gptkbp:instance_of
|
gptkb:film_adaptation
gptkb:television_series
gptkb:stage_adaptation
gptkb:novel
|
gptkbp:adaptation
|
gptkb:television_series
gptkb:The_Eustace_Diamonds_(2010_radio_adaptation)
gptkb:The_Palliser_Novels
gptkb:radio_station
gptkb:drama
gptkb:television
gptkb:theatrical_performances
gptkb:film
The Eustace Diamonds (1974 TV series)
The Eustace Diamonds (2000 TV series)
The Eustace Diamonds (2015 stage adaptation)
The Eustace Diamonds (2019 film adaptation)
The Eustace Diamonds (novel) by Anthony Trollope
|
gptkbp:adaptation_year
|
gptkb:1974
gptkb:2002
|
gptkbp:artistic_director
|
David Allday
|
gptkbp:artistic_legacy
|
remains a classic
|
gptkbp:author
|
gptkb:Anthony_Trollope
|
gptkbp:awards
|
BAFTA nomination
|
gptkbp:based_on
|
gptkb:novel
novel by Anthony Trollope
The Eustace Diamonds (novel)
|
gptkbp:based_on_work
|
The Eustace Diamonds (novel)
|
gptkbp:box_office
|
gptkb:unknown
|
gptkbp:cast
|
gptkb:unknown
|
gptkbp:character
|
gptkb:Lady_Eustace
gptkb:Sir_Florian_Eustace
Lord Fawn
Miss Macnulty
Mr. Emilius
Mr. H. E. Eustace
|
gptkbp:character_arc
|
Lizzie's moral decline
|
gptkbp:character_development
|
Lizzie's transformation
Lizzie Eustace's ambition
Lizzie Eustace's moral ambiguity
|
gptkbp:character_motivation
|
gptkb:wealth
|
gptkbp:character_relationships
|
complex relationships
Lizzie and Sir Griffin Tewett
Lizzie and her aunt
Lizzie and her husband
Lizzie vs. family
Lizzie vs. herself
Lizzie vs. society
|
gptkbp:cinematography
|
gptkb:Peter_Hannan
David Odd
|
gptkbp:cinematography_by
|
gptkb:unknown
|
gptkbp:climax
|
gptkb:court_cases
|
gptkbp:conflict
|
inheritance dispute
|
gptkbp:costume_design
|
Annie Hardinge
|
gptkbp:country
|
gptkb:United_Kingdom
|
gptkbp:creator
|
gptkb:ITV
gptkb:Andrew_Davies
|
gptkbp:critical_analysis
|
examines class distinctions
|
gptkbp:critical_reception
|
Positive
generally positive
mixed reviews
|
gptkbp:cultural_impact
|
influenced later literature
influenced later works
|
gptkbp:cultural_references
|
often referenced in literature
|
gptkbp:design
|
gptkb:Michael_Carlin
|
gptkbp:director
|
gptkb:unknown
gptkb:David_Giles
|
gptkbp:distributor
|
gptkb:unknown
gptkb:BBC_Worldwide
gptkb:ITV_Studios
|
gptkbp:edited_by
|
gptkb:unknown
|
gptkbp:editor
|
gptkb:John_Wilson
gptkb:John_Victor-Smith
|
gptkbp:features
|
themes of greed and social status
|
gptkbp:film_editing
|
The Eustace Diamonds (2002)
|
gptkbp:filming_location
|
gptkb:United_Kingdom
|
gptkbp:first_aired
|
gptkb:1974
gptkb:2000
|
gptkbp:followed_by
|
The Prime Minister
|
gptkbp:follows
|
the story of Lizzie Eustace
|
gptkbp:format
|
gptkb:miniseries
|
gptkbp:genre
|
gptkb:Fiction
gptkb:theater
gptkb:drama
social novel
|
gptkbp:historical_context
|
reflects Victorian values
post-Industrial Revolution
|
gptkbp:historical_significance
|
reflects Victorian values
|
https://www.w3.org/2000/01/rdf-schema#label
|
The Eustace Diamonds
|
gptkbp:influences
|
gptkb:Charles_Dickens
social commentary
|
gptkbp:inspiration
|
real-life events
|
gptkbp:is_portrayed_as
|
multiple viewpoints
|
gptkbp:is_symbolic_of
