gptkbp:instance_of
|
gptkb:album
gptkb:war
gptkb:film
|
gptkbp:artist
|
gptkb:Pink_Floyd
|
gptkbp:artistic_director
|
gptkb:David_Brisbin
gptkb:Michael_Carlin
|
gptkbp:associated_act
|
gptkb:David_Gilmour
gptkb:Richard_Wright
gptkb:Roger_Waters
gptkb:Nick_Mason
|
gptkbp:awards
|
Nominated for 1 award
|
gptkbp:box_office
|
$1.2 million
|
gptkbp:budget
|
gptkb:$5_million
|
gptkbp:certification
|
gptkb:Gold_(RIAA)
gptkb:Platinum_(BPI)
Gold by RIAA
Platinum by BPI
2× Platinum (RIAA)
|
gptkbp:character
|
gptkb:The_Father
gptkb:Thelma
gptkb:Charles
gptkb:The_Director
gptkb:Nina
gptkb:Jill
Alan Hakman
|
gptkbp:chart_performance
|
UK Albums Chart -#1
US Billboard 200 -#6
|
gptkbp:chart_position
|
#1 in the UK Albums Chart
#1 on Billboard 200
#6 in the US Billboard 200
|
gptkbp:cinematography
|
David Stump
|
gptkbp:color_designer
|
gptkb:Michele_Clapton
|
gptkbp:costume_design
|
gptkb:Michele_Clapton
|
gptkbp:country
|
gptkb:United_States
|
gptkbp:cover_art
|
Designed by Gerald Scarfe
|
gptkbp:critical_reception
|
Generally positive reviews
mixed reviews
|
gptkbp:cultural_impact
|
has a cult following.
examines the nature of grief.
Influenced later rock music.
examines the nature of reality.
explores ethical dilemmas of memory editing.
influenced discussions on technology.
raises questions about privacy.
explores ethical implications of memory editing.
influenced discussions on technology and humanity.
|
gptkbp:design
|
gptkb:Michael_Carlin
gptkb:Michael_Shaw
|
gptkbp:director
|
gptkb:Kerry_Barden
gptkb:Omar_Naim
gptkb:Ridley_Scott
gptkb:Juel_Bestrop
gptkb:Michael_J._O'_Connor
|
gptkbp:distributor
|
gptkb:Lions_Gate_Entertainment
|
gptkbp:editing
|
gptkb:David_Rosenbloom
gptkb:Omar_Naim
|
gptkbp:editor
|
gptkb:Kathy_H._Heller
|
gptkbp:fan_reception
|
Mixed reviews
|
gptkbp:features
|
additional scenes
improved visual effects
altered ending
|
gptkbp:features_song
|
gptkb:Pink_Floyd
|
gptkbp:film_editing
|
gptkb:Omar_Naim
|
gptkbp:film_festival
|
gptkb:Sundance_Film_Festival
gptkb:Cannes_Film_Festival
gptkb:Toronto_International_Film_Festival
|
gptkbp:filming_location
|
gptkb:British_Columbia
gptkb:Vancouver
|
gptkbp:followed_by
|
gptkb:A_Momentary_Lapse_of_Reason
|
gptkbp:genre
|
gptkb:science_fiction
Progressive rock
progressive rock
|
gptkbp:has_awards
|
gptkb:N/_A
|
gptkbp:home_media_release
|
August 31, 2004
|
https://www.w3.org/2000/01/rdf-schema#label
|
The Final Cut
|
gptkbp:influenced
|
Concept albums
Progressive rock genre
|
gptkbp:influenced_artists
|
gptkb:Radiohead
gptkb:Dream_Theater
gptkb:Porcupine_Tree
|
gptkbp:influenced_by
|
gptkb:The_Rolling_Stones
gptkb:Bob_Dylan
gptkb:The_Vietnam_War
gptkb:The_Beatles
Political themes
|
gptkbp:influences
|
gptkb:Eternal_Sunshine_of_the_Spotless_Mind
gptkb:Minority_Report
gptkb:The_Matrix
gptkb:The_Sixth_Sense
gptkb:The_Vietnam_War
gptkb:Blade_Runner
Political commentary
|
gptkbp:inspired_by
|
George Orwell's 1984
Anti-war sentiment
Personal experiences of band members
|
gptkbp:is_decorated_with
|
gptkb:Megan_Mc_Gowan
|
gptkbp:label
|
gptkb:Columbia_Records
|
gptkbp:language
|
English
|
gptkbp:language_spoken
|
gptkb:Michael_Babcock
|
gptkbp:legacy
|
Considered a concept album
Last studio album featuring Roger Waters
|
gptkbp:length
|
43:59
|
gptkbp:live_performance
|
gptkb:Earls_Court,_London
gptkb:Yes
|
gptkbp:lyricist
|
gptkb:Roger_Waters
|
gptkbp:makeup_artist
|
gptkb:Nick_Dudman
|
gptkbp:music_composer
|
gptkb:Elia_Cmiral
|
gptkbp:music_video
|
gptkb:Yes
|
gptkbp:music_video_director
|
gptkb:Alan_Parker
|
gptkbp:narrative_style
|
non-linear
|
gptkbp:next_album
|
gptkb:A_Momentary_Lapse_of_Reason
|
gptkbp:notable_awards
|
gptkb:N/_A
|
gptkbp:notable_song
|
The final cut is the deepest.
