|
gptkbp:instance_of
|
gptkb:opera
gptkb:film
|
|
gptkbp:action
|
one
|
|
gptkbp:adaptation
|
gptkb:theatrical_performances
|
|
gptkbp:audience
|
mixed reactions
|
|
gptkbp:available_on
|
gptkb:DVD
gptkb:Blu-ray
gptkb:streaming_platforms
streaming services
|
|
gptkbp:awards
|
gptkb:Grammy_Award_for_Best_Opera_Recording
|
|
gptkbp:based_on
|
Luis Buñuel's film
play by Luis Buñuel
original story by Luis Buñuel
film by Luis Buñuel
|
|
gptkbp:box_office
|
$1.5 million
$1 million
|
|
gptkbp:character
|
gptkb:The_Doctor
gptkb:The_Host
gptkb:The_Servant
gptkb:Edmundo
gptkb:Leonora
gptkb:The_Guests
Julieta
Alberto
The Maid
|
|
gptkbp:characters
|
gptkb:The_Doctor
gptkb:The_Host
gptkb:The_Servant
gptkb:Edmundo
gptkb:Leonora
gptkb:The_Guests
Julieta
Beatriz
Dr. Carlos
|
|
gptkbp:choreography
|
gptkb:none
|
|
gptkbp:cinematography_by
|
gptkb:Gabriel_Figueroa
Edgar A. Baez
|
|
gptkbp:composer
|
gptkb:Thomas_Adès
|
|
gptkbp:conducted
|
gptkb:Thomas_Adès
|
|
gptkbp:contains
|
elements of dark humor
|
|
gptkbp:country
|
gptkb:Mexico
|
|
gptkbp:critical_reception
|
positive
positive reviews
Cult classic
|
|
gptkbp:cultural_impact
|
Influence on art
discussed in academic circles
Influence on filmmakers
|
|
gptkbp:depicts
|
social and existential themes
|
|
gptkbp:directed_by
|
gptkb:Luis_Buñuel
|
|
gptkbp:director
|
gptkb:Tom_Cairns
|
|
gptkbp:discusses
|
the absurdity of human behavior
|
|
gptkbp:duration
|
approximately 90 minutes
approximately 2 hours 30 minutes
|
|
gptkbp:edited_by
|
gptkb:Carlos_Savage
gptkb:Luis_Buñuel
|
|
gptkbp:explores
|
themes of social class
the nature of civilization
|
|
gptkbp:features
|
an ensemble cast
an unexplained phenomenon
a surreal ending
|
|
gptkbp:features_voice_actors
|
gptkb:Joaquín_de_Almeida
gptkb:Francisco_Rabal
gptkb:Silvia_Pinal
gptkb:Alicia_Bonet
José Baviera
|
|
gptkbp:film
|
challenges viewers' perceptions.
|
|
gptkbp:first_performance
|
gptkb:2016_Salzburg_Festival
August 2016
2016-07-28
|
|
gptkbp:follows
|
gptkb:The_Discreet_Charm_of_the_Bourgeoisie
a group of high-society guests
a group of high-society friends
|
|
gptkbp:genre
|
gptkb:opera
surrealist film
|
|
gptkbp:has
|
a cult following
a significant impact on cinema
|
|
gptkbp:has_been_restored
|
for modern audiences
|
|
gptkbp:has_themes
|
class struggle
human behavior under duress
|
|
https://www.w3.org/2000/01/rdf-schema#label
|
The Exterminating Angel
|
|
gptkbp:influenced
|
gptkb:The_Square
gptkb:Dogtooth
gptkb:The_Hunger_Games
subsequent filmmakers
surrealism in cinema
|
|
gptkbp:influenced_by
|
gptkb:theater
gptkb:literature
gptkb:Surrealism
gptkb:film
surrealism
the exploration of identity
avant-garde art
the exploration of human nature
the exploration of power dynamics
the critique of social norms
the exploration of existential themes
the exploration of human relationships
the critique of societal expectations
the surrealist movement
the exploration of social dynamics
the critique of bourgeois society
the critique of morality
the exploration of the absurd
the concept of entrapment
the critique of human behavior
the critique of the human condition
the exploration of freedom and confinement
the use of absurdity in art
the works of Buñuel
|
|
gptkbp:inspiration
|
Luis Buñuel's film
|
|
gptkbp:inspired
|
gptkb:theater_productions
|
|
gptkbp:inspired_by
|
social commentary
the absurdity of human behavior
|
|
gptkbp:is
|
considered a classic
a black-and-white film
a commentary on bourgeois society
one of Buñuel's most famous works
|
|
gptkbp:is_a_subject_of
|
gptkb:academic_research
|
|
gptkbp:is_analyzed_in
|
its symbolism
film studies courses
|
|
gptkbp:is_available_on
|
DVD and Blu-ray
|
|
gptkbp:is_celebrated_for
|
its artistic vision
|
|
gptkbp:is_characterized_by
|
its surreal narrative style
|
|
gptkbp:is_considered
|
a classic of world cinema
|
|
gptkbp:is_influential_in
|
the development of avant-garde cinema
|
|
gptkbp:is_known_for
|
its social commentary
its dreamlike sequences
|
|
gptkbp:is_often_compared_to
