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gptkbp:instance_of
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gptkb:novel
|
|
gptkbp:adaptation
|
gptkb:theater
gptkb:film
|
|
gptkbp:author
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gptkb:Graham_Greene
|
|
gptkbp:character_development
|
gptkb:complex
|
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gptkbp:character_relationships
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gptkb:marriage
gptkb:vulnerability
gptkb:betrayal
gptkb:loss
gptkb:friendship
self-doubt
cynicism
insecurity
obsessiveness
affair
|
|
gptkbp:conflict
|
ambiguous
love triangle
|
|
gptkbp:critical_reception
|
well-received
|
|
gptkbp:cultural_impact
|
influential
|
|
gptkbp:film_editing
|
gptkb:The_End_of_the_Affair_(1999)
|
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gptkbp:genre
|
literary fiction
|
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gptkbp:historical_context
|
post-World War II
|
|
https://www.w3.org/2000/01/rdf-schema#label
|
The End of a Love Affair
|
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gptkbp:influenced
|
post-war literature
|
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gptkbp:influenced_by
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gptkb:modernism
|
|
gptkbp:inspiration
|
Greene's own experiences
|
|
gptkbp:language
|
English
|
|
gptkbp:literary_devices
|
foreshadowing
flashback
|
|
gptkbp:literary_significance
|
explores human relationships
|
|
gptkbp:main_character
|
gptkb:Maurice_Bendrix
|
|
gptkbp:mood
|
gptkb:melancholic
|
|
gptkbp:narrative_focus
|
inner thoughts
|
|
gptkbp:narrative_style
|
first-person
stream of consciousness
|
|
gptkbp:notable_quote
|
“ I had a love affair with a woman who was not my wife.”
|
|
gptkbp:protagonist
|
gptkb:Writer
|
|
gptkbp:published
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1951
|
|
gptkbp:reader_demographic
|
introspection
emotional engagement
reflection on love
|
|
gptkbp:setting
|
gptkb:London
|
|
gptkbp:significance
|
reflects emotional state
|
|
gptkbp:style
|
lyrical
|
|
gptkbp:symbolism
|
gptkb:letters
gptkb:memory
rain
|
|
gptkbp:theme
|
gptkb:betrayal
gptkb:jealousy
love
|
|
gptkbp:themes
|
gptkb:existentialism
faith
morality
doubt
human condition
|
|
gptkbp:viewpoint
|
subjective
|
|
gptkbp:bfsParent
|
gptkb:Lady_in_Satin
gptkb:Sinatra_Sings_for_Only_the_Lonely
gptkb:In_the_Wee_Small_Hours
|
|
gptkbp:bfsLayer
|
4
|