gptkbp:instance_of
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gptkb:film
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gptkbp:based_on
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gptkb:The_Four_Horsemen_of_the_Apocalypse_(novel)
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gptkbp:box_office
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$1.5 million
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gptkbp:character
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gptkb:Diego_Vega
gptkb:Paul
gptkb:The_Four_Horsemen
gptkb:Marguerite
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gptkbp:cinematography_by
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gptkb:John_F._Seitz
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gptkbp:color
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black and white
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gptkbp:country
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gptkb:United_States
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gptkbp:critical_reception
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mixed reviews
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gptkbp:cultural_impact
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inspired future adaptations
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gptkbp:directed_by
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Vincenten G. de la Torre
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gptkbp:distributor
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gptkb:United_Artists
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gptkbp:film_editing
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gptkb:Hugh_Wynn
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gptkbp:follows
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gptkb:The_Four_Horsemen_of_the_Apocalypse_(1918_film)
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gptkbp:genre
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gptkb:drama
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https://www.w3.org/2000/01/rdf-schema#label
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The Four Horsemen of the Apocalypse (1921)
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gptkbp:influenced_by
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gptkb:The_Book_of_Revelation
gptkb:historical_context
gptkb:theatrical_performances
philosophical themes
cultural narratives
artistic movements
religious symbolism
silent film techniques
literary adaptations
cinematic storytelling
mythological references
World War I events
social issues of the era
cultural themes of the time
|
gptkbp:inspiration
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gptkb:apocalyptic_literature
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gptkbp:language
|
gptkb:film
|
gptkbp:music_by
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gptkb:Joseph_Carl_Breil
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gptkbp:notable_for
|
Rudolph Valentino's performance
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gptkbp:notable_scene
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gptkb:the_love_triangle
the final confrontation
the battle scenes
the ending sequence
the horsemen's arrival
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gptkbp:precedes
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gptkb:The_Four_Horsemen_of_the_Apocalypse_(1962_film)
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gptkbp:premiere_location
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gptkb:New_York_City
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gptkbp:production_company
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gptkb:Metro_Pictures
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gptkbp:release_date
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April 1921
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gptkbp:released_in
|
gptkb:1921
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gptkbp:runtime
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90 minutes
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gptkbp:screen_size
|
silent film era
|
gptkbp:screenplay_by
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gptkb:June_Mathis
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gptkbp:set_in
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gptkb:World_War_I
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gptkbp:starring
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gptkb:Rudolph_Valentino
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gptkbp:theme
|
love and war
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gptkbp:bfsParent
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gptkb:Tyronne_Power
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gptkbp:bfsLayer
|
6
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