|
gptkbp:instance_of
|
gptkb:novel
gptkb:play
gptkb:film
|
|
gptkbp:adaptation
|
gptkb:theatre
gptkb:various_languages
gptkb:High_School
gptkb:film
international productions
The Face of Another (novel)
|
|
gptkbp:adapted_into
|
gptkb:theatre
gptkb:battle
various formats
|
|
gptkbp:art_style
|
notable
surrealism
|
|
gptkbp:audience
|
cult classic
|
|
gptkbp:author
|
gptkb:Kōbō_Abe
|
|
gptkbp:awards
|
gptkb:Best_Director
gptkb:none
Best Director at Cannes
|
|
gptkbp:based_on
|
gptkb:novel
novel by Kobo Abe
|
|
gptkbp:box_office
|
gptkb:unknown
|
|
gptkbp:cast
|
gptkb:Mikio_Naruse
|
|
gptkbp:character
|
gptkb:Tōru_Takabe
Yoko
the Wife
Dr. Iwasaki
Mr. Okuyama
the Masked Man
|
|
gptkbp:character_arc
|
gptkb:Transformation
|
|
gptkbp:character_development
|
gptkb:significant
psychological
psychological transformation
|
|
gptkbp:character_relationships
|
gptkb:betrayal
gptkb:launch_complex
intimacy
isolation
internal struggle
interpersonal
societal rejection
insecurities
|
|
gptkbp:cinematography
|
gptkb:Yasumichi_Morita
gptkb:Toshio_Shiba
gptkb:Toshiyuki_Matsumoto
|
|
gptkbp:color
|
black and white
|
|
gptkbp:composer
|
gptkb:Tōru_Takemitsu
|
|
gptkbp:conflict
|
internal
self vs. society
|
|
gptkbp:country
|
gptkb:Japan
|
|
gptkbp:critical_reception
|
positive
cult classic
mixed reviews
|
|
gptkbp:cultural_impact
|
gptkb:significant
gptkb:Artist
Japanese society
inspired artists
inspired musicians
inspired writers
inspired filmmakers
influential in Japanese cinema
inspired theorists
|
|
gptkbp:cultural_significance
|
gptkb:Japanese_New_Wave
exploration of self
explores identity
|
|
gptkbp:directed_by
|
gptkb:Hiroshi_Teshigahara
|
|
gptkbp:director
|
gptkb:Hiroshi_Teshigahara
gptkb:Mitsuo_Hirakawa
|
|
gptkbp:discusses
|
the nature of self
the concept of reality
the role of masks
|
|
gptkbp:distributor
|
gptkb:Toho
gptkb:Toei_Company
|
|
gptkbp:edited_by
|
gptkb:Takeshi_Seyama
gptkb:Kōsuke_Suzuki
|
|
gptkbp:explores
|
social commentary
psychological themes
|
|
gptkbp:film_festival
|
gptkb:film_festival
gptkb:Cannes_1966
gptkb:Cannes_Film_Festival_1966
gptkb:Tokyo_International_Film_Festival
|
|
gptkbp:film_score
|
Tōru Takemitsu's composition
|
|
gptkbp:filming_location
|
gptkb:Tokyo
|
|
gptkbp:filmography
|
gptkb:1966
gptkb:The_Cabinet_of_Dr._Caligari
gptkb:Akira_Suzuki
gptkb:battle
gptkb:Kōji_Takada
experimental
symbolic imagery
long takes
close-ups
|
|
gptkbp:genre
|
gptkb:Author
gptkb:High_School
psychological fiction
|
|
gptkbp:has_gameplay_element
|
masks
|
|
gptkbp:has_theme
|
gptkb:Transformation
gptkb:item
perception
reality vs illusion
|
|
https://www.w3.org/2000/01/rdf-schema#label
|
The Face of Another
|
|
gptkbp:influence
|
gptkb:existentialism
gptkb:Sartre
|
|
gptkbp:influenced
|
gptkb:The_Skin_I_Live_In
Japanese cinema
psychological horror
modern drama
subsequent films
Japanese theatre
|
|
gptkbp:influenced_artists
|
gptkb:Frankenstein
contemporary literature
surrealist art
|
|
gptkbp:influenced_by
|
gptkb:Frankenstein
gptkb:existentialism
