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gptkbp:instance_of
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gptkb:film
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gptkbp:bfsLayer
|
3
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gptkbp:bfsParent
|
gptkb:Wim_Wenders
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gptkbp:awards
|
Nominated for Best Director
Nominated for Best Cinematography
Nominated for Best Original Score
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gptkbp:box_office
|
$1.5 million
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gptkbp:budget
|
$10 million
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gptkbp:character
|
gptkb:Detective
gptkb:The_Stranger
gptkb:Artist
Mike Max
Rachel Max
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|
gptkbp:cinematography
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gptkb:Robbie_Müller
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gptkbp:country
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gptkb:United_States
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gptkbp:critical_reception
|
mixed reviews
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gptkbp:cultural_impact
|
explores themes of violence in society.
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gptkbp:directed_by
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gptkb:Wim_Wenders
|
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gptkbp:distributor
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gptkb:Miramax_Films
|
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gptkbp:edited_by
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gptkb:Peter_Przygodda
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gptkbp:film_festival
|
gptkb:film_festival
gptkb:Toronto_International_Film_Festival
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|
gptkbp:filming_location
|
gptkb:California
|
|
gptkbp:genre
|
gptkb:High_School
gptkb:film
|
|
https://www.w3.org/2000/01/rdf-schema#label
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The End of Violence
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gptkbp:influenced_by
|
American cinema.
European cinema.
avant-garde film.
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gptkbp:influences
|
gptkb:existentialism
gptkb:postmodernism
surrealism
film noir
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|
gptkbp:language
|
English
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gptkbp:music_by
|
gptkb:Jürgen_Knieper
|
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gptkbp:plot
|
A man involved in a violent incident tries to escape his past.
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|
gptkbp:premiere
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gptkb:Cannes_Film_Festival_1997
|
|
gptkbp:produced_by
|
gptkb:Wim_Wenders
Francesca M. M. de la Torre
|
|
gptkbp:rating
|
gptkb:R
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|
gptkbp:release_date
|
May 21, 1997
|
|
gptkbp:released_in
|
gptkb:1997
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|
gptkbp:runtime
|
123 minutes
|
|
gptkbp:screenplay_by
|
gptkb:Wim_Wenders
gptkb:David_Byrne
|
|
gptkbp:setting
|
gptkb:Los_Angeles
|
|
gptkbp:soundtrack
|
gptkb:David_Byrne
|
|
gptkbp:starring
|
gptkb:Louise_Fletcher
gptkb:Andie_Mac_Dowell
gptkb:Gabriel_Byrne
gptkb:Bill_Pullman
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|
gptkbp:theme
|
violence and its consequences
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|
gptkbp:viewing_platform
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gptkb:DJ
gptkb:film
streaming services.
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