|
gptkbp:instance_of
|
gptkb:novel
|
|
gptkbp:adaptation
|
gptkb:theater
gptkb:drama
gptkb:film
|
|
gptkbp:adaptation_year
|
1934
|
|
gptkbp:author
|
gptkb:Theodore_Dreiser
|
|
gptkbp:cast
|
gptkb:Edward_G._Robinson
gptkb:William_A._Wellman
|
|
gptkbp:character_arc
|
rise and fall
|
|
gptkbp:character_development
|
gptkb:complex
|
|
gptkbp:character_relationships
|
Frank and Aileen
Frank and his father
Frank and his rivals
|
|
gptkbp:conflict
|
financial struggles
|
|
gptkbp:country
|
gptkb:United_States
|
|
gptkbp:critical_analysis
|
explores ethics
examines ambition
depicts society
|
|
gptkbp:critical_reception
|
mixed
|
|
gptkbp:cultural_impact
|
gptkb:significant
|
|
gptkbp:cultural_references
|
gptkb:Wall_Street
gptkb:American_Dream
gptkb:Crisis_intervention
|
|
gptkbp:followed_by
|
gptkb:The_Titan
|
|
gptkbp:genre
|
gptkb:Fiction
|
|
gptkbp:historical_context
|
gptkb:Gilded_Age
|
|
https://www.w3.org/2000/01/rdf-schema#label
|
The Financier
|
|
gptkbp:influenced
|
subsequent authors
|
|
gptkbp:influenced_by
|
realism
|
|
gptkbp:inspiration
|
real-life events
|
|
gptkbp:isbn
|
978-1-5011-1234-5
|
|
gptkbp:language
|
English
|
|
gptkbp:literary_movement
|
American realism
|
|
gptkbp:main_character
|
gptkb:Frank_Cowperwood
|
|
gptkbp:motif
|
gptkb:power
gptkb:greed
money
|
|
gptkbp:narrative_style
|
naturalism
stream of consciousness
foreshadowing
flashback
|
|
gptkbp:notable_quote
|
" Money is the root of all evil."
|
|
gptkbp:page_count
|
400
|
|
gptkbp:preceded_by
|
gptkb:Sister_Carrie
|
|
gptkbp:protagonist
|
gptkb:Frank_Cowperwood
|
|
gptkbp:published
|
1912
|
|
gptkbp:publisher
|
gptkb:Doubleday
|
|
gptkbp:reader_demographic
|
varied interpretations
|
|
gptkbp:series
|
gptkb:The_Cowperwood_Trilogy
|
|
gptkbp:setting
|
gptkb:New_York_City
|
|
gptkbp:style
|
descriptive
|
|
gptkbp:symbolism
|
the city
the stock market
|
|
gptkbp:theme
|
gptkb:corruption
capitalism
ambition
|
|
gptkbp:year
|
gptkb:late_19th_century
|
|
gptkbp:bfsParent
|
gptkb:Theodore_Dreiser
gptkb:Sister_Carrie
|
|
gptkbp:bfsLayer
|
5
|