gptkb:Franz_Kafka
gptkb:French_New_Wave
gptkb:theatre_of_the_absurd
gptkb:The_Metamorphosis
surrealism
|
|
gptkbp:inspiration
|
personal experiences
Kōbō Abe's experiences
|
|
gptkbp:inspired
|
contemporary artists
|
|
gptkbp:is_available_in
|
gptkb:printer
gptkb:book
digital format
|
|
gptkbp:is_characterized_by
|
deep
|
|
gptkbp:is_considered
|
a classic
|
|
gptkbp:is_critical_for
|
extensive
psychological thriller
|
|
gptkbp:is_motivated_by
|
search for identity
desire for acceptance
escape from reality
desire for identity
|
|
gptkbp:is_part_of
|
Kōbō Abe's oeuvre
|
|
gptkbp:is_studied_in
|
literary studies
theatrical studies
|
|
gptkbp:isbn
|
978-4-10-100001-0
|
|
gptkbp:language
|
gptkb:Japanese
|
|
gptkbp:legacy
|
considered a classic
discussed in philosophy
analyzed in film studies
influential film
influential in Japanese cinema
|
|
gptkbp:main_character
|
gptkb:Businessman
Okuyama
Mr. Okuyama
|
|
gptkbp:motif
|
facial masks
|
|
gptkbp:music_by
|
gptkb:Tōru_Takemitsu
gptkb:Yasuharu_Takanashi
|
|
gptkbp:narrative_style
|
first-person
stream of consciousness
experimental
non-linear
subjective
man vs. self
|
|
gptkbp:notable_performance
|
avant-garde theatre
Kōbō Abe's works
|
|
gptkbp:notable_quote
|
" A face is a mask, a mask is a face."
|
|
gptkbp:page_count
|
224
|
|
gptkbp:performed_by
|
gptkb:Borough
gptkb:New_York
gptkb:Tokyo
various theatre companies
|
|
gptkbp:philosophy
|
nature of self
|
|
gptkbp:plot_twist
|
unexpected
|
|
gptkbp:premiere
|
gptkb:film_festival
gptkb:Tokyo
|
|
gptkbp:premiered_on
|
gptkb:film_festival
gptkb:1966
|
|
gptkbp:produced_by
|
gptkb:Hiroshi_Teshigahara
|
|
gptkbp:production_company
|
gptkb:Toei_Company
gptkb:Teshigahara_Productions
Hōsōda
|
|
gptkbp:published_by
|
gptkb:1964
|
|
gptkbp:publisher
|
gptkb:Shinchosha
|
|
gptkbp:reader_demographic
|
high
varied
thought-provoking
|
|
gptkbp:release_date
|
gptkb:2016
1966-10-01
1966-10-30
|
|
gptkbp:release_year
|
gptkb:1966
|
|
gptkbp:released_in
|
gptkb:1966
|
|
gptkbp:remake
|
gptkb:none
The Face of Another (2016)
|
|
gptkbp:runtime
|
120 minutes
123 minutes
|
|
gptkbp:screenplay_by
|
gptkb:Kōbō_Abe
gptkb:Kobo_Abe
gptkb:Mitsuo_Hirakawa
|
|
gptkbp:set_in
|
gptkb:Japan
|
|
gptkbp:setting
|
gptkb:Japan
gptkb:Tokyo
post-war Japan
|
|
gptkbp:soundtrack
|
notable
|
|
gptkbp:starring
|
gptkb:Tatsuya_Nakadai
gptkb:Miki_Irie
gptkb:Mitsuko_Baisho
|
|
gptkbp:style
|
surrealism
|
|
gptkbp:symbolism
|
alienation
facial masks
identity concealment
Okuyama as everyman
facial identity
|
|
gptkbp:thematic_element
|
self-perception
alienation and belonging
|
|
gptkbp:theme
|
gptkb:TV_series
gptkb:existentialism
alienation
social commentary
self-perception
|
|
gptkbp:themes
|
gptkb:TV_series
alienation
perception
reality
self-identity
existence
human condition
self-perception
|
|
gptkbp:translated_into
|
English
|
|
gptkbp:visitors
|
thought-provoking
|
|
gptkbp:written_by
|
gptkb:Kōbō_Abe
|
|
gptkbp:bfsParent
|
gptkb:Tatsuya_Nakadai
gptkb:Hiroshi_Teshigahara
|
|
gptkbp:bfsLayer
|
3
|