|
gptkbp:notable_track
|
gptkb:Two_Suns_in_the_Sunset
gptkb:The_Gunner's_Dream
gptkb:The_Fletcher_Memorial_Home
|
gptkbp:notable_tracks
|
gptkb:Two_Suns_in_the_Sunset
gptkb:The_Final_Cut
gptkb:The_Post_War_Dream
gptkb:The_Fletcher_Memorial_Home
Your Possible Pasts
|
gptkbp:number_of_stages
|
gptkb:David_H._Steinberg
|
gptkbp:part_of
|
gptkb:Bolt_series
|
gptkbp:performances
|
gptkb:1981
|
gptkbp:performers
|
gptkb:David_Gilmour
gptkb:Michael_Kamen
gptkb:Richard_Wright
gptkb:The_National_Philharmonic_Orchestra
gptkb:Nick_Mason
|
gptkbp:plot
|
A man edits the memories of the deceased.
A man who edits people's memories.
|
gptkbp:preceded_by
|
gptkb:The_Wall
|
gptkbp:premiere
|
gptkb:Toronto_International_Film_Festival
|
gptkbp:previous_album
|
gptkb:The_Wall
|
gptkbp:producer
|
gptkb:Roger_Waters
gptkb:David_H._Steinberg
|
gptkbp:production_company
|
gptkb:Lions_Gate_Films
|
gptkbp:published_in
|
gptkb:2019
|
gptkbp:rating
|
gptkb:R
PG-13
|
gptkbp:record_label
|
gptkb:Columbia_Records
|
gptkbp:recording_location
|
gptkb:Britannia_Row_Studios
gptkb:Super_Bear_Studios
|
gptkbp:recording_year
|
gptkb:1982
|
gptkbp:release_date
|
gptkb:2007
January 7, 2004
1983-03-21
January 7, 2005
|
gptkbp:release_format
|
gptkb:DVD
gptkb:Blu-ray
gptkb:Vinyl
CD
Digital
Digital download
|
gptkbp:release_year
|
gptkb:2004
|
gptkbp:released
|
gptkb:1983
|
gptkbp:released_in
|
gptkb:1983
|
gptkbp:remastered
|
gptkb:2011
gptkb:Columbia_Records
gptkb:Yes
2011 Remaster
|
gptkbp:runtime
|
95 minutes
|
gptkbp:screenplay
|
gptkb:Omar_Naim
|
gptkbp:script
|
gptkb:Kathy_H._Heller
gptkb:Omar_Naim
|
gptkbp:songwriters
|
gptkb:Roger_Waters
Primarily by Roger Waters
|
gptkbp:sound_design
|
gptkb:Richard_King
gptkb:Michael_Babcock
gptkb:David_H._Steinberg
|
gptkbp:soundtrack
|
gptkb:Elia_Cmiral
gptkb:The_Final_Cut_Soundtrack
|
gptkbp:special_effects
|
gptkb:John_Frazier
gptkb:The_Orphanage
|
gptkbp:starring
|
gptkb:Jim_Caviezel
gptkb:Robin_Williams
gptkb:Mira_Sorvino
|
gptkbp:theme
|
gptkb:loss
gptkb:identity
gptkb:memory
gptkb:technology
War and its consequences
War and its aftermath
|
gptkbp:track_count
|
gptkb:12
|
gptkbp:visual_effects
|
gptkb:Digital_Domain
gptkb:Eric_Leighton
|
gptkbp:bfsParent
|
gptkb:David_Gilmour
gptkb:The_Wall
gptkb:Pink_Floyd
gptkb:Blade_Runner
|
gptkbp:bfsLayer
|
4
|