|
gptkbp:instance_of
|
gptkb:novel
gptkb:film
|
|
gptkbp:adaptation
|
gptkb:theatre
gptkb:radio_station
gptkb:graphic_novel
gptkb:book
gptkb:film
mixed.
The Final Programme (novel) by J. G. Ballard
|
|
gptkbp:adapted_into
|
gptkb:graphic_novel
|
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gptkbp:artist
|
gptkb:Philip_R._Goodwin
|
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gptkbp:author
|
gptkb:J._G._Ballard
|
|
gptkbp:available_formats
|
ebook
hardcover
paperback
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gptkbp:awards
|
gptkb:none
|
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gptkbp:based_on
|
The Final Programme (novel)
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gptkbp:box_office
|
£1,000,000
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gptkbp:budget
|
£200,000
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gptkbp:character
|
gptkb:Edward_Malus
gptkb:Miss_Brunner
gptkb:The_Child
gptkb:The_Narrator
gptkb:The_Stranger
gptkb:The_Woman
gptkb:The_Doctor
gptkb:The_Mentor
gptkb:The_Scientist
gptkb:The_Guide
The Rival
The Architect
Dr. Hargreaves
The Final Programmer
|
|
gptkbp:character_arc
|
protagonist undergoes significant change.
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gptkbp:character_development
|
gptkb:launch_complex
psychological exploration
|
|
gptkbp:character_relationships
|
complex and often strained.
|
|
gptkbp:character_traits
|
complex.
determined.
intelligent.
cynical.
isolated.
|
|
gptkbp:cinematography
|
Aldo Tonti
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gptkbp:country
|
gptkb:United_Kingdom
|
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gptkbp:cover_art
|
gptkb:David_Pelham
|
|
gptkbp:critical_reception
|
mixed
mixed reviews
|
|
gptkbp:cultural_impact
|
in literature
cult following
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gptkbp:cultural_references
|
references to contemporary society.
references to technology.
references to dystopian literature.
|
|
gptkbp:debut_year
|
gptkb:novel
|
|
gptkbp:directed_by
|
gptkb:Robert_Fuest
|
|
gptkbp:director
|
gptkb:Robert_Fuest
Graham Baker
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|
gptkbp:distributor
|
gptkb:20th_Century_Fox
|
|
gptkbp:editor
|
gptkb:John_Glen
|
|
gptkbp:ends_at
|
ambiguous.
leaves questions unanswered.
open to interpretation.
|
|
gptkbp:features
|
gptkb:Artificial_Intelligence
genetic engineering
time travel
|
|
gptkbp:filming_location
|
gptkb:Borough
gptkb:Wales
|
|
gptkbp:filmography
|
gptkb:Jon_Finch
|
|
gptkbp:followed_by
|
gptkb:The_Unlimited_Dream_Company
|
|
gptkbp:genre
|
gptkb:Author
gptkb:film
|
|
gptkbp:graphics
|
gptkb:2010
|
|
gptkbp:has_influence_on
|
cyberpunk genre
|
|
gptkbp:has_sequel
|
gptkb:The_Terminal_Beach
|
|
gptkbp:has_setting
|
dystopian future
|
|
gptkbp:has_theme
|
gptkb:TV_series
|
|
gptkbp:historical_context
|
reflects societal changes.
reflects 1970s anxieties.
reflects technological advancements.
|
|
gptkbp:home_media_release
|
gptkb:DJ
gptkb:film
|
|
https://www.w3.org/2000/01/rdf-schema#label
|
The Final Programme
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gptkbp:influenced
|
cyberpunk genre
subsequent science fiction films
|
|
gptkbp:influenced_artists
|
gptkb:weapon
gptkb:The_Matrix
gptkb:Ghost_in_the_Shell
|
|
gptkbp:influenced_by
|
gptkb:existentialism
futurism
surrealism
science fiction genre
existentialism.
dadaism
surrealism.
avant-garde art.
the Cold War.
the counterculture movement.
the rise of consumerism.
