|
gptkbp:instance_of
|
gptkb:painting
|
|
gptkbp:art_movement
|
Renaissance art
|
|
gptkbp:art_style
|
naturalism
realism and detail
|
|
gptkbp:artist
|
gptkb:Piero_della_Francesca
|
|
gptkbp:artistic_contribution
|
contributed to the development of Renaissance art.
|
|
gptkbp:artistic_expression
|
reflects the values of its time
|
|
gptkbp:artistic_influence
|
inspired modern interpretations
highly regarded by critics
|
|
gptkbp:artistic_innovation
|
use of light and shadow
|
|
gptkbp:artistic_legacy
|
important work in art history
part of Christian art tradition
|
|
gptkbp:artistic_technique
|
fine brushwork
|
|
gptkbp:artistic_vision
|
recognized as a masterpiece
|
|
gptkbp:associated_with
|
gptkb:Christian_iconography
|
|
gptkbp:collection
|
Naples museums
|
|
gptkbp:color_palette
|
earth tones
|
|
gptkbp:commissioned
|
gptkb:the_Duke_of_Urbino
|
|
gptkbp:composed_by
|
dynamic arrangement of figures
|
|
gptkbp:created_by
|
gptkb:Caravaggio
|
|
gptkbp:creator
|
gptkb:Piero_della_Francesca
|
|
gptkbp:cultural_impact
|
influenced religious art
|
|
gptkbp:cultural_significance
|
remains significant in art studies
depicts suffering of Christ
|
|
gptkbp:depicts
|
gptkb:Jesus_Christ
gptkb:the_flagellation_of_Jesus_Christ
gptkb:the_flagellation_of_Jesus
flagellation
|
|
gptkbp:dimensions
|
170 cm × 150 cm
170 cm × 220 cm
408 cm × 275 cm
|
|
gptkbp:exhibited_at
|
gptkb:Capodimonte_Museum
|
|
gptkbp:exhibition_history
|
exhibited in various museums
|
|
gptkbp:exhibits
|
linear perspective
|
|
gptkbp:features
|
chiaroscuro
multiple figures
dramatic expressions
a group of soldiers
three figures in the foreground
Christ bound to a column
a distant landscape
|
|
gptkbp:genre
|
gptkb:Christian_art
|
|
gptkbp:has_artwork
|
dark tones
|
|
gptkbp:has_been_restored
|
gptkb:multiple_times
|
|
gptkbp:has_inspired
|
numerous artists
|
|
gptkbp:historical_context
|
15th century Italy
|
|
gptkbp:historical_period
|
Early Renaissance
|
|
gptkbp:historical_significance
|
reflects religious themes
|
|
https://www.w3.org/2000/01/rdf-schema#label
|
The Flagellation of Christ
|
|
gptkbp:influence
|
gptkb:Christian_art
|
|
gptkbp:influenced
|
later Renaissance artists
|
|
gptkbp:influenced_by
|
gptkb:Byzantine_architecture
Early Renaissance art
|
|
gptkbp:inspired
|
later artists
other artworks
|
|
gptkbp:is_a_focal_point_for
|
gptkb:Baroque_art
in discussions of Renaissance painting techniques
|
|
gptkbp:is_a_representation_of
|
gptkb:Passion_of_Christ
suffering and sacrifice
suffering in art
|
|
gptkbp:is_a_significant_example
|
of religious art in the Renaissance
|
|
gptkbp:is_a_subject_of
|
art enthusiasts
artistic interpretation
art exhibitions worldwide
art critique
|
|
gptkbp:is_a_testament_to
|
Piero della Francesca's skill
|
|
gptkbp:is_acclaimed_for
|
its intricate details
|
|
gptkbp:is_analyzed_in
|
gptkb:composition
its historical context
by art historians
|
|
gptkbp:is_associated_with
|
gptkb:Catholic_Church
the theme of suffering
|
|
gptkbp:is_characterized_by
|
intense emotion
geometric composition
|
|
gptkbp:is_considered
|
masterpiece
a masterpiece of Renaissance art
|
|
gptkbp:is_displayed_in
|
in temporary exhibitions occasionally
|
|
gptkbp:is_featured_in
|
art exhibitions
|
|
gptkbp:is_known_for
|
emotional depth
its use of light and shadow
|
|
gptkbp:is_noted_for
|
its emotional intensity
|
|
gptkbp:is_often_compared_to
|
other Renaissance works
|
|
gptkbp:is_often_discussed_in
|
art theory
in the context of Christian iconography
|
|
gptkbp:is_often_featured_in
|
art documentaries
in art history courses
|
|
gptkbp:is_part_of
|
the cultural heritage of Italy
a larger altarpiece
Caravaggio's oeuvre
the collection of the National Gallery of Marche
|
|
gptkbp:is_popular_in
|
art studies
for art reproductions
|
|
gptkbp:is_recognized_as
|
a cultural landmark
|
|
gptkbp:is_recognized_by
|
gptkb:art_historians
|
|
gptkbp:is_recognized_for
|
gptkb:historical_significance
|
|
gptkbp:is_referenced_in
|
gptkb:literature
various art literature
|
|
gptkbp:is_significant_for
|
in Piero della Francesca's oeuvre
Baroque painting history
Caravaggio's career
|
|
gptkbp:is_studied_in
|
art history
|
|
gptkbp:key_event
|
gptkb:Christian_iconography
in the study of Piero della Francesca
|
|
gptkbp:location
|
gptkb:National_Gallery_of_Marche
gptkb:National_Gallery_of_Umbria
gptkb:Museo_Nazionale_di_Capodimonte
|
|
gptkbp:medium
|
gptkb:oil_on_canvas
tempera on panel
|
|
gptkbp:narrative
|
gptkb:Christ's_Passion
|
|
gptkbp:notable_examples
|
religious iconography
|
|
gptkbp:notable_exhibitions
|
featured in major art shows
|
|
gptkbp:notable_features
|
use of perspective
|
|
gptkbp:notable_technique
|
chiaroscuro
|
|
gptkbp:part_of
|
gptkb:Christian_art
a triptych
|
|
gptkbp:preserved_by
|
gptkb:museum
|
|
gptkbp:represents
|
the passion of Christ
|
|
gptkbp:resides_in
|
gptkb:Urbino,_Italy
|
|
gptkbp:style
|
gptkb:Baroque
gptkb:Renaissance
|
|
gptkbp:subject
|
gptkb:Jesus_Christ
|
|
gptkbp:symbolism
|
suffering and sacrifice
|
|
gptkbp:symbolizes
|
suffering of Christ
|
|
gptkbp:technique
|
layering of paint
tempera painting
|
|
gptkbp:themes
|
suffering and redemption
|
|
gptkbp:visitors
|
evokes emotional response
|
|
gptkbp:year_created
|
1607
c. 1455
|
|
gptkbp:bfsParent
|
gptkb:Caravaggio
gptkb:Museo_di_Capodimonte
|
|
gptkbp:bfsLayer
|
4
|