|
other surrealist works
|
|
gptkbp:is_often_discussed_in
|
film critique circles
|
|
gptkbp:is_part_of
|
gptkb:the_Criterion_Collection
the surrealist movement in art
Luis Buñuel's filmography
|
|
gptkbp:is_recognized_by
|
film historians
|
|
gptkbp:is_recognized_for
|
its unique storytelling approach
|
|
gptkbp:is_referenced_in
|
gptkb:popular_culture
|
|
gptkbp:is_regarded_as
|
a significant film in Buñuel's career
|
|
gptkbp:is_set_in
|
a lavish mansion
|
|
gptkbp:is_studied_for
|
its philosophical implications
|
|
gptkbp:landmark
|
Mexican cinema
|
|
gptkbp:language
|
gptkb:Spanish
English
|
|
gptkbp:length
|
approximately 90 minutes
|
|
gptkbp:librettist
|
gptkb:Tom_Cairns
|
|
gptkbp:libretto
|
gptkb:Tom_Cairns
|
|
gptkbp:music_by
|
gptkb:Béla_Bartók
gptkb:Bohuslav_Martinů
|
|
gptkbp:musical_elements
|
dissonance
rhythmic complexity
vocal techniques
atonality
|
|
gptkbp:nominated_for
|
the Academy Award for Best Foreign Language Film
|
|
gptkbp:notable_awards
|
gptkb:Grammy_Award
gptkb:Cannes_Film_Festival_Best_Director
|
|
gptkbp:notable_conductors
|
gptkb:Thomas_Adès
|
|
gptkbp:notable_for
|
critical acclaim
its ambiguous ending
|
|
gptkbp:notable_performance
|
gptkb:Royal_Opera_House
|
|
gptkbp:notable_performers
|
gptkb:David_Stout
gptkb:Samantha_Hankey
gptkb:David_Portillo
gptkb:Iestyn_Davies
gptkb:Sophie_Karthäuser
gptkb:Matthew_Rose
gptkb:Roderick_Williams
gptkb:Alice_Coote
gptkb:James_Newby
gptkb:Sophie_Bevan
gptkb:David_Butt_Philip
gptkb:Katherine_Broderick
gptkb:Robert_Murray
gptkb:Duncan_Rock
gptkb:John_Tomlinson
gptkb:Clara_Mouriz
gptkb:Niamh_O'_Sullivan
gptkb:Amanda_Forsythe
gptkb:Rachael_Lloyd
Catherine Wyn Rogers
Ruth Iniesta
|
|
gptkbp:notable_production
|
Royal Opera House production
English National Opera production
Metropolitan Opera production
Los Angeles Opera production
Salzburg Festival production
|
|
gptkbp:number_of_acts
|
2
two
|
|
gptkbp:often_includes
|
top film lists
|
|
gptkbp:orchestration
|
large orchestra
|
|
gptkbp:performance_style
|
experimental
|
|
gptkbp:performed_by
|
gptkb:Royal_Opera_House
|
|
gptkbp:plot
|
Guests at a dinner party find themselves unable to leave.
|
|
gptkbp:precedes
|
gptkb:The_Phantom_of_Liberty
|
|
gptkbp:premiere
|
gptkb:2016
gptkb:Cannes_Film_Festival
|
|
gptkbp:premiere_date
|
2016-07-28
|
|
gptkbp:premiere_location
|
gptkb:Salzburg,_Austria
gptkb:Salzburg_Festival
|
|
gptkbp:premiered_on
|
gptkb:Salzburg_Festival
gptkb:2017
gptkb:Cannes_Film_Festival
|
|
gptkbp:produced_by
|
gptkb:Giorgio_Moroder
gptkb:Gustavo_Alatriste
|
|
gptkbp:production_company
|
gptkb:Royal_Opera_House
|
|
gptkbp:received
|
critical acclaim
|
|
gptkbp:record
|
gptkb:2017
|
|
gptkbp:record_label
|
gptkb:Decca_Records
gptkb:Bridge_Records
|
|
gptkbp:release_year
|
gptkb:1962
|
|
gptkbp:released_in
|
gptkb:1962
|
|
gptkbp:remake
|
gptkb:The_Exterminating_Angel_(2018)
|
|
gptkbp:revival
|
gptkb:2018
|
|
gptkbp:runtime
|
93 minutes
|
|
gptkbp:screenings
|
various film festivals
|
|
gptkbp:screenplay_by
|
gptkb:Luis_Buñuel
|
|
gptkbp:set_in
|
gptkb:Mexico
|
|
gptkbp:setting
|
a dinner party
a dinner party in a mansion
|
|
gptkbp:starring
|
gptkb:Carmen_Montejo
gptkb:Claudio_Brook
gptkb:Julio_Aldama
gptkb:Francisco_Rabal
gptkb:José_Luis_López_Vázquez
gptkb:Silvia_Pinal
gptkb:Rita_Macedo
gptkb:Alicia_Bonet
Joaquín Martínez
Margarita Isabel
|
|
gptkbp:style
|
modern classical music
modern classical
|
|
gptkbp:thematic_element
|
gptkb:existentialism
gptkb:absurdism
gptkb:social_hierarchy
human behavior
class struggle
isolation
chaos
surrealism
moral dilemmas
fear of the unknown
psychological tension
societal breakdown
|
|
gptkbp:theme
|
social class and morality
|
|
gptkbp:themes
|
gptkb:existentialism
gptkb:social_class
human behavior
isolation
|
|
gptkbp:bfsParent
|
gptkb:The_Metropolitan_Opera
gptkb:The_Met_Opera
gptkb:Luis_Buñuel
gptkb:Salvador_Dalí
gptkb:Metropolitan_Opera_House
gptkb:The_Metropolitan_Opera_House
gptkb:The_Vienna_State_Opera
gptkb:opera
|
|
gptkbp:bfsLayer
|
4
|