Properties (50)
| Predicate | Object |
|---|---|
| gptkbp:instanceOf |
documentary film
|
| gptkbp:addresses |
issues of justice
|
| gptkbp:analyzes |
prison culture
|
| gptkbp:awardedBy |
Best Documentary at the 1998 Sundance Film Festival
|
| gptkbp:directedBy |
gptkb:Liz_Garbus
|
| gptkbp:discusses |
rehabilitation programs
|
| gptkbp:exhibitedAt |
film festivals
|
| gptkbp:features |
interviews with inmates
|
| gptkbp:focusesOn |
life in prison
|
| gptkbp:follows |
inmates_at_Angola_Prison
|
| gptkbp:hasProductLine |
Martha_Adams_Productions
|
| gptkbp:highlights |
the_history_of_Angola_Prison
|
| gptkbp:includes |
footage of prison activities
|
| gptkbp:isActiveIn |
sociological research
|
| gptkbp:isAvailableIn |
DVD
libraries streaming platforms |
| gptkbp:isCitedIn |
prison reform literature
discussions about prison reform |
| gptkbp:isConsidered |
a significant documentary
a classic documentary a pivotal work in documentary film. |
| gptkbp:isDiscussedIn |
academic studies
documentary filmmakers |
| gptkbp:isDistributedBy |
First_Run_Features
|
| gptkbp:isDocumentedIn |
film archives
|
| gptkbp:isExaminedBy |
film critiques
|
| gptkbp:isExploredIn |
documentary analysis
|
| gptkbp:isInfluencedBy |
documentary filmmaking
social justice movements |
| gptkbp:isNotableFor |
its storytelling approach
|
| gptkbp:isNotedFor |
its emotional impact
its unique perspective on incarceration |
| gptkbp:isPartOf |
gptkb:Sundance_Film_Festival
film studies curriculum cultural discussions about prisons American_documentary_history |
| gptkbp:isRated |
Not Rated
|
| gptkbp:isRecognizedBy |
film critics
|
| gptkbp:isRecognizedFor |
its candid portrayal of prison life
|
| gptkbp:isReferencedIn |
media discussions about prisons
|
| gptkbp:isReviewedBy |
critics
|
| gptkbp:isUsedIn |
educational settings
|
| gptkbp:isUtilizedIn |
gptkb:Louisiana
|
| gptkbp:monitors |
the challenges of prison life
|
| gptkbp:musicBy |
Various Artists
|
| gptkbp:producedBy |
gptkb:Martha_Adams
|
| gptkbp:releasedIn |
1998
|
| gptkbp:screenplayBy |
gptkb:James_Earl_Jones
|
| gptkbp:timeZone |
80 minutes
|