|
gptkbp:instance_of
|
gptkb:film
|
|
gptkbp:box_office
|
$250 million
|
|
gptkbp:budget
|
$90 million
|
|
gptkbp:character
|
gptkb:Rachel_F._Dean
gptkb:Robert_Clayton_Dean
Brill
NSA Director
Thomas Brigham
|
|
gptkbp:cinematography_by
|
gptkb:Dariusz_Wolski
|
|
gptkbp:critical_reception
|
mixed reviews
|
|
gptkbp:cultural_impact
|
discussions on civil liberties
inspiration for other films
increased awareness of surveillance technology
|
|
gptkbp:directed_by
|
gptkb:Tony_Scott
|
|
gptkbp:distributor
|
gptkb:Touchstone_Pictures
|
|
gptkbp:edited_by
|
gptkb:Christian_Wagner
|
|
gptkbp:filming_location
|
gptkb:Washington,_D._C.
gptkb:Maryland
|
|
gptkbp:genre
|
gptkb:action
gptkb:thriller
|
|
gptkbp:home_media_release
|
gptkb:DVD
gptkb:Blu-ray
|
|
https://www.w3.org/2000/01/rdf-schema#label
|
The Enemy of the State
|
|
gptkbp:influenced_by
|
gptkb:The_Pelican_Brief
gptkb:The_Conversation
gptkb:The_Bourne_Identity
gptkb:Three_Days_of_the_Condor
privacy concerns
government overreach
Enemy of the State (novel)
real-life surveillance issues
|
|
gptkbp:language
|
English
|
|
gptkbp:music_by
|
gptkb:Harry_Gregson-Williams
|
|
gptkbp:plot
|
A lawyer becomes a target after receiving evidence of a politically motivated murder.
|
|
gptkbp:produced_by
|
gptkb:Jerry_Bruckheimer
|
|
gptkbp:production_company
|
gptkb:Jerry_Bruckheimer_Films
gptkb:Touchstone_Pictures
|
|
gptkbp:rating
|
gptkb:R
|
|
gptkbp:release_date
|
November 20, 1998
|
|
gptkbp:released_in
|
gptkb:1998
|
|
gptkbp:remake
|
gptkb:none
|
|
gptkbp:runtime
|
132 minutes
|
|
gptkbp:screenplay_by
|
gptkb:David_Marconi
|
|
gptkbp:sequel
|
gptkb:none
|
|
gptkbp:starring
|
gptkb:Will_Smith
gptkb:Jon_Voight
gptkb:Gene_Hackman
|
|
gptkbp:bfsParent
|
gptkb:Jan_Guillou
|
|
gptkbp:bfsLayer
|
8
|