|
gptkbp:instance_of
|
gptkb:novel
|
|
gptkbp:bfsLayer
|
3
|
|
gptkbp:bfsParent
|
gptkb:diocese
gptkb:smartphone
|
|
gptkbp:adaptation
|
gptkb:television_series
gptkb:film
theatrical
|
|
gptkbp:author
|
gptkb:J._M._Coetzee
|
|
gptkbp:awards
|
gptkb:sports_event
|
|
gptkbp:character_arc
|
tragic
redemptive
|
|
gptkbp:character_development
|
gptkb:launch_complex
|
|
gptkbp:character_relationships
|
gptkb:launch_complex
conflicted
|
|
gptkbp:conflict
|
ambiguous
personal vs societal
|
|
gptkbp:critical_reception
|
positive
|
|
gptkbp:cultural_impact
|
notable
|
|
gptkbp:followed_by
|
Disgrace
|
|
gptkbp:genre
|
gptkb:Author
|
|
gptkbp:historical_context
|
important
|
|
https://www.w3.org/2000/01/rdf-schema#label
|
The Exile
|
|
gptkbp:influenced_by
|
gptkb:Kafka
gptkb:Dostoevsky
|
|
gptkbp:influences
|
South African literature
postcolonial literature
|
|
gptkbp:is_critical_for
|
extensive
|
|
gptkbp:isbn
|
978-0140286806
|
|
gptkbp:language
|
English
|
|
gptkbp:literary_devices
|
symbolism
imagery
irony
|
|
gptkbp:main_character
|
gptkb:David_Lurie
|
|
gptkbp:motif
|
gptkb:architect
gptkb:mythological_figure
|
|
gptkbp:narrative_style
|
third-person
omniscient
|
|
gptkbp:page_count
|
224
|
|
gptkbp:plot
|
non-linear
|
|
gptkbp:plot_twist
|
unexpected
|
|
gptkbp:published_by
|
gptkb:1999
|
|
gptkbp:publisher
|
gptkb:Viking_Press
|
|
gptkbp:reader_demographic
|
varied
subjective
|
|
gptkbp:release_year
|
gptkb:2013
|
|
gptkbp:setting
|
gptkb:South_Africa
gptkb:post-apartheid_South_Africa
|
|
gptkbp:significance
|
high
|
|
gptkbp:style
|
lyrical
reflective
|
|
gptkbp:symbolism
|
gptkb:government_agency
redemption
shame
|
|
gptkbp:theme
|
gptkb:TV_series
gptkb:government_agency
redemption
|
|
gptkbp:themes
|
gptkb:existentialism
freedom
morality
|