|
gptkbp:instance_of
|
gptkb:play
|
|
gptkbp:adaptations
|
gptkb:ballet
gptkb:opera
gptkb:film
|
|
gptkbp:author
|
gptkb:Lesya_Ukrainka
|
|
gptkbp:characters
|
gptkb:the_Witch
gptkb:the_Forest_Spirit
Katerina
the Woodcutters
|
|
gptkbp:critical_reception
|
positive
|
|
gptkbp:cultural_significance
|
Ukrainian literature
|
|
gptkbp:first_performance
|
1911
|
|
gptkbp:genre
|
gptkb:drama
|
|
https://www.w3.org/2000/01/rdf-schema#label
|
The Forest Song
|
|
gptkbp:influences
|
gptkb:Symbolism
gptkb:Romanticism
Ukrainian nationalism
|
|
gptkbp:inspiration
|
Ukrainian folklore
|
|
gptkbp:language
|
gptkb:Ukrainian
|
|
gptkbp:motif
|
gptkb:sacrifice
gptkb:transformation
supernatural elements
nature vs. civilization
|
|
gptkbp:notable_quote
|
" We are all connected"
" Love is a powerful force"
" Nature is our mother"
" The forest is alive"
" The heart knows no boundaries"
|
|
gptkbp:performances
|
international
|
|
gptkbp:protagonist
|
gptkb:Luka
Mavka
|
|
gptkbp:published
|
1912
|
|
gptkbp:setting
|
Ukrainian forest
|
|
gptkbp:themes
|
gptkb:conflict
love
nature
|
|
gptkbp:bfsParent
|
gptkb:Yanka_Kupala
gptkb:Lesya_Ukrainka
gptkb:Mykola_Lysenko
|
|
gptkbp:bfsLayer
|
5
|