|
gptkbp:instance_of
|
gptkb:book
|
|
gptkbp:adaptation
|
gptkb:none
|
|
gptkbp:adapted_into
|
gptkb:theatre
short films
radio plays
|
|
gptkbp:art_movement
|
Argentine literature
|
|
gptkbp:author
|
gptkb:Jorge_Luis_Borges
|
|
gptkbp:characteristics
|
metafictional elements
|
|
gptkbp:contains
|
gptkb:anthology
|
|
gptkbp:country
|
gptkb:Argentina
|
|
gptkbp:critical_reception
|
positive
|
|
gptkbp:cultural_impact
|
gptkb:significant
|
|
gptkbp:discusses
|
the concept of time
the nature of existence
the impact of technology on society
the role of memory in identity
the idea of the afterlife
|
|
gptkbp:explores
|
the nature of reality
the concept of infinity
the limits of knowledge
the role of the author
the relationship between fiction and truth
|
|
gptkbp:features
|
philosophical essays
cultural commentary
historical references
fictional encyclopedias
imaginary entries
|
|
gptkbp:genre
|
gptkb:Author
|
|
https://www.w3.org/2000/01/rdf-schema#label
|
The Encyclopedia of the Dead
|
|
gptkbp:influenced
|
gptkb:literary_work
Latin American literature
postmodern literature
contemporary writers
|
|
gptkbp:influenced_by
|
magical realism
|
|
gptkbp:inspiration
|
Borges' own experiences
|
|
gptkbp:is_available_in
|
multiple formats
|
|
gptkbp:is_recognized_by
|
a classic of world literature
|
|
gptkbp:isbn
|
978-950-04-0001-0
|
|
gptkbp:language
|
gptkb:Spanish
|
|
gptkbp:narrative_style
|
non-linear
|
|
gptkbp:notable_work
|
gptkb:Jorge_Luis_Borges
|
|
gptkbp:official_language
|
gptkb:Spanish
|
|
gptkbp:page_count
|
gptkb:television_series
|
|
gptkbp:part_of
|
Borges' literary canon
|
|
gptkbp:published_by
|
gptkb:1984
gptkb:Argentina
|
|
gptkbp:publisher
|
gptkb:Emecé_Editores
|
|
gptkbp:related_to
|
gptkb:The_Aleph
gptkb:Ficciones
|
|
gptkbp:setting
|
various locations
|
|
gptkbp:style
|
philosophical
|
|
gptkbp:themes
|
gptkb:TV_series
gptkb:Magic:_The_Gathering_set
gptkb:cemetery
|
|
gptkbp:translated_into
|
gptkb:Alastair_Reid
English
|
|
gptkbp:bfsParent
|
gptkb:Danilo_Kiš
|
|
gptkbp:bfsLayer
|
5
|