|
the diamonds represent power
|
gptkbp:isbn
|
978-0199538484
978-0199538481
978-0199538485
|
gptkbp:language
|
English
|
gptkbp:last_aired
|
gptkb:1974
gptkb:2000
|
gptkbp:literary_devices
|
irony
|
gptkbp:literary_movement
|
gptkb:Victorian_literature
|
gptkbp:literary_significance
|
explores themes of morality
|
gptkbp:main_character
|
gptkb:Lizzie_Eustace
|
gptkbp:makeup_artist
|
gptkb:Michele_Burke
|
gptkbp:motif
|
gptkb:jewelry
|
gptkbp:music_by
|
gptkb:unknown
gptkb:Richard_Rodney_Bennett
|
gptkbp:music_composer
|
gptkb:John_Lunn
|
gptkbp:narrative
|
omniscient narrator
linear progression
|
gptkbp:narrative_style
|
gptkb:dialogue
third-person
omniscient narration
characterization
setting description
|
gptkbp:narrative_theme
|
gptkb:marriage
gptkb:Betrayal
gptkb:Greed
gptkb:social_class
Power dynamics
|
gptkbp:number_of_episodes
|
gptkb:4
gptkb:6
List of episodes
|
gptkbp:original_network
|
gptkb:ITV
gptkb:BBC_One
|
gptkbp:page_count
|
400
|
gptkbp:part_of
|
gptkb:The_Palliser_Novels
|
gptkbp:plot_point
|
Lizzie's manipulation of others
Lizzie's marriage proposal
the resolution of the inheritance
the theft of the diamonds
the trial for the diamonds
|
gptkbp:plot_twist
|
unexpected alliances
|
gptkbp:preceded_by
|
gptkb:Phineas_Redux
|
gptkbp:premiere
|
gptkb:unknown
|
gptkbp:premiered_on
|
gptkb:2015
|
gptkbp:produced_by
|
gptkb:theater_productions
|
gptkbp:producer
|
gptkb:unknown
|
gptkbp:production_company
|
gptkb:London_Weekend_Television
gptkb:BBC
|
gptkbp:protagonist
|
gptkb:Lizzie_Eustace
|
gptkbp:published
|
gptkb:2002
1873
|
gptkbp:published_in
|
1873
|
gptkbp:publisher
|
gptkb:Chapman_and_Hall
|
gptkbp:reader_demographic
|
varied interpretations
thought-provoking
popular among readers
|
gptkbp:received
|
critical acclaim
|
gptkbp:release_date
|
2000-09-03
|
gptkbp:release_year
|
gptkb:1974
gptkb:2019
|
gptkbp:resolution
|
Lizzie's fate
|
gptkbp:role
|
gptkb:antagonist
gptkb:supporting_character
|
gptkbp:runtime
|
gptkb:unknown
60 minutes
|
gptkbp:screenplay_by
|
gptkb:unknown
gptkb:David_Scott-Malden
|
gptkbp:series
|
Palliser novels
|
gptkbp:set_in
|
gptkb:Victorian_England
|
gptkbp:setting
|
gptkb:Victorian_England
|
gptkbp:setting_time
|
gptkb:19th_century
|
gptkbp:sound_design
|
gptkb:Paul_Davies
|
gptkbp:starring
|
gptkb:Michael_Gough
gptkb:Jill_Bennett
gptkb:David_Tennant
gptkb:Ruth_Wilson
gptkb:Peter_Capaldi
gptkb:Anna_Massey
gptkb:Juliet_Aubrey
gptkb:John_Castle
|
gptkbp:symbolism
|
the diamonds
Lizzie as a symbol of ambition
|
gptkbp:thematic_element
|
gptkb:betrayal
gptkb:justice
gptkb:loyalty
gptkb:deception
gptkb:identity
gptkb:feminism
romantic relationships
moral dilemmas
social status
ambition
gender roles
family dynamics
class and society
|
gptkbp:theme
|
gptkb:marriage
gptkb:greed
gptkb:social_class
gptkb:deception
|
gptkbp:themes
|
social status
|
gptkbp:viewership
|
2 million
|
gptkbp:writer
|
gptkb:Andrew_Davies
|
gptkbp:writings
|
explores themes of morality
|
gptkbp:written_by
|
adapted by a playwright
|
gptkbp:bfsParent
|
gptkb:L._P._Hartley
|
gptkbp:bfsLayer
|
5
|