|
gptkbp:instance_of
|
gptkb:novel
gptkb:film
|
|
gptkbp:adaptation
|
gptkb:radio_station
gptkb:miniseries
gptkb:theatrical_performances
gptkb:film
gptkb:stage_play
The English Patient (film)
|
|
gptkbp:adapted_into
|
gptkb:film
|
|
gptkbp:author
|
gptkb:Michael_Ondaatje
|
|
gptkbp:awards
|
gptkb:literary_award
gptkb:Giller_Prize
gptkb:Governor_General's_Award
gptkb:9
gptkb:Booker_Prize
|
|
gptkbp:based_on
|
novel by Michael Ondaatje
Novel by Michael Ondaatje
|
|
gptkbp:box_office
|
$231 million
$78 million
231 million USD
|
|
gptkbp:budget
|
27 million USD
|
|
gptkbp:character
|
gptkb:Caravaggio
gptkb:Hana
gptkb:Kip
gptkb:Count_Laszlo_de_Almásy
gptkb:Geoffrey_Clifton
Mireille
M. H. (Mina)
|
|
gptkbp:character_arc
|
redemption
self-discovery
forgiveness
loss and grief
|
|
gptkbp:character_development
|
gptkb:complex
dynamic
emotional depth
complex characters
intertwined stories
Almásy's past
Hana's growth
Kip's journey
Madox's role
|
|
gptkbp:character_relationships
|
interconnected
Almásy and Madox
Hana and Almásy
Hana and Kip
Kip and Lord Suffolk
|
|
gptkbp:cinematography_by
|
gptkb:John_Seale
|
|
gptkbp:conflict
|
personal and political
|
|
gptkbp:country
|
gptkb:United_Kingdom
gptkb:United_States
|
|
gptkbp:critical_analysis
|
extensive
|
|
gptkbp:critical_reception
|
Positive
acclaimed
positive
highly acclaimed
|
|
gptkbp:cultural_impact
|
gptkb:significant
influential
considered a classic
influenced literature
influenced art
influenced cinema
influenced music
|
|
gptkbp:cultural_references
|
gptkb:historical_events
gptkb:politics
gptkb:poetry
gptkb:theater
gptkb:visual_arts
gptkb:religion
gptkb:literary_work
gptkb:mythology
gptkb:popular_culture
gptkb:artworks
gptkb:music
gptkb:philosophy
gptkb:psychology
gptkb:historical_figures
referenced in various media
|
|
gptkbp:cultural_significance
|
exploration of identity
impact on literature
explores themes of trauma
explores themes of belonging
post-colonial themes
impact on film
explores themes of exile
|
|
gptkbp:directed_by
|
gptkb:Anthony_Minghella
|
|
gptkbp:director
|
gptkb:Anthony_Minghella
|
|
gptkbp:distributor
|
gptkb:Miramax_Films
|
|
gptkbp:edited_by
|
gptkb:Walter_Murch
|
|
gptkbp:features
|
gptkb:Love
gptkb:historical_context
gptkb:identity
flashbacks
romantic elements
war elements
|
|
gptkbp:features_song
|
gptkb:Gabriel_Yared
|
|
gptkbp:features_voice_actors
|
gptkb:Ralph_Fiennes
gptkb:Juliette_Binoche
gptkb:Willem_Dafoe
gptkb:Kristin_Scott_Thomas
|
|
gptkbp:film_awards
|
gptkb:National_Board_of_Review_Awards
gptkb:Online_Film_Critics_Society_Awards
gptkb:Satellite_Awards
gptkb:Young_Artist_Awards
gptkb:12
gptkb:Chicago_Film_Critics_Association_Awards
gptkb:Screen_Actors_Guild_Award
gptkb:Tony_Award
gptkb:Los_Angeles_Film_Critics_Association_Awards
gptkb:Goya_Awards
gptkb:Producers_Guild_of_America_Awards
gptkb:American_Film_Institute_Awards
gptkb:Writers_Guild_of_America_Awards
gptkb:New_York_Film_Critics_Circle_Awards
gptkb:Directors_Guild_of_America_Awards
gptkb:AFI_Awards
gptkb:David_di_Donatello_Awards
gptkb:Academy_Awards
gptkb:BAFTA_Awards
gptkb:Golden_Globe_Award
|
|
gptkbp:film_festival
|
gptkb:New_York_Film_Festival
|
|
gptkbp:film_score
|
gptkb:Grammy_Award_for_Best_Score_Soundtrack_for_Visual_Media
7.4/10
|
|
gptkbp:filming_location
|
gptkb:Canada
gptkb:Italy
gptkb:Tunisia
|
|
gptkbp:genre
|
gptkb:Romance
gptkb:drama
gptkb:historical_fiction
gptkb:war
romantic drama
|
|
gptkbp:historical_context
|
gptkb:North_Africa
British colonialism
World War II impact
|
|
gptkbp:home_media_release
|
gptkb:DVD
gptkb:Blu-ray
|
|
https://www.w3.org/2000/01/rdf-schema#label
|
The English Patient
|
|
gptkbp:influence
|
Canadian literature
postcolonial literature
war literature
|
|
gptkbp:influenced
|
gptkb:film_adaptations
gptkb:literature
gptkb:film
subsequent literature
artistic interpretations
subsequent war films
|
|
gptkbp:influenced_by
|
gptkb:Virginia_Woolf
gptkb:Joseph_Conrad
gptkb:T._S._Eliot
gptkb:historical_fiction
postmodern literature
postcolonial literature
The English Patient (novel)
|
|
gptkbp:influences
|
gptkb:European_history
gptkb:The_Great_War
postmodern literature
Canadian literature
The desert
|
|
gptkbp:inspiration
|
gptkb:historical_events
real-life events
real historical figures
|
|
gptkbp:inspired
|
gptkb:film_adaptations
academic studies
film analysis
|
|
gptkbp:isbn
|
978-0-679-40024-5
978-0-679-42669-2
|
|
gptkbp:language
|
gptkb:French
gptkb:Italian
gptkb:German
English
|
|
gptkbp:main_character
|
gptkb:Hana
gptkb:Kip
gptkb:Count_László_de_Almásy
gptkb:Count_Laszlo_de_Almásy
Mireille
|
|
gptkbp:metacritic_score
|
86
85%
88%
|
|
gptkbp:motif
|
gptkb:betrayal
gptkb:displacement
gptkb:loss
gptkb:Fire
healing
travel
|
|
gptkbp:music_by
|
gptkb:Gabriel_Yared
|
|
gptkbp:narrative
|
third-person
multiple perspectives
non-linear
non-linear storytelling
interwoven stories
|
|
gptkbp:narrative_style
|
lyrical
stream of consciousness
multiple perspectives
poetic
flashbacks
non-linear
|
|
gptkbp:notable_quote
|
" I am the English patient."
