its visual storytelling its moral implications its artistic techniques its use of satire its cultural relevance its social critique its engagement with the viewer its commentary on power dynamics its detailed imagery its influence on later artists its exploration of societal norms its influence on modern art its commentary on human nature its legacy in art history its exploration of violence its role in art movements its commentary on justice its critique of moral decay its exploration of empathy its reflection of 18th-century society its representation of cruelty its role in moral discourse |
gptkbp:is_part_of |
gptkb:The_Cruelty_series
gptkb:A_Rake's_Progress British art history |
gptkbp:is_referenced_in |
gptkb:literary_work
|
gptkbp:is_related_to |
gptkb:church
animal cruelty |
gptkbp:is_used_in |
educational contexts
|
gptkbp:medium |
gptkb:painting
gptkb:award |
gptkbp:notable_for |
social commentary
|
gptkbp:number_of_pieces |
gptkb:4
|
gptkbp:style |
satirical art
|
gptkbp:year_created |
1751
1791 |