The Entry of Christ into Brussels
GPTKB entity
Statements (47)
Predicate | Object |
---|---|
gptkbp:instanceOf |
painting
|
gptkbp:artist |
gptkb:James_Ensor
|
gptkbp:artwork |
widely acclaimed
layering inspired contemporary artists dynamic composition exploration of faith religion and politics expressive figures remains influential today influenced later artists innovative use of perspective recognized as a masterpiece impact on future art movements considered significant work unique interpretation of biblical themes contributed_to_Belgian_art_history |
gptkbp:colors |
vibrant colors
|
gptkbp:culturalHeritage |
reflects the artist's views on society
|
gptkbp:culturalImpact |
reflected societal changes
|
gptkbp:culturalSignificance |
reflects societal issues of the time
|
gptkbp:depicts |
Christ_entering_Brussels
|
gptkbp:dimensions |
200 cm × 300 cm
|
gptkbp:exhibits |
gptkb:Brussels_Art_Museum
exhibited in various galleries |
gptkbp:historicalContext |
late 19th century Belgium
|
https://www.w3.org/2000/01/rdf-schema#label |
The Entry of Christ into Brussels
|
gptkbp:influenced |
gptkb:Vincent_van_Gogh
gptkb:Symbolist_movement |
gptkbp:influencedBy |
Impressionism
|
gptkbp:influences |
modern art
|
gptkbp:inspiration |
gptkb:The_Entry_of_Christ_into_Jerusalem
|
gptkbp:location |
gptkb:Royal_Museums_of_Fine_Arts_of_Belgium
|
gptkbp:market |
high value
|
gptkbp:medium |
oil on canvas
|
gptkbp:movement |
Symbolism
|
gptkbp:notableFeature |
use of color
1890 Brussels Exhibition |
gptkbp:reproduction |
widely reproduced
|
gptkbp:reviews |
mixed reviews
|
gptkbp:style |
expressionism
fantastic realism characteristic_of_Ensor's_work |
gptkbp:symbolism |
religious and political themes
|
gptkbp:technique |
impasto
|
gptkbp:thematicElement |
chaos and celebration
|
gptkbp:yearEstablished |
1888
|