Statements (108)
| Predicate | Object |
|---|---|
| gptkbp:instance_of |
gptkb:film
|
| gptkbp:aspect_ratio |
1.37:1
|
| gptkbp:available_on |
DVD.
Blu-ray. |
| gptkbp:awards |
gptkb:none
|
| gptkbp:box_office |
gptkb:Unknown
gptkb:unknown |
| gptkbp:character_development |
Complex characters.
Female empowerment. Moral ambiguity. complex characters. |
| gptkbp:cinematography |
gptkb:Kim_Ki-young
Innovative camera angles. Symbolic imagery. High contrast lighting. high contrast. deep focus. |
| gptkbp:color |
black and white
|
| gptkbp:country |
gptkb:South_Korea
|
| gptkbp:critical_reception |
positive
Mixed reviews. |
| gptkbp:cultural_impact |
Referenced in popular culture.
reflected societal issues. inspired discussions on war. Part of film studies curriculum. addressed social issues. Influenced future Korean filmmakers. depicted human suffering. examined class differences. examined morality. explored love in adversity. highlighted women's roles. portrayed emotional struggles. showcased resilience. |
| gptkbp:cultural_significance |
Considered a classic in Korean cinema.
depicts post-war society in Korea. |
| gptkbp:director |
gptkb:Kim_Ki-young
|
| gptkbp:distributor |
Shin Film
Korea Film Company |
| gptkbp:editing |
gptkb:Kim_Ki-young
non-linear. |
| gptkbp:film_editing |
gptkb:Kim_Ki-young
|
| gptkbp:film_festival |
Cannes Film Festival.
|
| gptkbp:film_technique |
neorealism
realistic dialogue. naturalistic performances. |
| gptkbp:followed_by |
gptkb:The_Housemaid
|
| gptkbp:genre |
gptkb:drama
|
| gptkbp:historical_context |
Reflects societal issues of the time.
Set during the Korean War. |
| https://www.w3.org/2000/01/rdf-schema#label |
The Flower in Hell
|
| gptkbp:influenced |
Asian cinema.
Korean New Wave cinema. Directors like Bong Joon-ho. Korean New Wave. international filmmakers. later Korean films. |
| gptkbp:influenced_by |
gptkb:Italian_Neorealism
German Expressionism. French New Wave. |
| gptkbp:influences |
Korean cinema
|
| gptkbp:inspired_by |
real events
|
| gptkbp:language |
gptkb:Korean
|
| gptkbp:legacy |
Cult following.
Critical analysis. Preserved in film archives. Restoration efforts. cult classic. Pioneering work in Korean cinema. |
| gptkbp:main_actor |
gptkb:Lee_Yong-woo
gptkb:Choi_Eun-hee Kim Ji-mee |
| gptkbp:music |
gptkb:Lee_Dong-jin
|
| gptkbp:music_composer |
gptkb:Lee_Byeong-woo
|
| gptkbp:notable_awards |
None known.
|
| gptkbp:notable_scene |
romantic scenes
war scenes bar scenes Dramatic confrontations. Romantic scenes. Bar scenes. War scenes. |
| gptkbp:plot |
A story about a woman who becomes a barmaid in a war-torn city.
|
| gptkbp:premiere |
gptkb:Cannes_Film_Festival
|
| gptkbp:production_company |
Shin Film
|
| gptkbp:release_date |
1958-04-01
April 10, 1958 |
| gptkbp:release_year |
gptkb:1958
|
| gptkbp:remake |
gptkb:none
The Flower in Hell (2005) |
| gptkbp:restoration |
Restored in 2008.
|
| gptkbp:runtime |
100 minutes
|
| gptkbp:screenplay |
gptkb:Kim_Ki-young
|
| gptkbp:screenplay_by |
gptkb:Kim_Ki-young
|
| gptkbp:soundtrack |
original score.
|
| gptkbp:starring |
Lee Eun-sook
Kim Ji-mee Choi Nam-hyun |
| gptkbp:themes |
gptkb:Love
gptkb:Survival gptkb:survival gptkb:Despair gptkb:sacrifice gptkb:war love |
| gptkbp:viewing_format |
theatrical.
|
| gptkbp:bfsParent |
gptkb:Shin_Sang-ok
|
| gptkbp:bfsLayer |
8
|