" I can't remember anything."
" The world is a place of suffering."
" There is a story that I must tell."
|
|
gptkbp:page_count
|
320
|
|
gptkbp:premiere
|
gptkb:New_York_Film_Festival
|
|
gptkbp:premiered_on
|
gptkb:New_York_Film_Festival
|
|
gptkbp:produced_by
|
gptkb:Saul_Zaentz
|
|
gptkbp:production_company
|
gptkb:Warner_Bros.
gptkb:Mirage_Enterprises
|
|
gptkbp:published
|
gptkb:1992
|
|
gptkbp:published_in
|
gptkb:1992
|
|
gptkbp:publisher
|
Knopf
|
|
gptkbp:reader_demographic
|
varied
widely read
studied in academia
popular among book clubs
|
|
gptkbp:release_date
|
November 6, 1996
|
|
gptkbp:release_year
|
gptkb:1996
|
|
gptkbp:released
|
gptkb:1996
|
|
gptkbp:released_in
|
gptkb:1996
|
|
gptkbp:runtime
|
162 minutes
|
|
gptkbp:scholarly_analysis
|
frequent
|
|
gptkbp:screenplay_by
|
gptkb:Anthony_Minghella
|
|
gptkbp:set_in
|
gptkb:Italy
gptkb:North_Africa
gptkb:World_War_II
|
|
gptkbp:setting
|
gptkb:North_Africa
gptkb:World_War_II
Italian villa
|
|
gptkbp:setting_time
|
1940s
|
|
gptkbp:sound_design
|
gptkb:Richard_King
|
|
gptkbp:starring
|
gptkb:Ralph_Fiennes
gptkb:Juliette_Binoche
gptkb:Willem_Dafoe
gptkb:Kristin_Scott_Thomas
|
|
gptkbp:symbolism
|
gptkb:maps
gptkb:desert
gptkb:Fire
gptkb:letters
gptkb:the_English_patient
the airplane
the fire
the war
the map
the desert
|
|
gptkbp:themes
|
gptkb:betrayal
gptkb:loss
gptkb:identity
gptkb:memory
gptkb:war
love
|
|
gptkbp:translated_into
|
multiple languages
|
|
gptkbp:won
|
gptkb:Booker_Prize
Best Motion Picture – Drama
|
|
gptkbp:won_award
|
gptkb:Cannes_Film_Festival_Best_Costume_Design
gptkb:Academy_Award_for_Best_Adapted_Screenplay
gptkb:Academy_Award_for_Best_Cinematography
gptkb:Academy_Award_for_Best_Director
gptkb:Academy_Award_for_Best_Film_Editing
gptkb:Academy_Award_for_Best_Original_Score
gptkb:Academy_Award_for_Best_Picture
gptkb:Academy_Award_for_Best_Supporting_Actress
gptkb:Best_Editing
gptkb:Booker_Prize
|
|
gptkbp:bfsParent
|
gptkb:Michael_Ondaatje
gptkb:1997_Oscars
gptkb:Ralph_Fiennes
gptkb:Golden_Globe_Award_for_Best_Motion_Picture_–_Drama
gptkb:Swept_Away
gptkb:Academy_Award_for_Best_Cinematography
gptkb:Best_Supporting_Actor
gptkb:Juliette_Binoche
gptkb:Cannes_Film_Festival
gptkb:Venice_Film_Festival
gptkb:Willem_Dafoe
gptkb:Focus_Features
gptkb:Metro-Goldwyn-Mayer
gptkb:Gabriel_Yared
gptkb:Matthew_Modine
gptkb:Colin_Firth
gptkb:Martha
gptkb:Academy_Award_for_Best_Production_Design
gptkb:Booker_Prize
|
|
gptkbp:bfsLayer
|
4
|