|
gptkbp:instance_of
|
gptkb:novel
|
|
gptkbp:adaptation
|
gptkb:television
gptkb:film
theatrical
|
|
gptkbp:author
|
gptkb:J._M._Coetzee
|
|
gptkbp:awards
|
gptkb:Booker_Prize
|
|
gptkbp:character_arc
|
tragic
redemptive
|
|
gptkbp:character_development
|
gptkb:complex
|
|
gptkbp:character_relationships
|
gptkb:complex
conflicted
|
|
gptkbp:conflict
|
ambiguous
personal vs societal
|
|
gptkbp:critical_analysis
|
extensive
|
|
gptkbp:critical_reception
|
positive
|
|
gptkbp:cultural_impact
|
notable
|
|
gptkbp:followed_by
|
Disgrace
|
|
gptkbp:genre
|
gptkb:Fiction
|
|
gptkbp:historical_context
|
important
|
|
https://www.w3.org/2000/01/rdf-schema#label
|
The Exile
|
|
gptkbp:influenced_by
|
gptkb:Kafka
gptkb:Dostoevsky
|
|
gptkbp:influences
|
South African literature
postcolonial literature
|
|
gptkbp:isbn
|
978-0140286806
|
|
gptkbp:language
|
English
|
|
gptkbp:literary_devices
|
symbolism
imagery
irony
|
|
gptkbp:literary_significance
|
high
|
|
gptkbp:main_character
|
gptkb:David_Lurie
|
|
gptkbp:motif
|
gptkb:animals
gptkb:landscape_architecture
|
|
gptkbp:narrative
|
omniscient
|
|
gptkbp:narrative_style
|
third-person
|
|
gptkbp:page_count
|
224
|
|
gptkbp:plot
|
non-linear
|
|
gptkbp:plot_twist
|
unexpected
|
|
gptkbp:published_in
|
gptkb:1999
|
|
gptkbp:publisher
|
gptkb:Viking_Press
|
|
gptkbp:reader_demographic
|
varied
subjective
|
|
gptkbp:release_year
|
gptkb:2013
|
|
gptkbp:setting
|
gptkb:South_Africa
|
|
gptkbp:setting_time
|
gptkb:post-apartheid_South_Africa
|
|
gptkbp:style
|
lyrical
reflective
|
|
gptkbp:symbolism
|
gptkb:exile
redemption
shame
|
|
gptkbp:theme
|
gptkb:exile
gptkb:identity
redemption
|
|
gptkbp:themes
|
gptkb:existentialism
freedom
morality
|
|
gptkbp:bfsParent
|
gptkb:Atton_Rand
gptkb:Maria_Montez
gptkb:Revan
gptkb:Darth_Sion
gptkb:Darth_Nihilus
gptkb:clergy
|
|
gptkbp:bfsLayer
|
4
|