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|
gptkbp:influences
|
gptkb:postmodernism
postmodern literature
modernist literature
avant-garde art
|
|
gptkbp:inspiration
|
Ballard's own experiences
|
|
gptkbp:inspired_by
|
gptkb:The_Man_Who_Fell_to_Earth
gptkb:The_Last_Man_on_Earth
gptkb:The_Omega_Man
gptkb:A_Clockwork_Orange
|
|
gptkbp:is_available_in
|
audiobook format
|
|
gptkbp:is_cited_in
|
various literary critiques
|
|
gptkbp:is_considered_as
|
cult classic
|
|
gptkbp:is_critical_for
|
examines the human condition.
|
|
gptkbp:is_explored_in
|
academic studies
|
|
gptkbp:is_influenced_by
|
modernist literature
|
|
gptkbp:is_motivated_by
|
search for meaning.
|
|
gptkbp:is_part_of
|
J. G. Ballard's bibliography
|
|
gptkbp:is_reviewed_by
|
critics
|
|
gptkbp:is_worshipped_by
|
gptkb:theorem
|
|
gptkbp:isbn
|
978-0-575-07780-0
|
|
gptkbp:language
|
English
|
|
gptkbp:main_character
|
gptkb:Edward
Edward Prose
Edward ' The Final Programme'
Edward (the protagonist)
|
|
gptkbp:media_adaptations
|
1973 film
|
|
gptkbp:motif
|
the search for meaning
|
|
gptkbp:music_by
|
gptkb:Basil_Kirchin
|
|
gptkbp:narrative_style
|
third-person
non-linear
uses metafiction.
uses stream of consciousness.
uses unreliable narration.
|
|
gptkbp:notable_for
|
its surreal narrative
|
|
gptkbp:notable_quote
|
" The future is a thing of the past."
|
|
gptkbp:page_count
|
192
|
|
gptkbp:plot
|
search for identity
exploration of human psyche
explores themes of identity and technology.
a quest for a final solution
confrontation with technology
|
|
gptkbp:premiere
|
gptkb:1973_Cannes_Film_Festival
|
|
gptkbp:produced_by
|
gptkb:Peter_Snell
|
|
gptkbp:production_company
|
gptkb:20th_Century_Fox
gptkb:Cinerama_Productions
|
|
gptkbp:published_by
|
gptkb:Gollancz
gptkb:1969
gptkb:1970
|
|
gptkbp:publisher
|
gptkb:Victor_Gollancz_Ltd
gptkb:Jonathan_Cape
|
|
gptkbp:reader_demographic
|
polarizing.
|
|
gptkbp:release_format
|
theatrical release
|
|
gptkbp:release_year
|
gptkb:1973
|
|
gptkbp:remake
|
gptkb:none
|
|
gptkbp:runtime
|
100 minutes
|
|
gptkbp:screenplay_by
|
gptkb:Robert_Fuest
|
|
gptkbp:sequel
|
gptkb:The_Unlimited_Dream_Company
|
|
gptkbp:series
|
gptkb:The_Atrocity_Archives
|
|
gptkbp:set_in
|
gptkb:Borough
dystopian future
|
|
gptkbp:setting
|
gptkb:Borough
dystopian future
the near future
a decaying urban landscape.
|
|
gptkbp:starring
|
gptkb:Michael_Gough
gptkb:Jenny_Runacre
gptkb:Jon_Finch
gptkb:Graham_Crowden
|
|
gptkbp:style
|
experimental
|
|
gptkbp:symbolism
|
the final programme as a metaphor.
the final programme
|
|
gptkbp:theme
|
gptkb:TV_series
gptkb:survival
technology and humanity
transhumanism
control
|
|
gptkbp:themes
|
gptkb:TV_series
gptkb:political_movement
gptkb:cemetery
gptkb:technology
the search for identity.
the nature of reality.
the impact of technology.
|
|
gptkbp:translated_into
|
multiple languages
|
|
gptkbp:visual_effects
|
practical effects
|
|
gptkbp:written_by
|
gptkb:J._G._Ballard
|
|
gptkbp:bfsParent
|
gptkb:Jerry_Cornelius
gptkb:Edward
|
|
gptkbp:bfsLayer
|
4
|