|
gptkbp:instanceOf
|
novel
|
|
gptkbp:adaptation
|
1934
film
stage play
television
theater
film adaptation
|
|
gptkbp:artMovement
|
social critique
character study
exploration of capitalism
|
|
gptkbp:author
|
gptkb:Theodore_Dreiser
|
|
gptkbp:character
|
gptkb:Frank_Cowperwood
society
|
|
gptkbp:characterArc
|
moral ambiguity
self-destruction
rise and fall
|
|
gptkbp:characterDevelopment
|
complex
|
|
gptkbp:conflict
|
personal
societal
|
|
gptkbp:criticalReception
|
mixed
|
|
gptkbp:culturalImpact
|
significant
|
|
gptkbp:followedBy
|
gptkb:The_Titan
|
|
gptkbp:genre
|
fiction
|
|
gptkbp:historicalContext
|
industrialization
urbanization
Gilded Age
|
|
https://www.w3.org/2000/01/rdf-schema#label
|
The Financier
|
|
gptkbp:influenced
|
subsequent authors
|
|
gptkbp:influencedBy
|
realism
|
|
gptkbp:influences
|
capitalist themes
|
|
gptkbp:language
|
English
|
|
gptkbp:mainCharacter
|
gptkb:Frank_Cowperwood
|
|
gptkbp:motif
|
failure
wealth
urban life
|
|
gptkbp:narrativeStyle
|
naturalism
|
|
gptkbp:plot
|
betrayal
romantic relationships
greed
financial ambition
|
|
gptkbp:publishedBy
|
1912
|
|
gptkbp:relatedTo
|
American_literature
|
|
gptkbp:setting
|
gptkb:New_York_City
late 19th century
|
|
gptkbp:style
|
descriptive
detailed
|
|
gptkbp:symbolism
|
success
power
money
|
|
gptkbp:theme
|
corruption
capitalism
ambition
|
|
gptkbp:visitors
|
third person
|